Tuesday, January 31, 2017

Tanator/Possessed By Madness, Possessed By War/Grotedque Sounds Records/Narcoleptica Productions/2016 CD Re-Issue Review Review


  Tanator  are  a  band  from  Russia  that  plays  a  blackened  form  of  thrash  metal  and  this  is  a  review  of  their  2014  album  "Possessed  By  Madness,  Possessed  By  War"  which  was  released  as  a  joint  effort  between  Grotesque  Sounds  Records  and  Narcoleptica  Productions.

  Sounds  of  wind  start  off  the  album  before  adding  in  heavy  yet  melodic  guitar  riffing  and  drums  and  all  of  the  musical instruments  have  a  very  powerful  sound  to  them and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  along  with  some  high  pitched  black  metal  screams  and  back  up  shouts  are  also  used  at  times.

  A  great  amount  of  old  school  thrash  metal  elements  can  be  heard  in  the  guitar  riffing  and  the  songs  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  while  the  solos  and  leads  remain  true  to  an  80's  style  of  extreme  metal  and  some  of  the  riffing  also  adds  in  a  touch  of  crust  and  the  album  also  remains  very  heavy  from beginning  to  ending  of  the  recording.

  Tanator  plays  a  musical  style  that  mixes  black  and  thrash  metal  together  with  a  touch  of  crust  punk  to  create  a  sound  of  their  own,  the  production  sounds  very  powerful  while  the  lyrics  cover  dark,  violent,  and  anti  religion  themes.

  In  my  opinion  Tanator  are  a  very  great  sounding  blackened  thrash  metal  band  and  if  you  are  a  fan  of  this musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS INCLUDE  "Siberian  Hell"  "Chaos"  "Holidays  In  the  Church"  and  "Prison".  8  out  of  10.   

Bandcamp
Facebook
VKontakte

Sunday, January 29, 2017

Lantern/II: Morphosis/Dark Descent Records/2017 CD Review


  Lantern  are  a  band  from  Finland  that h as  been  featured  before  in  this  zine  and  plays  a  blackened  form  of  death  metal  and  this  is  a  review  of their  2017  album  "II:  Morphosis"  which  will  be  released  in  March  by  Dark  Descent  Records.

  A  very  heavy  sound  along  with a  great amount  of  dark  sounding  melodies  start  off  the  album  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  after  awhile  death  metal  growls  are  added  onto  the  recording  and  the  solos  and leads are  done  in  a  very  melodic  fashion  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard.

  Throughout  the  recording  there  is  a  great  mixture  of  slow,  mid paced  and  fast  parts  and  a  great  amount  of  black  metal  influences  can  be  heard  throughout  the  recording  and  the  music  also  brings  in a   great  amount  of  90's  influences  while  also  sounding  very  modern  at  the  same  time and  there  is  also  a  brief  use  of  clean  playing  and  synths  along  with  a  couple of   instrumental  tracks  while  later  songs  bring  back  vocals  along  with  elements  of  thrash  and  grindcore  and  a  couple  of  songs  are  very  long  and  epic  in  length.

  On  this  recording  Lantern  change  their  sound  around  a  bit  and  add  in  more  of  a  90's  style  of  death  metal  with  some  thrash  and  grind  elements  while  some  black  metal  influences  remain,  the  production  sounds  very  professional  while  the  lyrics  cover  hell,  evil  and  death  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Lantern  and  if  you  are  a  fan  of  blackened  death  metal  with  touches  of  thrash  and  grind,  you  should  check  out  this  album.  RECOMMENDED  TRACKS   INCLUDE  "Black  Miasma"  "Cleansing  Of  the  Air"  and  "Lucid  Endlessness".  8  out  of  10.

facebook.com/lantern666

Thursday, January 26, 2017

Demonic Resurrection/Dashavatar/Demonstealer Records/2017 CD Review


  Demonic  Resurrection  are  a  band  from  India  that  has  been  featured  before  in  this  zine  and  plays  an  epic  and  progressive  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2017  album  "Dashavatar"  which  will  be  released  in  March  by  Demonstealer  Records.

  Spoken  word  parts  and  atmospheric  synths  start  off  the  album  and  a  few  seconds  later  India  style  folk  instruments  are  added  onto  the  recording  and  also  mix  in  with  the  heavier  material  while  the  solos  and  leads  are  done  in  a  very  melodic  and  progressive  style  and  the  vocals  are  mostly  death  metal  growls.

  When  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  and  symphonic  elements  are  also  used  at  times  and  the songs  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  black  metal  screams  are  also  utilized  at  times  and  a  great  portion  of  the  tracks  are  very  long  and  epic  in  length  and  some  tracks  also  bring  in  a  small  amount  of  melodic  singing  along  with  a  brief  use  of  female  vocals  and  some  tracks  also  bring in  clean  guitars.

  Demonic  Resurrection  creates  a  recording  that  continues  the  epic  and  progressive  mixture  of  black  and  death  metal  from  previous  recordings  while  also  mixing  in  elements  of  Indian  folk  music this  time  around  to  create  something  very  different,  the  production  sounds  very  professional  while  the  lyrics cover Indian,  Hindu  and  Vedic  Mythology.

  In  my  opinion  this  is  another  great  sounding  recording  from  Demonic  Resurrection  and  if  you  are  a  fan  of  epic  and  progressive  blackened  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Matsya  -  The  Fish"  "Vamana  -  The  Dwarf"  "Krisha  - The  Cowherd"  and  "Kalki  - The  Destroyer Of  Filth".  8  out  of  10.

NEW Demonic Resurrection Facebook Page

   

Saccage/Death Crust Satanique/PRC Music/2017 CD Re-Issue Review


  Saccage  are  a  band  from  Quebec,  Canada  that  has  been  featured  before  in  this  zine  and  plays  a  mixture  of  black,  death,  thrash  metal  and  crust  and  this  is  a  review  of  their  2012  album  "Death Crust  Satanique"  which  will  be  re-issued  in  March  by  PRC  Music.

  A  very  heavy  thrash  metal  influenced  sound  starts  off  the  album  along  with  blast  beats  and  black  metal  screams  being  added  onto  the  recording  a  few  seconds  later  and  growls  can  also  be  heard  at  times  and  after  awhile  the  music  starts  incorporating  more  crust  and  d  beat  elements  and  some  of  the  riffing brings  in  a  small  amount  of  melody.

  Throughout  the  recording  there  is a   great  mixture  of  slow,  mid  paced  and  fast  parts  and  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording  and  some  of  the  tracks  are  very  short   in  length  and  back  up  shouts  are  also  added  onto  some  of  the  tracks  and  one  track  also  brings  in  a brief  use  of  demonic  voices  and  none  of  the  songs  ever  use  any  guitar  solos  or  leads  while  the  album  remains  very  heavy  from  beginning  to  ending  of  the recording.

  On  this  recording  Saccage  took  black,  death,  thrash  metal  and  crust  and  mixed  them  together  to  create  a  very  heavy  sounding  recording,  the  production  sounds  very  professional  while  the  lyrics  are  written  in  a  mixture  of  French  and  English  and  cover  Evil,  Satanism,  Anarchy,  alcohol,  and  Drugs  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Saccage  and  if  you a re  a  fan  of  black,  death,  thrash  metal  and  crust  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  re-issue. RECOMMENDED  TRACKS  INCLUDE  "Motorcrust"  "beer,  Dope  And  Evil"  "Death  Crust  Satanique"  and  "Merci  Pour  Tout  Satan".  8  out  of  10.   

https://prcmusic.bandcamp.com/album/saccage-death-crust-satanique-cd

 

Monday, January 23, 2017

Fight The Fight/Self Titled/Indie Recordings/2017 CD Review


  Fight  The  Fight  are  a  band  from  Norway  that  plays  a  mixture  of  black  metal,  metlacore,  punk  and  modern  rock  and  this  is  a  review  of  their  self  titled  2017 album  which  will  be  released  on  January  27th  by Indie  Recordings.

  Black  metal  screams  along  with  melodic  riffing  and  death  metal  growls  start  off  the  album  along  with  metalcore  style  breakdowns  a  few  seconds  later  and  the  riffs  also  bring  in  a  decent  amount  of  groove  and  melody  and  clean  singing  vocals  are  also  used  at  times  and  the  solos  and  leads  are  also  done  in  a  very  melodic  fashion.

  Elements of  punk  can  also  be  heard  throughout the  recording  while  some  of  the  riffing  adds  in  a  modern  modern  style  of  mainstream  rock  and  as  the  album progresses  clean  playing  can  be heard  briefly  and  keyboards  along  with  touches  of  electronic  music  can  also  be  heard  at  times  and  the  songs  stick  to  a  mid paced  direction  and  blast  beats  are  also  used  for  a  few  seconds.

  Fight  The  Fight  plays  a  musical  style  that  takes  black  metal,  metalcore,  punk  and  modern  rock  and  mixes  them  together  to  create  something  very  original,  the  production  sounds  very  professional  while  the  lyrics  cover  real  life  themes.

  In  my opinion  Fight  The  Fight  are  a  very  great  sounding  mixture  of  black  metal,  metalcore,  punk,  and  modern  rock  and  if  you  are  looking  for  something  original,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Fight  The  Fight"  "Perfect  Combination"  and  "Patient  Zero".  8  out  of  10.

www.fightthefight.no


 

Mourning Dawn Interview


1.Can you give us an update on what has been going on with the band since the recording of the new album?



After the release of “Les sacrifiés”, we got really great reactions and played gigs all along Europe. Then, life, the label stopped his activities (and ripping us off, also..) and I moved 800km away from Paris, where the band is located, cause I was sick of this big city. As Mourning Dawn is the band in which I create everything, we had to find a solution to keep this band alive considering these new conditions. I worked a lot then for the band, from a distance, and tried to create something new and never done whereas it is the concept or the atmosphere. That led me to create the concept of this Ep “Waste” which is, from what I know, previously never done in the metal genre (I don’t count Neurosis as “metal”). I also composed the 4th album which will be recorded this year. Then started a new band called WASTES, which its first album will be released on code666 in April 2017. Some gigs and touring in Asia are scheduled as well for this year.





2.You have a new album coming out at the end of January, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?



This is not an album. It’s a conceptual Ep. I wanted to create something ambitious, something I’ve never heard before in the Ug metal genre. I just composed a long song during one of those hard times we all have to get through, and I just had the idea to compose another one that you could play altogether. Like a distorted echo. Two depressed songs that would make something even more depressed. The style is style typical from what we usually play, a mix of extreme doom metal and a black metal way of playing



3.What are some of the lyrical topics and subjects the band explores with the newer music?



No surprises. Loss in general. I read a lot, poetry, surrealists writers, classic French literature, philosophy.. But Im not that kind of self sufficient musician that is going to try to convince their listeners of some simplistic thoughts, or pretend to be more intelligent than them. We are playing depressive music and just talking about all the shit that can happen in our lives, with a special focus on lost innocence and perpetual mourning each time we are moving forward.



4.What is the meaning and inspiration behind the name 'Mourning Dawn'?



If you ever have been depressed, I mean “for real”, nothing like that emo trend where people like to show how shitty their life is, then you would know how painful waking up in the morning could be… It’s a pretty old name though, I was like 18 years old when I chose that, but I definitely had no other choice than to use this one, cause that was my life back in the days.



5.Originally the band started out as a solo project, what was the decision behind forming a full line up?



People got some interest in the project, after the release of its first album,  and I had gig offers. I was playing in Inborn Suffering at that time, so I knew a lot of people in the doom metal scene, and it was easy for me to find people willing to play live. I wasn’t really interested in the beginning, and Im still cautious to the idea of playing numerous gigs because I’d like to keep an obscure atmosphere which is hard to create “live”, but sometimes it’s great to share what you are doing with your fans.



6.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?



I don’t know, perhaps a gig we played in London with big names such as Moonspell and lots of good friends in the doom scene. It was like playing in the family hehe. People that see us describe us as “intense” and “heavy”, which is not a surprise considering our style. On my side, I could say that I give everything, especially with the vocals, which is mostly the main reason why Im cautious to not play too often.



7.Do you have any touring or show plans once the new album is released?



I chose to refuse every gig proposal until this summer, because i am too busy with different projects (including Mourning Dawn) and we are having a line up change. But we have a tour in Asia scheduled (our albums have been released there by a Chinese label there) and I have to admit i am quite excited about it ! I guess we’ll play in Europe again, and probably tour there in 2018.



8.On a worldwide level how has the feedback been to your music by fans of black and funeral doom metal?



That is one of the recurrent conversations I can have about our music. You know, metalheads are not really know to be that open minded, even if the scene is growing older, extreme metal is a genre with “rules” etc… But I am surprised by the reactions, it seems we gained a reputation over the two genres, we have fans from both sides, even if we are too often labelized as “doom metal” which is not true to me. I am hoping this is because people don’t really care about the genres and just get focused on the darkness we are trying to express.



9.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?



I started a new international band called WASTES, which is typical extreme doom metal like bands as Wormphlegm, Abandon, Funeralium etc. Im guest singing from time to time in Ataraxie and Ive some secret projects which I hope to talk about in a near future hehe. Vincent is playing in a celtic metal band called Bran Barr, and our new guitarists Fred is also the guitarist in Ataraxie.



10.Where do you see the band heading into musically during the future?



I have no idea. Its clear that we’ll try to get out of the boundaries of a specific genre. Im really interested into acoustic foolish stuff, like artists like Matt Elliott for example, or to continue weird project like this Ep, I have some ideas for the future. But the one sure thing is that we’ll stay in a extreme and depressive style, doesn’t matter the way of playing.



11.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?



Im still a doom metal addict, but I don’t listen to depressive black metal for example, its definitely too whiny for me. I remember that wave of emo bedroom black metal, Im glad this is over now. Im listening to a lot of folk rock stuff, like Shannon Wright or Wovenhand  for example which are far more depressed that a lot of doom bands for example. Im right now listening to Amber Asylum, which is totally not metal but the atmosphere is…lovely. I guess, everything dark can have an influence. For now, we stayed on a classical path of dark/doom metal with lots of guitars etc, but perhaps it will change in the future. On this last Ep I have to admit I wanted to add industrial influences because I’ve always been a Godflesh fan, and despite what people told me, I still think you can mix it with slow depressive stuff.



12.Before we wrap up this interview, do you have any final words or thoughts?



Thanks for letting me talk about my art. Stay sick.

Laurent – Mourning Dawn

Bandcamp
Facebook
Myspace
ReverbNation

Sunday, January 22, 2017

Rotem/Nacao Valente E Immortal/Rot'em Records/2017 Full Length Review


  Rotem  are  a  solo  project  from  Portugal  that  has  been  featured  before  in  this  zine  and  plays  a  progressive  form  of  blackened  death  metal  and  this  is  a  review  of  his  2017  album  "Nacao  Valente E  Immortal"  which  was  released  by  Rot'em  Records.

  A  very  heavy  sound  along  with  melodic  guitar  leads  start  off  the  album  and  the  riffs  also  use  a  decent  amount  of  melody  while  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording  and  after  the  intro  black  metal  screams  are  added  onto  the  recording  along  with  some  synths  in  the  background.

  At  times  the  riffs  can  be  very  progressive  while  also  remaining  very  heavy  at  the  same  time  and  death  metal  growls  are  also  utilized  at  times  and  some  songs  also  bring  acoustic  guitars  onto  the  recording  and  there  is also  a  brief  use  of  grim  spoken  word  parts  and  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard.

  A  few  tracks   are  very  long  and  epic  in  length  and  as  the  album  progresses  the  riffing  starts  getting  more  technical  and  female  vocals  are also  used  briefly  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  there  is  also  a  brief  use  of  male  clean  singing  vocals  and  the  songs  also  bring  in  a  great  amount  of  diversity.

  Rotem  creates  a  recording  that  is  still  very  much  rooted  in  a  blackened  death  metal  style  while  also  getting  more  progressive  and  experimental  at  the  same  time,  the  production  sounds  very  professional  while  the  lyrics  are  written  in  Portuguese  and  cover  dark  and  political  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Rotem  and  if  you  are  a  fan  of  progressive  blackened  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Viriato"  "Nevoeiro" "Escravos  Do  Sistema"  and  "Sinfonia  Utopica".  8  out  of  10.

https://www.youtube.com/watch?v=hL4KK-jfU6o&feature=youtu.be