Thursday, July 15, 2021

The Cauldron Of Darkness/Genesis/2021 FUll Length Review

 


  The  Cauldron  Of  Darkness  are  a  solo  project  from  Stockton,  California  that  plays  an  instrumental,  avant  garde,  dissonant  and  atmospheric  mixture  of  black  and  doom  metal  and  this  is  a  review  of  his  self  released  2021  album  "Genesis".


  Synths  start  off  the  album  along  with  some  clean  playing  a  few  seconds  later  before  going  into  a  heavier  musical  direction.  Elements  of  doom  metal  are  also  added  into  the  slower  sections  of  the  songs  while  melodies  are  also  added  into  some  of  the  guitar  riffing  and  all  of  the  musical  is  also  instrumental.


  Dissonant  structures  are  also  added  into  some  of  the  riffing  while  all  of  the  tracks  are  also  very  long  and  epic  in  length.  Elements  of  atmospheric  black  metal  can  also  be  heard  at  times  along  with  some  blast  beats  also  being  utilized  when  the  music  speeds  up  as  well  as  some  songs  also  adding  in  some  clean  playing  which  also  gives  the  album  more  of  an avant  garde  touch,  when  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style.


  The  Cauldron  of  Darkness  plays  a  musical  style  that  takes  the  atmospheric,  dissonant  and  avant  garde  sides  of  black  metal  and  mixes  it  with  doom  metal  to  create  a  sound  of  his  own  as  well  as  keeping  everything  instrumental  while  the  production  sounds  very  dark.


  In  my  opinion  The  Cauldron  Of  Darkness  are  a  very  great  sounding  instrumental,  avant  garde,  atmospheric  and  dissonant  mixture  of  black  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Genesis"  "Constellation"  and  "The  Pale  Rider".  8  out  of 10.


https://www.facebook.com/TheCauldronOfDarkness

https://www.instagram.com/thecauldronofdarkness/      

Wednesday, July 14, 2021

Kade Storm/Ascension/Narcoleptica Productions/2021 CD Review

 


  Kade  Storm  is  a  solo  artist  from  the  United  Kingdom  that  plays  an  atmospheric  and  blackened  form  of  doom  metal  and  this  is  a  review  of  his  2021  album  "Ascension"  which  will be  released  in  August  by  Narcoleptica  Productions.


  Dark  soundscapes  start  off  the  album  before  going  into  a  heavier  direction  while  the  slower  sections  of  the  songs  also  bring  in  elements  of  doom  metal.  All  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.


  When  the  music  speeds  up  a  decent  amount  of  blast  beats  and  black  metal  style  tremolo  picking  can  also  be  heard  while  all  of  the  drum  beats  are  also  programmed.  Vocals  are done  mostly  in  a    death  metal  growling  style  mixed  in  with  other  influences  along  with  some  melodies  also  being  added  into  some  of  the  guitar  riffing.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  music  also  having  its  atmospheric  moments  as  well  as  some  synths  also  being  utilized  briefly.  The  production  sounds  very  professional  while  the  lyrics  cover  Darkness  and  Occultism  themes.


  In  my  opinion  Kade  Storm  are  a  very  great  sounding  atmospheric  black  doom  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACK  "Cursed  Invocation".  8  out  of  10.


Website: https://kadestorm.bandcamp. com/album/ascension
Bandcamp: https://kadestorm.bandcamp. com/album/ascension
Facebook: https://www.facebook.com/ kadestormmusic
Spotify: https://open.spotify.com/ search/kade%20storm% 20ascension
Twitter: https://twitter.com/Kade_Storm

Soundcloud: https://soundcloud.com/ kadestorm/sets/ascension-lp  

Tuesday, July 13, 2021

Stenho/War Dance/7 Degrees Records/Chaos & Hell Productions/2021 Full Length Review

 


  Stenho  are  a  band  from  Greece  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  mixture  of  black,  death  metal,  crust  and  grindcore  and this  is  a  review  of  their  2021  album  "War  Dance"  which  will  be  released  in  October  as  a   joint  effort  between  7  Degrees  Records  and  Chaos  &  Hell  Productions.


  The  sounds  of  war  start  off  the  album  before  going  into  more  of  a  heavier  and  melodic  direction  while  blast  beats  and  tremolo  picking.  are  also  added  into  some  of  the  faster  sections  of  the  songs.  Angry  sounding  black  metal  screams  are  also  utilized  quite  a  bit  throughout  the  recording  and  the  music  also  mixes  in  the  brutality  of  grindcore.


  A  great  portion  of  the  tracks  are  also  very  short  in  length  while  the  music  also  brings  in  a  great  amount  of  crust  elements.  Influences  of  death  metal  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them,  war  samples  also  make  a  return  on  some  of  the  later  tracks  as  well  a  small  amount  of  synths  also  being  utilized  towards  the  end


  On  this  recording  Stencho  takes  black,  death  metal,  crust  and  grindcore  to  create  a  very  fast  and  brutal  musical  style.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  covering  war  themes.


  In  my  opinion  this  is  another  great  recording  recording  from  Stenho  and  if  you  are  a  fan  of  black,  death  metal,  crust  and  grindcore,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Bestial  Battalion"  "Snake  Eater"  "Dishonored  Bodybag"  and  'biute  the  Bullet".  8  OUT  OF  10.


https://www.facebook.com/sthenoband

https://stheno.bandcamp.com

https://www.instagram.com/sthenohooliganism/      

Monday, July 12, 2021

Vouna/Atropis/Profound Lore Records/2021 Full Length Review

 


  Vouna  are  a  solo  project  from  Olympia,  Washington  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  a  mixture  of  atmospheric  black  and  funeral  doom  metal  with  elements  of  dungeon  synth  and  darkwave  and  this  is  a  review  of  her  2021  album  "Atropis"  which  will  be  released  on  July  16th  by  Profound  Lore  Records. 


  Eclectic  lap  steel's  start  off  the  album  along  with  some  clean  vocals  a  few  seconds  later  which  also  adds  in  touches  of  darkwave  while  the  slower  sections  of  the  songs  also  add  in  the  heaviness  of  funeral  doom  metal.  When  the  music  speeds  up  a  decent  amount  of  blast  beats  and  black  metal  style  tremolo  picking  can  also  be  heard.


  At  times  the  music  also  gets  very  atmospheric  sounding  while  the  synths  also  bring  elements  of  dungeon  synth  onto  the  recording.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  most  of  the  tracks  also  being  very  long  and  epic  in  length  and  melodies  are  also  added  into  some  of  the  riffing.


  Orchestra  style  structures  can  also  be  heard  in  some  parts  of  the  album  along  with  some  tracks  also  adding  in  harp's,  violins  and  touches  of  folk  music  as  well  as  one  track  also  introducing  high  pitched  black  metal  screams  onto  the  recording.  The  production  sounds  very  professional  while  the  lyrics  cover  death,  mourning  and  suicidal  ideation  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Vouna  and  if  you  are  a  fan  of  atmospheric  black  and  funeral  doom  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE "Highest  Mountain"  and  "What  Once  Was".  8  out  of  10.


Bandcamp
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Thursday, July 8, 2021

Summoner's Circle/Chaos Vector/Blood Blast Distribution/2021 FUll Length Review

 


  Summoner's  Circle  are  a  band  from  Knoxville,  Tennessee  that  plays  a  progressive  mixture  of  black,  doom  and  death  metal  and  this  is  a  review  of  their  2021  album  "Chaos  Vector"  which  will  be  released  in  August  by  Blood  Blast  Distribution.


  Whispered  vocals  and  distorted  soundscapes  start  off  the  album  before  going  into  more  of  a  heavier  and  progressive  musical  direction.  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  all  of  the  instruments  also  have  a  very  powerful  sound  to them  and  the  vocals  are  a  mixture  of  death  metal  growls  and  black  emtal  screams.


  Keyboards  are  also  added  into  some  parts  of  the  music  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard  along  with  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.


  Some  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  some  elements  of  doom  metal  also  being  added  into  the  slower  sections  of  the  songs  as  well  as  some  tremolo  picking  also  being  added  into  some  of  the  faster  riffing.  Some  of  the  tracks  also  add  in  a  small  amount  of  clean  playing  and  spoken  word  parts  can  also be  heard  briefly  and  as  the recording  progresses  a  brief  use  of  stringed  instruments,  clean  male  and  female  vocals  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  and  cover  cosmic  horror  themes.


  In  my  opinion  Summoner's  Circle  are  a  very  great  sounding  progressive  mixture  of  black,  doom  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Of  Black  Horizons"  "Chaos  Vector"  and  "The  Beyond".  8  out  of  10.


Summonerscircle.com
Facebook.com/summonerscircle
Twitter.com/summoners13
 

Instagram.com/summonerscircle      


  

Tuesday, July 6, 2021

Defacement/Self Titled/I, Voidhanger Records/2021 CD Review

 


  Defacement  are  a  band  from  the  Netherlands  that  plays  a  very  dissonant  and  blackened  form  of  death  metal  and  this  is  a  review  of t heir  self  titled  2021  album  which  will  be  released  in  September  by  I,  Voidhanger  Records.


  Dark  soundscapes  and  synths  which  also  bring  in  elements  of  ambient  start  off  the  album  before  going  into  more  of  a  fast  and  brutal  direction  which  also  uses  a  great  amount  of  blast  beats  and  tremolo  picking.  Vocals  are  mostly  cavernous  death  emtal  growls  while  the  riffs  also  add  in  a  great  amount  of  dissonant  structures  and  black  metal  screams  are  also  utilized  at  times.    


  A  great  portion  of  the  tracks  are  also  very  long  and  epic  in  length  while  dark  sounding  melodies  are  also  added  into  some  of  the  guitar  riffing.  At  times  the  music  also  gets  very  atmospheric  sounding  along  with  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  the  solos  and  leads  also  being  done  in  a  very  chaotic  style  when  they  are  finally  utilized,  the  closing  track  also  adds  in  a  brief  use  of  clean  playing.


  Defacement  plays  a  musical  style  that  takes  dissonant  black  metal  and  mixes  it  with  cavernous  death  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  dark  themes.


  In  my  opinion  Defacement  are  a  very  great  sounding  dissonant  blackened  death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE "Shattered"  and  "Wounded".  8  out  of  10.


Bandcamp
Facebook

Sunday, July 4, 2021

Sarmat Interview

 

1.  Can you give us an update on what is going on with the band these days?

In March we released our debut album "RS-28". Initially only in digital version, now also available in physical CD version. We decided to release a physical copy on our own cause after all physical media is an important element of promotion, even these days. We also plan to release the LP version this fall. During rehearsals, we’re constantly working on the material already created for the “RS-28” to perform best at concerts, also dealing with new compositions. A lot is happening despite the underground nature of the band and the SARMAT is becoming more and more recognizable.


2. Recently you have released your first full length, can you tell us a little bit more about the musical style that you went for on the recording?

SARMAT is a mixture of death and black metal. Personally, I do not limit myself to listening to music only within specific subgenres of metal or even genres in general. I take music very holistically and I think diversity is crucial, but what’s on the album specifically is the music that I have always wanted to create. Death metal is the foundation here, while the elements of black metal give this music that zing which I believe is necessary in music as such, not limited to its genres or sub-genres.


3. Your lyrics cover military industry, human fears and obsessions, can you tell us a little bit more about what these topics mean to you?

Yeah, the general concept of the lyrics on the debut album can be assigned to the themes mentioned in the question and I would add to this "human factor", as on of the most important ones.

By taking a closer look at the specific lyrics, you can find stories about individuals taking over the minds of crowds to pursue their own morbid ambitions in the events that happened in the past, are happening in the present and might even happen in the future. There’s also the motive of duplicitous evil and its evolution as a process of changes taking place over time. Sometimes faster, other times slower. Even so, the end is usually unpredictable. The title track says that people live in the embrace of the destroyer - in a place that is a ticking time bomb and our time in that place is inexorably drawing to an end.  Another part of the album speaks of the unknown “journey to eternity”. We tend to look for such sensation, abandoning the material world around us, balancing on the oneiric edge of reality. But there are also lyrics that deal with the rejection of life's compelling restrictions and it’s our praise of freedom. The final conclusion is, among other things, to draw attention to the uncertainties of global security procedures and the overwhelming consequences that may occur as a result of these in a near future.

The variety of issues raised in the album is intentional and all of them have common elements that make up the final message of the album. The lyrics were mainly written in 2018-2019, although some ideas have their origins even in 2015-2017. Their creator is one of our friends who writes under the pseudonym "H".

 



4. I know that the band was named after the Russian 'Weapon Of Ultimate Destruction', how does this name fit in with the musical style that you play?

I think that the answer to the above question becomes obvious after listening to our debut. SARMAT is RS-28, Weapon of Ultimate Destruction. After all, the music layer of the album is 34 minutes of ultimate destruction. The earlier mentioned lyrics also strongly refer to this instrument of destruction, both literally and metaphorically.


5. Can you tell us a little bit more about the artwork that is presented on the new album cover?

The cover of the album, despite its seemingly simple form, carries a lot of symbolism and it should be interpreted metaphorically. As I mentioned before, we live in the embrace of the destroyer in a place that is a ticking time bomb, our time in this place is inevitably drawing to an end. Children, as a symbol of innocent victims of the abovementioned destroyer, but also the last ray of hope. Hope that remains in even the worst case scenarios. There is more to this symbolism. The cover shows an atomic mushroom with a human skull which refers to dropping the destroyer on humanity. Barbed wire, on the one hand, as a symbol of prohibition used by the "masters of chaos" from one of the lyrics of the song, and on the other hand, as life limitations that must be broken. However, we do not want to impose an interpretation, only direct it. It all depends on how you look at it.


6. Do you have any live shows planned once the pandemic is under more control?

If the pandemic situation allows us to do so, we are of course planning live shows however, this is not the only condition. We are organizing a concert line-up for SARMAT because at the moment we do not have even one permanent drummer nor bassist, but the situation is developing. We want the best concert conditions for our debut album performance. Initially, there are plans for September, but taking into account the earlier mentioned circumstances, I will not give specific details. Contact with the audience is a very important link for the band and the audience. Considering the large dose of energy that emanates from our material, we are definitely moving towards recreating these sounds in concert environment.


7. The band managed to release physical copies of the album without a label, do you prefer this format over the more modern digital format?

Due to the times we live in, we decided to release the album first in a digital version, and then after unsuccessful cooperation with the label, we released the CD version ourselves. Obviously, each form has its advantages. I personally like the physical medium. It gives a feeling of more contact with what the artist has to convey. Printed texts and general information about the recordings are relevant to any listener. And that unique smell, especially straight from the printing house. It's always something different and amazing, and that's what the digital version lacks. However, the digital version can reach much larger audience. Anyone interested in the album can familiarize themselves with it. As I mentioned earlier, we are also planning the LP version – this form of publishing is currently doing quite well on the market. But that is a distant future for now.


8 .On a worldwide level how has the reaction been to your music by fans of black and death metal?

The worldwide reaction in this short time since the album release we consider as good, sometimes even great. Local Polish critics point out various aspects of the album from which we draw conclusions. Worldwide media rate our debut as "good" or "very good", with the advantage of the latter. We read these reviews. We are, of course, aware that the music we play is quite niche, which is not aimed at the general public so certainly. If someone does not listen to such music - it won’t be for them.


9 .All of the band members also have experience playing in other bands, what is it that you bring into the music of SARMAT, that you were not able to do with your other groups?

That’s true, we are not new to the scene and each of us has worked with different bands in the past. That experience comes in handy under the SARMAT banner. Personally, I started making riffs few years ago and that was something fresh. I didn't know what would come of it at the time. Soon after, I started working with a second guitarist and it turned out well. Together, we framed ideas for specific songs. Then our friend, who writes under the pseudonym "H", prepared the lyrical layer for our early recordings. It all took the form of something new that we just never experienced in our previous music projects. Hence the decision to establish a new band - SARMAT. And here we are.


10. Where do you see the band heading into musically during the future?

I think that the core of our music will remain similar in the future, but I definitely do not exclude its expansion into new musical themes. It is the creative spirit that will determine the direction in which SARMAT will move musically in the future. We already have a few specific ideas that, from the musical and lyrical side, discover new themes. Nevertheless, we do remember our roots, which will undoubtedly appear in our work in the future. Will all this make the SARMAT recognizable at the metal scene? Time might give the answer here, but I am definitely optimistic about the future.


11. What are you currently listening to nowadays?

I can say that my musical interests go beyond death and black metal. I think that this broadens the horizons and allows a much deeper look at the creation of music, as well as the music in general.


12. Before we wrap up this interview, do you have any final words or thoughts?

First of all, I would like to thank you for the opportunity to present SARMAT band on your pages. I would also like to thank those who support us, from people who helped us prepare our debut album, those who bought it, to those who write about it. I also invite undecided to give a chance and listen to our album. Feel free to contact us. Hope to see you at gigs in the future!