Monday, May 6, 2013

A Shallower Void/Self Titled/2013 Demo Review


  A  Shallower  Void  are  a  band  from  the  United  States  that  plays  a  micture  of  black  metal,  death  metal  and  grindcore  and  this  is  a  review  of  their  self  released  2013  demo.

  Drums  range  from  slow,  mid  paced  to  fast  drumming  with  some  blast  beats  being  utilized  at  times,  while  the  bass  playing  has  a  very  dark  tone  with  riffs  that  follow  the  riffing  that  are  coming  out  of  the  guitars.

  Rhythm  guitars  range  from  slow,  mid  paced  to  fast  riffs  that  combine  black  metal  with  death  metal  and  grindcore  together  to  create  a  sound  of  their  own  with  a  good  amount  of  melody  in t he  riffing, while  the  lead  guitars  are  very  melodic  and  progressive  sounding  black/death  metal  guitar  solos  and  leads.

  Vocals  range  from  high  pitched  black  metal  screams  to  deep  death  metal  growls,  while  the  lyrics  cover  darkness  and  evil  themes,  as  for  the  production  it  has  a  very  strong,  powerful,  heavy  and  dark  sound  to  it.

  In  my  opinion  A  Shallower  Void  are  a  very  great  sounding  hybrid  of  black  metal, death  metal  and  grindcore  and  if  you  are  a  fan  of t his  musical  genre,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "Evil  Death  Incarnate  Forever!".  RECOMMENDED  BUY.

https://ashallowervoid.bandcamp.com/ 

Between The Frost/Inferno's Conflagration/Grotesque Productions/2013 CD Review


  Between  The  Frost  are  a  band  from  Spain  that  plays  a  very  blackened  from  of  death  metal  and  this  is  a  review  of  their  2013  album  "Inferno's  Conflagration"  which  was  released  by  Grotesque  Productions.

  Drums  range  from  slow,  mid  paced  to  fast  drumming  with  a  great  amount  of  brutal  sounding  blast  beats  being  thrown  into  the  music,  while  the  bass  playing  has  a  very  dark  tone  with  riffs  that  follow  the  riffing  that  are  coming  out  of  the  guitars  and  at  times  they  have  a  very  powerful  sound  to  them.

  Rhythm  guitars  range  from  slow, mid  paced  to  fast  blackened  death  metal  riffs  that  are  very  heavy  and  brutal  sounding  with  some  melody  being  thrown  into  the  riffing  at  times  as  well  as  some  traditional  metal  influences  being  used  at  times,  while  the  lead  guitars  are  very  dark  and  melodic  sounding  death  metal  guitar  solos  and  leads  along  with  some  classic  metal  elements,  as  for  the  classical  guitars  they  are  only  used  briefly  and  use  finger  picking  and  full  chords  to  enhance  the  darkness  that  is  coming  out  of  the  music.

  Vocals  range  from  high  pitched  blackened  metal  screams  to  deep  death  metal  growls  as  well  as  a  brief  use  of  clean  singing  female  and  male  vocals  as  well  as  some  spoken  word  samples,  while  the  lyrics  cover  Darkness,  Occultism  and  Evil  themes,  as  for  the  production  it  has  a  very  strong,  powerful,  heavy,  dark,  brutal  and  professional  sound  to  it.

  In  my  opinion  Between  The  Frost  are  a  very  great  sounding  heavy  and  brutal  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Even  Death  May  Die"  "When  Lies  Become  Flesh"  "Wandering  The  Astral  Callings"  and  "The  Embrace  Of  Evil".  RECOMMENDED  BUY.

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Phyrexia/Epic World Annihilation/2010 EP Review


  Phyrexia  are  a  band  from  the  United  Kingdom  that  plays  a  very  epic  and  atmospheric  form  of  black/death  metal  and  this  is  a  review  of  their  self  released  2010  ep  "Epic  World  Annihilation".

  Drums  range  from  slow,  mid  paced  to  fast  drumming  with  some  blast  beats  being  utilized  at  times,  while  the  keyboards  bring  a  very  dark,  atmospheric,  epic  and  symphonic  sound  to  the  recording,  as  for  the  bass  playing  it  has  a  very  dark  tone  with  riffs  that  follow  the  riffing  that  are  coming  out  of  the  guitars.


  Rhythm  guitars  range  from  slow,  mid  paced  to  fast  blackened  death  metal  riffs  that  utilize  some  dark  sounding  melodies  in  the  riffing,  while  the  lead  guitars  are  very  melodic  sounding  guitar  solos  and  leads  that  have  a  power  metal  feeling  to  them,  as  for  the  classical  guitars  which  are  only  utilized  briefly  on  the  last  song  use  finger  picking  to  add  more  epic  qualities  to  the  music.

  Vocals  range  from  high  pitched  black  metal  screams  to  deep  death  metal  growls,  while  the  lyrics  cover  dark  themes,  as  for  the  production  it  has  a  very  strong,  powerful,  heavy  and  dark  sound  for  being  a  self  released  recording.

  In  my  opinion  Phrexia  are  a  very  great sounding  epic  hybrid  of  black  and  death  metal  and  if  you are  a  fan  of  this  musical  genre,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "Bloodfire  Collossus".  RECOMMENDED  BUY.

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Eternal Khan/Demo 2012 Review


  Eternal  Khan  are  a  band  from  Rhode  Island  that  plays  a  mixture  of  black,  doom  and  thrash  metal  and  this  is  a  review  of  their  self  released  2012  demo.

  Drums  range  from  from  slow,  mid  paced  to  fast  drumming  with  not  much  in  the  way  of  blast  beats,  while  the  bass  playing  has  a  very  dark  tone  with  riffs  that  follow  the  riffing  that  are  coming out  of  the  guitars.

  Rhythm  guitars  range  from  slow,  mid  paced  to  fast  riffs  that  combine  black,  doom,  and  thrash  metal  together  to  create  a  sound  of  their  with  some  dark  sounding  melodies  being  thrown  into  the  riffing,  while  the  lead  guitars  are  very  dark  sounding  blackened  doom  metal  guitar  leads.

  Vocals  are  all  blackened  thrash  style  growls  and  screams  with  some  back  up  shouts,  while  the  lyrics  cover  darkness  and  mythology  themes,  as  for  the  production  it  has  a  very  dark,  heavy,  raw  and  primitive  sound  to  it.

  In  my  opinion  Eternal  Khan  are  a  very  great  sounding  hybrid  of  black,  doom  and  thrash  metal  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "Smokepoint".  RECOMMENDED  BUY.

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The Upheaval/Vomits Of Hate/2011 EP Review


  The  Upheaval  are  a  band  from  Turkey  that  plays  a  mixture  of  black,  death  and  thrash  metal  and this  is  a  review  of  their  self  released  2011    ep  "Vomits  Of  Hate".

  Drums  range  from  slow,  mid  paced  to  fast  drumming  with  some  blast  beats  being  utilized  at  times,  while  the  bass  playing  has  a  very  dark  tone  with  riffs  that  follow  the  riffing  that  are  coming  out  of  the  guitars  and  at  times  they  have  a  very  powerful  sound  to  them.

  Rhythm  guitars  range  from  slow,  mid  paced  to  fast  riffs  that  combine  black,  death  and  thrash  metal  together  to  create  a  sound  of  their  own  with  some  dark  sounding  melodies  being  thrown  into  the  riffing  at  times  and  there  are  no  guitar  solos  or  leads  present  on  this  recording,  as  for  the  acoustic  guitars  they  use  finger  picking  to  add  some  dark  elements  to  the  recording.

  Vocals are  mostly  high  pitched  and  grim  sounding  black  metal  screams  with  a  brief  use  of  deep  death  metal  growls,  while  the  lyrics  cover  anti  religion  and  authority  themes,  as  for  the  production  it  has  a  very  dark,  heavy,  old  school,  raw  and  primitive  sound  to  it.

  In  my  opinion  The  Upheaval  are  a  great  sounding  hybrid  of  black,  death  and  thrash  metal  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Falsehood  Castle"  and  "Obey  the  Beast".  RECOMMENDED  BUY.

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Monday, April 29, 2013

Year Of No Light/This Quiet Army/Consouling Sounds/2012 Split CD Review


  This  is  a  review  of  a  split  album  between  France's  Year  Of  No  Light  and  Canada's  This  Quiet  Army  which  was  released  by  Consouling  Sounds  and  we  will  start  of  the  review  with  Year  Of  No  Light  a  band  that  has  been  featured  before  in  this  zine  and  plays  a  mixture  of  drone,  doom,  ambient  and  black  metal.

  Drums  are  all  slow  playing  with  no  fast  drumming  or  blast  beats  being  present  on  their  side  of  the  recording,  while  the  keyboards  and  samples  bring  elements  of  ambient  to  the  recording,  as  for  the  bass  playing  it  has  a  very  dark  tone  with  riffs  that  follow  the  riffing  that  are  coming  out  of  the  guitars.

  Rhythm  guitars  are  slow  riffs  that  combine  black  metal,  drone  and  doom  metal  together  to  create  a  sound  of  their  own  with  some  melody  being  thrown  into  the  riffing  at  times  and  there  are  no  guitar  solos  and  leads  present  on  this  recording.

  Vocals  and  song  writing  are  all  absent  from  their  side  of  the  recording  with  the  music  being  all  instrumental,  while  the  song  themes,  cover  darkness,  as  for  the  production  it  has  a  very  strong,  powerful,  heavy  and  dark  sound  with  the  songs  being  long  and  epic  in  length.

  In  my  opinion  this  is  another  great  sounding  recording  from  Year  Of  No  Light  and  if  you  are  a  fan  of  this  band,  you  should  check  out  their  side  of  the  split.  RECOMMENDED  TRACK  "Vous  Etes  Un  Nada  Mort  Marchant  A".  RECOMMENDED.

  Next  up  is  This  Quiet  Army  another  band  that  plays  a  mixture  of  drone,  doom  and  black  metal.

    Drums  and  bass  guitars  are  absent  from  this  recording,  while  the  synths,  programming  and  effects  bring elements  of  drone,  ambient,  experimental,  krautrock,  psychedelic  and  shoegaze  to  the  recording.

  Rhythm  guitars  are  all  slow  and  heavy  riffs  that  combine  black  metal,  drone,  doom  and  post  rock  together  to  create    a  sound  of  their  own  with  a  great  amount  of  heavy  distortion  being  thrown  into  the  riffing  as  well  as  a  brief  use  of  soft  and  clean  playing  and  there  are  no  guitar  solos  or  leads  present  on  their  side  of  the  recording.

  Vocals  are  all  clean  singing  female  vocals  which  has  an  esoteric  feeling  to  them,  while  the  song  themes  cover  darkness,  as  for  the  production  it  has  a  very  strong,  powerful,  heavy  and  dark  sound  with  the  songs  being  long  and  epic  in  length.

  In  my  opinion  This  Quiet  Army  are  a  very  great  sounding  hybrid  of  drone,  experimental,  ambient,  doom  and  black  metal  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "Aphorismes".  RECOMMENDED.

  In  conclusion  I  feel  this  is  a  very  great  sounding  split  and  I  would  recommend  it  to  all  fans  of  drone,  doom,  experimental,  ambient  and  black  metal.  RECOMMENDED  BUY.

https://thisquietarmy.bandcamp.com/album/year-of-no-light-thisquietarmy

Lantern Interview


1. Can you tell us a little bit about the band for those that have never heard of you before?



Lantern was formed in 2007 by me, Cruciatus (instruments) and Necrophilos (vocals), merely a moment after I had put my previous band Cacodaemon to rest. We started out on a very improvisational basis, without many musical restrictions or even knowing what kind of material would come out. We basically moulded our style while executing (and partially jamming out) the first two recordings, “Virgin Taste of Damnation” and “Doom-scrawls” / “Subterranean Effulgence”. On the latter release we started to have a clue on what was to become of Lantern: dark, profound, epic, highly distinct yet still somehow familiar sounding death metal. With these style-wise foundations cast, we began to craft our debut album, “Below”, which Dark Descent Records then chose to release. And here we are, on the verge of the release of our undeniably most monolithic work so far… excited and full of anticipation!



2. How would you describe your musical sound?



The most important thing in our music is the almost complete lack of boundaries. Ancient death metal seasoned with early black metal is the filter all the ideas and influences run through, but that’s only trying to describe a small part of the whole deal. Lantern sounds like… well, Lantern, I guess I can state that in this point of our “career”. I think some people expect us to sound like standard Finnish death metal, which we to some extent are, but then again aren’t. I’d endorse people to plunge into our music and take it as it comes… for that’s the way the music itself is composed: ladled from an indescribable stream, we are only expressing what is given to us by chaos.



3. The new album had some really interesting lyrics, can you tell us more about your song writing process?



I am glad that you mentioned the lyrics, as they are of great value to me. The way Necrophilos interprets them also pleases me much, as you don’t necessarily need the lyrics insert to stay on track. Coming to the song writing process, I usually have a “colour”, a setting or an event in mind, from where I start to chisel the riffs, the title and then the lyrics. Atmosphere is what weighs most. The music and lyrics must both be woven together seamlessly, so that all elements of the song wind up complimenting each other as uniformly as possible.



4. What is the meaning and inspiration behind the bands name?



I had a few alternatives, but as soon as I came up with Lantern, I just knew this was it. Lantern was a simple, minimalistic and thus aesthetic name that leaves room for the listener’s own contemplation. It’s a tool to faintly illuminate the horrors along our dark, desolate path; the landscapes of the dreary, abstract realms we are trying to sketch with our music.



5. According to the bio the band only uses 2 members in the studio, and has a different line up for shows, have you thought of using a full band to record an album?



I have tinkered with the idea of recording with a full band, but then again, my inner tyrant / dictator throws this idea to the bin pretty quickly, haha. Maybe I am just a bit too controlling when it comes to music… However, this idea might not be a complete no-go, as our live drummer does have a similar “loose” touch to skin beating than mine, and he would probably nail that job with much more professionalism than I ever could. Our rhythm guitarist might even have some good riffs to present, and Mr Noisehunter on bass is someone I’ve worked with for a long time and we both know each others’ “groove” more than well. So, maybe after the next recordings, I might reconsider this. Although it would relieve some of my burdening work load, I still somehow enjoy the extreme strain caused by doing most things by myself. A tough nut to crack.



6. What are some of the best shows that the band has played so far and how would you describe your stage performance?



We have only played two shows prior to this interview, but we will play a few more in just a few weeks (May 10th in Kuopio with Maveth and Hellspirit, May 11th in Helsinki with Hellspirit and Cataleptic). Both earlier gigs were great experiences concerning the audience, the fellow bands, the people organizing the shows, but on our part, the shows slightly suffered from experimenting on how to take the highly atmospheric Lantern sound on stage. From now on, I’ll keep my VOX AC30 for studio purposes only and rely on ENGL / Marshall power when going live, haha. But that’s a past issue now. Our stage performance focuses on creating and maintaining an atmosphere as dark as possible, hypnotic at best. We do not entertain or tell amusing stories between songs, but let the music flow and do the talking, while performing with all the energy we got.



7. Do you have any touring plans for the new release?



Nothing else scheduled besides those two gigs. However, there has been talk about playing abroad, not touring at this point, but a few individual gigs… all just bubbling under. More info TBA, hopefully!



8. Recently Dark Descent put out the new album, where you satisfied with the way the album sound came out?



Regarding the D.I.Y. methods used for recording this album, we are pleased with the sound. We did not work in studio conditions or with expensive high end software / plug-ins, and neither of us has any higher theoretical knowledge on sound engineering. It was all about experimenting and creating the fitting atmosphere with what ever bits and pieces we had at our disposal, and the outcome is – hooray us – far from dull and generic. “Below” is crude, mysterious and atmospheric, the way Lantern should sound.



9. On a worldwide level how has the feedback been to your newer music by fans of dark underground metal?



The feedback has been very positive. In the “Virgin Taste…” days, we had absolutely no expectations regarding feedback, and we were more than surprised with the wave of interest that was caused by the material. And the acclaim has been even more positive ever since “Subterranean Effulgence” came out, so I’m anticipating what kind of thoughts “Below” will bring. I’m sure it will split opinions more than our previous releases, but that’s just a natural and healthy thing.



10. What is going on with the other musical projects these days?



Very silent currently, which actually quite nice, as it allows me to focus on Lantern 100%. DTK aka Death Thrashers Kuopio is the only other band I’m officially involved with, but we haven’t been practicing for a long time. There has been talk about reactivating this unhinged thrash metal beast (where I play drums), but our busy schedules are currently standing in the way.



11. What direction do you see your music heading into on future releases?



I have two new songs composed and they sound… well, lightless, desolate. I know the couple of new tracks won’t determine the rest of Lantern’s path, but I can see things growing deeper and darker. I have a plenty of old riffs waiting to be harnessed for new compositions, which messes up the predictability of things, as well.



12. What are some bands or musical styles that have influenced your music and also what are you listening to nowadays?



Possessed, Morbid Angel, old Samael, Demigod, Venom, Bathory, Beherit, Root, Mercyful Fate, old Slayer and the likes have been my primary motivators throughout the years. Strangely enough, the 70’s progressive rock scene has been a strong influence for me, too, especially during my Lantern years. I still listen to mostly metal, but I have also started to enjoy many other styles. No reggae, rap, mainstream pop or the likes, though. Almost all well composed and performed music (note that this doesn’t equal ultra fast technical wankery… on the contrary!) with a proper atmosphere goes… preferably melancholic, as I don’t like merry shit.



13. How would you describe your views on Occultism?



For me it’s a very individual thing, as I do not lean on existing doctrines. It’s an aspiration, a question of awareness, simply put.



14. Outside of music, what are some of your interests?



Writing is definitely among my top interests. I recently reactivated my ten year old ‘zine, Perverse Gospel, and we (me and ‘zine debutant Sinistrous) are currently waiting to have our fifth issue published. Of course, it would be something else to write, say, a novel one day, but that’s just fantasizing. Drawing is also something I have been doing and even enjoying for a long time, but also something I haven’t had time for recently. The ‘zine project is a good chance for me to hone my drawing skills, too (frames, cover art…), alongside the occasional demo cover, logo and tattoo sketch friends ask me to perform.



15. Any final words or thoughts before we wrap up this interview?



Thanks for the interview and interest toward Lantern! Expect “Below” to drown your soul into the darkness of mine in summer 2013.