Sunday, January 4, 2026

Túmulo Interview

 

1. Can you give us an update on what is going on with the band these days?  


We’re busy writing and rehearsing new songs. We want to go back to recording as soon as possible and so far we have three new songs ready and some ideas in the back of our heads. Also, vinyl and tape versions of the new album will be released later this year.  


 


2. Recently you have released your first full length, musically how does it differ form your previous split and demo?  


Not that much, we re-recorded most of the songs from the demo and added some. The approach stays the same. The recording was more professional. The demo recordings were very simple and raw with very few live takes. For the full length, we also recorded all the instruments live without a click track or metronome and added vocals and solos later.  


 


3. All of the band members play in other bands, what is it that you bring into the music of 'Túmolo', that you have not been able to do with your other groups?  


Our other bands and projects are very different from Túmulo. Miasma, who had the idea of forming Túmulo also has a solo project called Apokathilosis which is obviously influenced by Greek black metal (Rotting Christ, Thou Art Lord, Varathron, Zemial). Forhammer is also playing in a heavy metal band called Thunderdeath and Death Vomit is currently in no other bands, since Funeralopolis are on a hiatus and even though Metal Archives says something different, he is not active in Thunderdeath anymore, where he used to play together with Forhammer.  


So, we think it’s fair to say that Túmulo is very different from the other bands and projects and for sure our main focus. It was formed out of passion for the early wave of Brazilian black and death metal - something, that isn’t very present in our other bands and projects.  


 


4. What are some of the lyrical topics and subjects the band explores with the newer music?  


Anti-religious imagery, apocalypse, decay, and provocation, very much rooted in the old Brazilian thrash/black metal tradition. Underneath that, though, there’s a personal core of existential dread, religion becomes less a target in itself and more a symbol of false certainty, and the darkness isn’t just theatrical, but personal and real.  


 


5. I know that the band name means 'Tomb' in Portuguese, how does this name fit in with the musical style that you play?  


The Name is very inspired by the mighty Sarcófago. The connection between Black Metal and a Tomb is really self explanatory I guess.  


6. Can you tell us a little bit more about the artwork that is presented on the new album cover?  


It was an idea Miasma had in his head for a long time and AntiiGraphic brought it to life perfectly and even added some twists. I think the cover speaks for itself and reflects our opinion on religion.  


7. What are some of the best shows that the band has played so far and also how would you describe your stage performance?  


That’s a hard one. I really liked our gig at the United Forces fest in Oer Erkenschwick the most. We were able to play for a small, but dedicated crowd of raging maniacs that fully understood what we’re about. The energy coming from the audience was crazy. What we want to bring on stage is pure, unfiltered aggression and hatred. No bullshit, no stupid jokes and games, just metal, spikes, bullets and blasphemy.  


8. Do you have any touring or show plans for 2026?  


Not yet, but we’re open for basically anything that works for us. If you want to book us, contact tumulo-ch@proton.me  


9. Recently you were a part of a split with 'Gomoraa', what are your thoughts on the other band that had participated on the recording?  


They approached us to do that release an we’re proud to share a release with our like minded brothers!  


 


10. On a worldwide level how has the reaction been to your music by fans of underground metal?  


Reactions so far have been very good! We didn’t really expect anything, since we’re doing this for ourselves. It’s a big honour for us to work with such dedicated labels and we had great feedback from some maniacs from all over the world. If some people don’t like it, that’s also great, since “Evangelho do Canhoto” wasn’t created to please everyone.  


11. What is going on with some of the other bands or musical projects these days that some of the other band members are a part of?  


Funeralopolis are on a hiatus since some time, who knows if they’re coming back... Thunderdeath are currently recording and Apokathilosis will release new stuff when the time is right.  


12. Where do you see the band heading into musically during the future?  


Let’s see what the future brings, but we don’t plan to change our direction.  


13. What are some of the bands or musical styles the band members are currently listening to nowadays?  


While not all of us have an identical taste in music, it’s the obvious stuff we agree on: Sarcófago, early Sepultura, Mystifier, Samael, Beherit, Hellhammer/Celtic Frost, Slaughter, Messiah, Morbid Angel, early Rotting Christ, Sodom, Lou Cyfer, Chakal, Holocausto, Death Strike, Dorsal Atlantica, Decayed, Vulcano, MX, Slayer, Mercyful Fate, Master’s Hammer, Root, Bathory, Napalm Death, Venom, Mayhem, Impaled Nazarene, Masacre, Goatlord, Blasphemy, Razor, late 80s/early 90s death metal, grindcore and punk and so on…  


 


14. Does Occultism play any role in your music?  


Occultism isn’t a belief system for us, it’s a language. It’s less about rituals or mysticism and more about confronting what’s uncomfortable: death, chaos, loss of meaning, and the limits of rational explanations.  


15. Before we wrap up this interview, do you have any final words or thoughts?  


Thank you for your support, for death threats and other inquiries please contact tumulo-ch@proton.me.  

Saturday, January 3, 2026

Veilburner/Longing For Triumph, Reeking Of Tragedy/Transcending Obscurity Records/2025 Full Length Review

 




  Pennsylvania's  Veilburner  have  returned  with  a  new  recording  which  shows  the  music  going  for  an  avant  garde,  experimental  and  dissonant  form  of  blackened  death  metal  and  this  is  a  review  of  their  2025  album  "Longing  For  Triumph,  Reeking  of  tragedy"  which  was  released  by  Transcending  Obscurity  Records.


  Drum  beats  and  chants  start  off  the  album  before  going  into  a  heavier  direction  while  most  of  the  tracks  are  also  very  long  and  epic  in  length.  Dissonant  melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  vocals  also  adding  in  a  mixture  of  death  metal  growls  and  black  metal  screams.


  When  the  music  speeds  up  a  decent  amount  of  blast  beats  and  tremolo  picking  can  also  be  heard  while  spoken  words  can  also  be  heard  on  a  few  songs.  At  times  the  music  also  gets  very  experimental  and  avant  garde  sounding  along  with  some  tracks  also  adding  in  a  small  amount  of  clean  playing.


 ,  When  guitar  solos  and  leads  are  utilized  they  bring  in  more  of  a  technical  style  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.  The  production  sounds  very  professional  while  the  lyrics  cover  Occultism,  Left  Hand  Path  and  Qlipthoth  themes.


  In  my  opinion  this  is  another  great  sounding  album  from  Veilburner  and  if  you  are  a f an  of  progressive  and  technical  blackened  death  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Longing  For  Triumph..."  "That  Which  Crypts  Howls  Grandeur"  and  "...Reeking  Of  Tragedy".  8  out  of  10.


  Veilburner Bandcamp

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VoidCeremony/Abditum/20 Buck Spin/2025 Full Length Review

 

   California's  VoidCeremony  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  very  progressive  and  technical  form  of  blackened  death  metal  and  this  is  a  review  of  their  2025  album  "Abditum"  which  was  released  by  20  Buck  Spin.

  
  A  synth  orientated  intro  starts  off  the  album  before  going  into  a  very  heavier  direction  while  the  faster  sections  of  the  songs  also  adding  in a   great  amount  of  brutal  blast  beats.  Vocals  are  mostly  death  metal  growls  mixed  in  with  a  few  black  metal  screams  and  at  times  the  music  also  goes  into  more  of  a  technical  direction.

  
  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  technical  yet  melodic  style  along  with  the  album  also  having  its  progressive  moments.  Some  of  the  music  also  shows  an  influence  of  jazz  as  well  as  some  clean  playing  also  being  used  on  a  couple  of  tracks  and  tremolo  picking  is  also  added  into  some  of  the  faster  riffing  and  they  also  bring  in  an  instrumental.

  
  On  this  recording  VoidCeremony  continues  to  expand  on  the  progressive  and  technical  style  of  blackened  death  metal  that  they  have  introduced  on  previous  releases.  The  production  sounds  very  professional  while  the  lyrics  cover  Occultism  and  Philosophy  themes.

  
  In  my  opinion  this  is  another  great  sounding  recording  from  VoidCeremony  and  if  you  are  a  fan  of  progressive  and  technical  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Verecious  Duality"  "Failure  of  Ancient  Wisdoms"  and  "Gnosis  Of  Ambivalence".  8  out  of  10.


  

Friday, January 2, 2026

Impermanence/Anicca/Satanath Records/Sanatorio Records/2025 Full Length Review

 


 Imperanence  are  a  band  from  Poland  that  plays  a  technical  and  progressive  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2025  album  "Anicca"  which  was  released  as  a  joint  effort  between  Satanath  and  Sanatorio  Records.


  A  synth  orientated  intro  starts  off  the  album  before  going  into  a  more  heavy  and  brutal  direction  while  melodies  are  also  added  into  some  of  the  guitar  riffing.  At  times  the  music  also  gets  very  technical  sounding  while  the  vocals  are  mostly  death  metal  growls  mixed  in  with  a  few  screams.  and  blast  beats  are  also  added  into  the  faster  sections  of  the  songs.


  Elements  of  black  metal  are  also  utilized  quite  a  bit  throughout  the  recording  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Blast  beats  are  also  added  into  the  faster  sections  of  the  songs  along  with  the  album  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  the  music  also  having  its  progressive  moments,  clean  playing  can  also  be  heard  briefly  and  tremolo  picking  can  also  be  heard  ins  some  of  the  faster  riffing.


  Imperanence  plays  a  musical  style  that  takes  a  very  technical  and  progressive  form  of  death  metal  and  mixes  it  with  black  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  the  fragility  and  transience  of  human  life.


  In  my  opinion  Imperanence  are  a  very  great  sounding  technical  and  progressive  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Sorrodise"  "Spiritual  War"  and "Crumbling".  8  out  of  10.


https://youtu.be/9zUIyu7orB4

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Evil Damn/Eons Of Horror/Hells Headbangers Records/2026 EP Review

 


  Evil  Damn  are  a  band  from  Peru  that  plays  a  blackened  form  of  death  metal  and  this  is  a  review  of  their  2025  ep  "Eons  Of  Horror"  which  will  be  released  on  January  30th  by  Hells  Headbangers  Records.


  A  very  dark,  heavy  and  brutal  sound  starts  off  the  ep  while  the  faster  sections  of  the  songs  also  add  in  a  great  amount  of  blast  beats.  Vocals  are  mostly  death  metal  growls  which  also  add  in  small  amount  of  black  metal  screams  while  melodies  are  also  added  into  some  of  the  guitar  riffing  and  the  music  is  very  heavily  rooted  in  the  mid  80's  to  early  90's  era.


  When  guitar  solos  and  leads  are  utilized  they  also  stick  to  more  of  an  old  school  metal  direction  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Most  of  the  recording  also  shows  influences  of  both  the  classic  South  and  North  American  styles  of  the  genre  and  all  of  the  tracks  also  stick  to  a  heavier  direction.


  Evil  Damn  plays  a  musical  style  that  goes  back  to  the  80's  and  early  90's  era  of  black  and  death  metal  and  mixes  them  together  to  create  a  very  heavy  and  brutal  recording.  The  production  sounds  very  professional  while  the  lyrics  cover  Cosmic  Horror,  Death,  Evil  and  Satanism  themes.


  In  my  opinion  Evil  Damn  are  a  very  great  sounding  blackened  death  metal  band  and  if  you  are  a  fan  of  this  musical  genres,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Eons  of  Horror"  and  "Evil  Dwells  out  There".  8  out  of  10.


 https://shop-hellsheadbangers.com/item-group.asp?pgpid=40444  

Tümör/Doğum/2026 EP Review

 


    Tümör  are  a  band  from  Turkey  that  plays  a  blackened  form  of  death  metal  and  this  is  a  review  of  their  self  released  2026  ep  "Doğum'  which  will b e  released  in  January.


  Percussion's  start  off  the  ep  along  with  some  heavy  yet  melodic  riffing  a  few  seconds  later  while  spoken  words  can  also  be  heard  briefly.  Vocals  bring  in  a  mixture  of  death  metal  growls  and  black  metal  screams  while  the  faster  sections  of  the  songs  also  add  in  a  great  amount  of  blast  beats.


  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  The  ep  also  mixes  in  infleunces  from  both  the  modern  and  old  school  era's  of  extreme  metal  and  the  recording  closes  with  a  tribal  orientated  instrumental.


  Tümör  plays  a  style  of  blackened  death  metal  that  is  very  heavy  and  aggressive  sounding.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Turkish  and  cover  birth,  corruption  and  transformation  themes.


  In  my  opinion  Tümör  are  a  very  great  sounding  blackened  death  metal  band  and  if  you  are  a f an  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Nursaz"  and  "Yol".  8  out  of  10.


  [tumormetal@gmail.com / https://www.instagram.com/tumor_metal/?hl=en 


  


   

Thursday, January 1, 2026

Phasma/Purgatory/Transcending Obscurity Records/2026 Full Length Review

 


  Phasma  are  a  duo  from  Greece  that  plays  a  brutal  and  technical  mixture  of  black,  death  metal  and  deathcore  and  this  is  a  review  of  their  2025  album  "Purgatory"  which  will  be  released  in  February  by  Transcending  Obscurity  Records.


  A  very  distorted  sound  starts  off  the  album  before  going  into  a  heavier  direction  which  also  introduces  death  metal  growls  into  the  music.  Black  metal  screams  are  also  utilized  at  times  while  the  faster  sections  of  the  songs  also  add  in a   lot  of  brutal  blast  and  the  recording  also h as  its  technical  moments.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  vocals  also  get  very  guttural  at  times.  When  guitar  solos  and  leads  are  utilized  they  also  remain  true  to  a  technical  style  along  with  the  faster  riffing  also  adding  in  a  good  amount  of  tremolo  picking,  throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts.


  A  couple  of  songs  also  adds in  a  small  amount  of  synths  and  elements  of  deathcore  are  also  added  into  the  mid  tempo  sections  of  the  songs  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them,  acoustic  guitars  and  clean  are  also  added  on  the  closing  track.  The  production  sounds  very  professional  while  the  lyrics  cover  purgatory  themes.    


  In  my  opinion  Phasma  are  a  very  great  sounding  brutal  and  technical  mixture  of  black,  death  metal  and  deathcore  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUD E "I"  and  "VI".  8  out  of  10.


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