Saturday, May 31, 2025

Rotgut Interview

 

1. For those that have never heard of you before, can you tell us a little bit about the band?


Well, that’s pretty much everyone. We’re just a bunch of homunculi who love to play fast and heavy music. We’re guided by the idea that more is more, the only rule is the rule of cool, and no idea is too stupid.


2. In June you have an EP coming out. Can you tell us a little bit more about the musical style that you went for on the recording?


The EP is only five tracks, but it covers a long period of songwriting—some of the tracks are a couple of years old, and the newest was written a few months before the recording. We really want to experiment, so there are some angular harmonies and ambiguous tonality, but it’s gotta be anchored with driving rhythms and strong chord structures. It has to rock.


3. Some of your lyrics cover horror themes. Can you tell us a little bit more about your interest in this topic?


Pulp, Mexican gothic, grindhouse, Lovecraft. I’ve always been drawn to cheap thrills and grime. There’s a ton to be had in horror. It’s varied and subversive. A fuck you to the status quo. I like to plumb the depths in media, and horror is huge, varied, and cool. Rule of cool.


4. What is the meaning and inspiration behind the name 'Rotgut'?


Rotgut is liquor that’s so low quality it’s toxic. The good stuff, in other words. The name has weight—it’s simple, evocative, and sums us up pretty well, I think.


5. Can you tell us a little bit more about the artwork that is presented on the EP cover?


That’s me—a depiction of the ritual that summoned two other bozos into this realm. The artwork was done by our human friend Comic Rat a.k.a. Steven Valentine.


Slamming beer isn’t advisable before an incantation, but I won’t apologize for being me. So there you go. A beer-fueled spell. 24 oz Cantrip.


6. Can you tell us a little bit more about the masks the band members wear in the promo pictures?


Those are our faces, sir or ma’am.


7. Has the band done any live shows or are you open to the idea?


Yes! We’ll be starting up in the fall of 2025. The original lineup was just myself—I played all the instruments on the EP. A one-man act is hard to bring to the stage. Luckily, we’ve now got four capable musicians in the band, freeing me up to handle guitar and vocals.


8. Currently the band is unsigned. Are you looking for a label, or have you received any interest?


No word yet. We’re just busting out of the cellar with this album.


9. On a worldwide level, how has the reaction been to your music by fans of underground metal?


We’re shocked that we got press from so many countries—Brazil, Germany, Poland, France. We’re honored by the support. There’s nothing more gratifying than putting out something honest, even if it’s absurd, and seeing it understood and enjoyed as much as you hoped.


10. When can we expect a full-length, and where do you see the band heading musically in the future?


32 oz Cantrip is coming out late 2025 or early 2026. It’ll be an extended edition of the EP, with four tracks that predate the formation of Rotgut. So we’re kind of going backwards. But the old songs are crusty and earnest, and we want them to see the light of day. They’re in the setlist anyway—can’t keep ’em private.


The third album is already in the works. We’re keeping true to the spirit of black n’ roll and thrash n’ roll—that’s the core. But if we can throw in some atmosphere, some dungeon synth, some tech thrash—we’ll embrace it. I don't think it's good to be too constrained by genre. Write what you feel and package it in a way that works.


11. What are some of the bands or musical styles that have had an influence on your music, and what are you listening to nowadays?


Witchery, Ghoul, Nasum, Converge, early Haunted are big ones for me. High energy, tough, and evil. There’s so much. I love Dawn—the Swedish black metal band—for the voice leading in their progressions. D-beat like Tragedy and His Hero Is Gone. I try to listen to a wide swath: Voivod, Carpenter Brut, Goblin, Strunz & Farah, Mahler. I can go on with questions like these.


12. Before we wrap up this interview, do you have any final words or thoughts?


Thank you for taking the time. We’re so stoked to see people are interested. We really appreciate it.


rotgutofficial.bandcamp.com

instagram.com/rotgutband

ROTGUT on Facebook

Thursday, May 29, 2025

Rotgut/24 oz CANTRIP/2025 EP Review

 


  Rotgut  are  a  band  from  Seattle,  Washington  that  plays  a  mixture  of  black'nroll,  thrash  metal  and  punk  and  this  is  a  review  of  their  self  released  2025  ep  "24  oz  CANTRIP".


  A  very  hard  and  heavy  sound  starts  off  the  ep  while  the  solos  and  leads  bring  in  more  of  an  80's  style.  Vocals  are  mostly  black  metal  screams  mixed  in  with  a  few  growls  along  with  the  riffing  also  adding  in  elements  of  thrash  metal  and  punk  and  the  mid  tempo  sections  of  the  tracks  are  more  rooted  in  black'nroll.


  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  Melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  recording  also  making  a  more  old school  style  more  modern  and  most  of  the  songs  stick  to  a  mid  tempo  direction.


  Rotgut  plays  a  musical  style  that  takes  black'n'roll,  thrash  metal  and  punk  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  cosmic  horror  and  humor  themes.


  In  my  opinion  Rotgut  are  a  very  great  sounding  mixture  of  black'nroll,  thrash  metal  and  punk  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Hunger'  and  "Blood  And  Copper".  8 out  of  10.


  https://rotgutofficial.bandcamp.com/track/return-of-the-dead-without-eyes

https://www.facebook.com/profile.php?id=61576181446297

https://www.instagram.com/rotgutband/

https://open.spotify.com/album/5cTIwdnniUkImcEzEFC4qv?si=paArCkjvScCby-oWC0Mm0w&nd=1&dlsi=2abb0e6623564727   

Eithir Anduin/Гипнагогия/2025 Full Length Review

 


  Russia's  Ethir  Anduin  have  returned  with  a  new  recording  which  shows  the  music  going  for  an  atmospheric  and  blackened  form  of  doom  metal  and  this  is  a  review  of  their  self  released  2025  album  "Гипнагогия".


  Clean  playing  starts  off  the  album  along  with  some  atmospheric  sounding  synths  a  few  seconds  later  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  All  of  the  musical  instruments  also have  a  very  powerful  sound  to  them  while  all  of  the  tracks  are  also  very  long  and  epic  in  length.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  while  the  slower  sections  of  the  songs  also  add  in  elements  of  doom  metal.  All of  the  tracks  are  also  instrumentals  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody  as  well  as  some  blast b eats  also  being  added  into  the  faster  sections  of  the  album.


  Some  of  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  of  the  faster  riffing  also  adding  in  a  small  amount  of  tremolo  picking,  at  times  the  music  also  gets  very  progressive  sounding.  The  production  sounds  very  professional  while  the  song  themes  focus  on  loneliness,  nature  and  contemplation  of  the  north.  


  In  my  opinion  this  is  another  great  sounding  recording  from  Ethir  Anduin  and  if  you  are  a  fan  of  instrumental  and  blackened  doom  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Небыль"  "Взбираясь тропою к вершинам горы"  and  "В омуте дремлет налим ".  8 out  of  10.

  https://ethiranduin.bandcamp.com/album/--5

Low Before The Breeze Interview

 

1.Can you give us an update on what has been going on with the band since the recording the new album?




There were plenty of logistics to get squared away with the album release; artwork, packaging, distribution, planning tours etc. It’s felt like a second Job to get it all taken care of, but thankfully Jon (guitar) is much more gifted at this kind of thing than I am. 




Additionally, Dennis (bass) released an ep with their incredible project Culprits of the Youth and Jonathan(drums) has been finishing up a new LP with his project, Palaces. 






2.You have a new album coming, musically how does it differ from the stuff you have released in the past?




I like to think that our record feels like a maturation of a lot of the sounds we were trying out in our various EP’s. The songs are much more fleshed out in a way that feels very personally satisfying. We’ve long wanted to push for longer run times, more atmosphere, and the inclusion of electronics / noise - and it feels like we managed to naturally fit those things into a cohesive product. 




3.What are some of the lyrical topics and subjects the band explores with the newer music and also how would you describe your progress as songwriters over the years?




Lyrically, A Hole Beneath the Home We Shared follows a few darker moments of my life; experiencing domestic abuse, the failing of a relationship, sick family members - all filtered through the lens of religious guilt. 




Jon and Dennis have completely evolved our sound since joining the band, and we’ve become much stronger as a unit in the meantime. The earlier music was really us learning how to write together, while this record is an example of us more comfortable in our own skin. 




4.What is the meaning and inspiration behind the name 'Low Before The Breeze?




The name is really nothing too deep. I am a big fan of the band clipping, and in their song “she bad” the line “low before the breeze” is mentioned while referring to the temperature dropping. I was listening to their record, “Visions of Bodies Being Burned” a lot around the time that the band got started up, and after a lot of options were weeded out we settled on that lyric as a name. 




5.Can you tell us a little bit more about the artwork that is presented on the new album cover?




Our good friend Sasha Schilbrack-Cole (of the band Malevich) is one of our collective favorite artists, he was kind enough to take on the art design for the LP. I provided him with the lyrics as well as some photos of my own wedding and this is what he produced. We are all so proud of the results. 




6.What are some of the best shows that the band has played so far and also how would you describe your stage performance?




Our live show is chaotic, we all like to move around a lot and we are not afraid to make a mess on stage. I’ll take any chance I get to jump into the crowd and make folks uncomfortable (haha). 




Our first show in Savannah, GA will always feel very special. I think it was the first time that we were a part of a sold out gig, and the energy in the room was unlike anything we had experienced up to that point. Rest in Peace to the Lodge of Sorrows. 




7.Do you have any touring or show plans for the new album?




We are hitting the road immediately after the record comes out. We’ll be in:




-Charleston, SC 6/4


-Winston-Salem, NC-6/5


-Baltimore, MD 6/6


-Richmond, VA 6/7


-Woodstock, GA 6/14




More to be announced soon, we are so excited to get out on the road and share this record with anyone willing to listen. 




8.The new album was released on 'Terminus Hate City', can you tell us a little bit more about this label?




The entire THC family has been incredibly kind to us and have supported our art and vision ever since we signed with them in November of 2024. Jay and team are cultivating a family of heavy and unique artists, it’s an incredibly strong roster and we are pumped to be a part of it. 




9.On a worldwide level, how has the reaction been to your music by fans of underground metal and hardcore?




The overall reception of the band, and especially our latest songs, has been more than we could have ever dreamt of. Anyone who isn’t a friend or family member giving a shit about our art will never cease to be amazing. 






10.Where do you see the band heading into musically during the future?




Writing for our next material has already begun, we want to be intentional with exploring different aspects of our sound and incorporating even more of each members personality into the final production. Expect a lot more electronics / noise, that’s for sure. 




11.What are some of the bands or musical styles the band members are currently listening to nowadays?




Gosh, there’s so much music that we all love; I like to think we have fairly eclectic musical taste. To name a few recent favorites from each member: The Armed, Apostle, Wednesday, Billy Woods, Chester Watson, and In Memories. 




12.Before we wrap up this interview, do you have any final words or thoughts? 




I want to send all the love in the world to Simon Small at Tunnel of Reverb Studios. He mixed/produced our new record and it would not sound half as interesting without his unique approach at the helm. If you have any interest in our stuff, A Hole Beneath The Home We Shared is streaming everywhere now. 


Sunday, May 25, 2025

Low Before The Breeze/A Hole Beneath The Home We Shared/Terminus Hate City/2025 Full length Review

 


  Low  Before  The  Breeze  are  a  band  from  Atlanta,  Georgia  that  plays  a  mixture  of  black  metal,  screamo  and  harsh  noise  and  this  is  a  review  of  their  2025  album  "A  Hole  Beneath  The  Home  We  Shared"  which  will  be  released  on  may  30th  by  Terminus  Hate  City.


  harsh  noises  and  power  electronics  start  off  the  before  before  going  into  a  heavier  direction  while  the  vocals  are  done  in  more  of  a  hardcore  style.  Black  metal  screams  can  also  be  heard  at  times  while  the  music  also  adds  in  a  lot  of  screamo  elements  and  spoken  word  parts  and  samples  are  also  utilized  at  times.


  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also be  heard  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Clear  playing  is  also  added  into certain  sections  of  the  recording  along  with  some  tremolo  picking  also  being  added  into  the  faster  riffing  at  times.  Melodies  are  also  also  added  into  some  of  the  guitar  riffing  and  all  of t he  musical  instruments  also  have  a  very  powerful  sound  to  them,  clear  singing  can  also  be  heard  briefly.


  Low  Before  The  Breeze  plays  a  musical  style  that takes  black  metal,  screamo  and  harsh  noise  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  the  human  condition.


  In  my  opinion  Low  Before  The  Breeze  and  if  you  are  a  fan  of  black  metal,  screamo  and  harsh  noise,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Loss  Of  A  Kingdom"  "Days  Feel  Rehearsed"  "Cadaver  Synod"  and  "Permission  To  Rest".  8 out  of  10.



    


  


  

Saturday, May 24, 2025

Hexrot/Formless Ruin Of Oblivion/Transcending Obscurity Records/2025 Full Length Review

 


  Hexrot  are  a  duo  from  Massachusetts  that  plays  an  avant  garde  mixture  of  black,  death  and  thrash  metal  and  this  is  a  review  of  their  2025  album  "Formless  Ruin  Of  Oblivion"  which  will be  released  in   August  by  Transcending  Obscurity  Records.


   Synths  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  Melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  vocals  also  bringing  in  a  mixture  of  death  metal  growls  and  black  metal  screams.


  Blast  beats  are  also  added  into  the  faster  sections  of  the  songs  while  the  riffs  also  add  in  a  lot  of  thrash  metal  elements.  At  times  the  music  also  gets  very  avant  garde  sounding  along  with  the  album  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  some  spoken  words  also  being  utilized  on  a  couple  of  tracks,  clean  playing  is  also  added  into  certain  sections  of  the  recording  and  the  closing  song  is  very  long  and  epic  in  length.


  Hexrot  plays  a  musical  style  that  takes  an  avant  garde  form  of  black  metal  and  mixes  it  with  death  and  thrash  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  metaphysical  themes.


  In  my  opinion  Hexrot  are  a  very  great  sounding  avant  garde  mixture  of  black,  death  and  thrash  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Heavenward"  and  "Formless  Ruin  Of  Oblivion".  8  out  of  10.


  Official Video Stream #1


Official Video Stream #2

Hexrot Bandcamp


Hexrot Instagram

Hexrot Facebook    

Prophets Tomb/Through Pain/WormHoleDeath Records/2025 Full Length Review

 


  Prophets  Tomb  are  a  band  from  Arvada,  Colorado  that  plays  a  progressive  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2025  album  "Through  Pain"  which  will b e  released  in  June b y  WormHoleDeath  Records.


  A  electronic  music  orientated  intro  starts  off  the  album  before  going  into  a  heavier  direction  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  Vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls  along  with  the  music  also  getting  very  progressive  sounding  at  times.


  When  guitar  solos  and  leads  are  utilized  they  also  bring  in  more  of  a  technical  yet  melodic  style  while  the  riffs  also  add  in  a  decent  amount  of  melody.  Clear  vocals  can  also  be  heard  on  a  few  tracks. along  with  the  faster  sections  of  the  songs  also  adding  in  a  great  amount  of  brutal  blast  beats  


  Keyboards  can  also  be  heard  on a   couple  of  tracks  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  One  song  also  adds  in  a  brief  use  of  acoustic  guitars  as  well  as  the  recording  also  having  its  atmospheric  moments  and  a  later  track  also  introduces  spoken  words  onto  the  album  clean  playing  is  also  added  on  the  closing  track.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness,  death  and  morality  themes.


  In  my  opinion  Prophets  Tomb  are  a  very  great  sounding  progressive  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Bear  Trap"  and  "Shattered  Glass  Coffin".  8 out  of  10.


  www.instagram.com/prophetstombband

www.facebook.com/ProphetsTombBand
www.youtube.com/@prophetstombband
www.tiktok.com/@prophetstombband

prophetstombofficial.com