Tuesday, December 31, 2024

Rampant Beast/Into The Infernal Pyre/Witches Brew/2024 Full Length Review

 


  Rampant  Beast  are  a  band  from  Armenia  that  plays  a  mixture  of  black,  thrash,  speed  metal  and  punk  and  this  is  a  review  of  their  2024  album  "Into  The  Infernal  pyre"  which  was  released  by  Witches  Brew.


  A  very  dark  sounding  intro  starts  off  the  album  along  with  some  ritualistic  spoken  word  parts  before  going  into  a  heavier  direction.  Blast beats  are  also  added  into  the  faster  sections  of  the  songs  while  the  solos  and  leads  also  bring  in  more  of  an  old  school  speed  emtal  style  and  the  vocals  are  black  metal  screams.


  A  lot  of  the  music  is  also  very  heavily  rooted  in  the  first  wave  era  of  the  genre  while  some  of  the  faster  riffing  is  also  adds  in  some  tremolo  picking.  At  times  the  album  also  captures  the  raw  energy  of  punk  rock  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  the  whole  album  also  sticks  to  a  heavier  direction.


  Rampant  Beast  plays  a  musical  style  that  takes  black,  thrash,  speed  metal  and  punk  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  old  school  while  the  lyrics  cover  Occultism,  Evil,  Blasphemy  and  Massacre  themes.  


  In  my  opinion  Rampant  Beast  are  a  very  great  sounding  mixture  of  black,  thrash,  speed  metal  and  punk  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Bestial  Torment"  "Shrine  of  The  Witch"  and  "Lurking  Evil".  8  out  of  10.


  https://www.facebook.com/rampantbeast

https://www.instagram.com/rampantbeast/

Hjort/Evole IV-VIII/Iniertal Music/2025 Full Length Review

 


  Hjort  are  a  solo  project  from  Germany  that  plays  an  instrumental  mixture  of  post  black  and  doom  metal  and  this  is  a  review  of  his  album  "Evolve  IV-VIII"  which  will  be  released  in  2025  by  Iniertal  Music.


  Field  recordings  start  off  the  album  before  going  into  more  of  a  electronic  direction  while  also  introducing  atmospheric  sounding  synths  onto  the  recording.  Elements  of  doom  metal  are  also  added  into  the  slower  sections  of  the  songs  along  with  most  of  the  tracks  also  being  very  long  and  epic  in  length.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  album  also  avoids  the  use  of  any  vocals  or  lyrics.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  post  metal  style  along  with  the  the  faster  sections  of  the  songs  also  adding  in  blast  beats  and  black  metal  style  tremolo  picking.


  Clean  playing  is  also  added  into  certain  sections  of  the  recording  along  with  some  of  the  tracks  also  adding  in  a  small  amount  of  symphonic  touches.  At  times  the  music  also  gets  very  progressive  sounding  as  well  as  one  song  also  adding  in  a  brief  use  of  nature  sounds.  Acoustic  guitars  and  percussion  are  also  utilized  briefly  and  some  of  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  production  sounds  very  professional.


  In  my  opinion  Hjort  are  a  very  great  sounding  instrumental  mixture  of  post  black  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this solo  project.  RECOMMENDED  TRAC KS  INCLUDE  "IV"  "VIII".  8  out  of  10.


  https://hjortnoise.bandcamp.com/

Monday, December 30, 2024

Ghosts Of Glaciers/Eternal/Translation Loss Records/2024 Full Length Review

 


  Ghosts  Of  Glaciers  are  a  band  from  Denver,  Colorado  that  plays  an  instrumental  mixture  of  black,  doom,  progressive  metal  and  atmospheric  post  rock  and  this  is  a  review  of  their  2024  album  "Eternal"  which  was  released  by  Translation  Loss  Records.


  Atmospheric  sounding  synths  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at times.  When  clean  playing  is  utilized  it  is  done  in  more  of  a  post  rock  style  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  some  of  the  tracks  ae  also  very  long  and  epic  in  length.


  All  of  the  music  also  avoids  the  use  of  any  vocals  or  lyrics  while  the  album  also  has  its  progressive  moments.  Elements  of  doom  metal  are  also  added  into  the  slower  sections  of  the  songs  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.


  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard  along  with  the  tremolo  picking  in  the  faster  riffing  also  being  very  heavily  rooted  in  black  metal  as  well  as  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  the  production  also  sounds  very  professional.


  In  my  opinion  Ghosts  of  Glaciers  are  a  very  great  sounding  instrumental  mixture  of  black,  doom,  progressive  metal  and  atmospheric  post  rock  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Vast  Expanse"  and  "Ruined  Fortress".  8  out  of  10.


  https://ghostsofglaciers.bandcamp.com/album/eternal

https://www.facebook.com/GhostsofGlaciers/

https://www.instagram.com/ghostsovglaciers/  


    

Sunday, December 29, 2024

Hermh/Oremus Peccatum (Refaim)/Via Nocturna/2024 Demo Re-Issue Review

 


  Hermh  where  a  band  from  Poland  that  played  a  mixture  of  black,  doom  and  gothic  metal  and  this  is  a  review  of  their  1994  demo  "Oremus  Peccatum  (Refaim)"  which  was  re-issued  in  2024  by  Via  Nocturna.


  Dark  soundscapes  start  off  the  demo  before  going  into  more  of  a  heavier  and  melodic  direction  while  the  slower  sections  of  the  songs  also  bring  in  elements  of  doom  metal.  Vocals  are  mostly  grim  black  metal  screams  along  with  the  keyboards  also  being  more  heavily  rooted  in  gothic  metal  and  the  solos  and  leads  also  add  in  a  lot  of  melody.


 One  of  the  songs  also  adds  in  some  session  work  from  Cemetery  Of  Scream  while  most  of  the  tracks  are  also  very  long  and  epic  in  length.  Acoustic  guitars  can  also  be  heard  briefly  along  with  one  song  also  adding  in  a  brief  use  of  spoken  word  parts  and  the  whole  demo  sticks  to  either  a  slow  or  mid  tempo  direction  and  clear  singing  is  also  added  on  the  closing  song.


  Hermh  played  a  musical  style  that took  black,  doom  and  gothic  metal  and  mixed  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  old  school  while  the  lyrics  cover  darkness,  mysticism  and  war  themes.


  In  my  opinion  Hermh  where  a  very  great  sounding  mixture  of  black,  doom  and  gothic  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Neverending  War"  and  "Troubled  Outlines".  8  out  of  10.


  https://www.youtube.com/watch?v=SgXC6pSWYso

Facebook | Bandcamp | Spotify  

On All Fours/Hybris/Van Records/2024 Full Length Review

 


  On  All  Fours  are  a  band  from  Belgium  that  plays  a  mixture  of  black,  doom,  gothic  metal  and  darkwave  and  this  is  a  review  of  their  2024  album  "Hybris"  which  was  released  by  Van  Records.


  Drum  beats  start  off  the  album  along  with  some  darkwave  style  clean  playing  a  few  seconds  later.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  while  the  clear  vocals  bring  in  more  of  an  ethereal  style  as  well  as  some  of  the  tracks  also  being  long  and  epic  in  length.


  Clear  male   vocals  are  also  utilized  briefly  while  the  slower  and  heavier  sections  of  the  songs  also  bring  in  elements  of  doom  metal.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  dark  yet  melodic  style  along  with  the  tracks  also  bringing  in  the  dark  atmosphere  of  black  metal,  one  song  also  introduces  harsh  vocals  onto  the  album  and  the  whole  recording  also  sticks  to  a  slower  direction  as  well as  the  bonus  track  also  being  an  acoustic  song.


  On  All  Fours  plays  a  musical  style  that  takes  black,  doom,  gothic  metal  and  darkwave  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  the  darkest  recesses  of  existence.  


  In  my  opinion  On  All  Fours  are  a  very  great  sounding  mixture  of  black,  doom,  gothic  metal  and  darkwave  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Vision  -  Sinear's  Dream"  "Tower  Anagogia"  and  "Atrium  Limerance".  8  out  of  10.


  Facebook:   /onallfours

Instagram:   /on_4ll_fours

Hexenbrett/Dritte Beschwörung: Dem Teufel eine Tochter/Dying Victims Productions/2024 Full Length Review

 


  Germany's  Hexenbrett  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  mixture  of  black,  doom,  heavy  metal  and  deathrock  and  this  is  a  review  of  their  2024  album  "Dritte  Beschwörung:  Dem  Teufel  eine  Tochter"  which  was  released  by  Dying  Victims  Productions.


  Horror  movie  samples  start  off  the  album  before  going  into  a  heavier  direction  while  the  synths  also  add  in  more  of  a  deathrock  style.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  the  solos  and  leads  going  for  more  of  a  classic  traditional  metal  style  and  the  vocals  are  done  in  more  of  a  first  wave  black  metal  style.


  The  slower  sections  of  the  songs  also  bring  in  elements  of  doom  metal  while  blast  beats  and  tremolo  picking  can  also  be  heard  when  the  music  speeds  up.  Throughout  the  album  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  when  spoken  words  are  utilized  they  also  bring  in  more  of  a  ritualistic  atmosphere.


   A  lot  of  the  album  is  very  heavily  rooted  in  the  80's  as  well  as  remaining  very  modern  at  the  same  time  along  with  a  couple  of  tracks  also  being  very  long  and  epic  in  length  as  well  as  one  song  also  being  an  instrumental.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  German  and  cover  Satanism  Occultism,  Egyptian  Mythology  and  Horror  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Hexenbrett  and  if  you  are  a  fan  of  black,  doom,  heavy  metal  and  deathrock,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Dem  Teufel  eine  Ti=ochter"  "Imhotep"  and  "Sette gocce  rosse  su  velluto  verde".  8  out  of  10.


  https://www.youtube.com/watch?v=vjbqAyggtu8

https://hexenbrett.bandcamp.com/album/dritte-beschw-rung-dem-teufel-eine-tochter  

Saturday, December 28, 2024

A Dead Poem/Abstract Existence/Personal Records/2024 Full Length Review

 


  A  Dead  Poem  are  band  from  Brazil  that  plays  a  mixture  of  black,  doom  and  gothic  metal  and  this  is  a  review  of  their  2024  album  "Abstract  Existence"  which  was  released  by  Personal  Records.


  A  semi  distorted  sound  starts  off  the  album  before  going  into  more  of  a  heavier  and  melodic  doom  metal  direction.  Some  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  harsh  vocals  are  mostly  black  metal  screams  mixed  in  with  a  few  growls  and  the  music  is  very  heavily  rooted  in  the  90's  era.


  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  clean  playing  can  also  be  heard  in  certain  sections  of  the  album.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  yet  melancholic  style  along  with  the  songs  also  mixing  in  a  lot  of  gothic  metal  elements,  synths  can  also  be  heard  briefly  and  all  of  the  tracks  stick  to  either  a  slow  or  mid  tempo  direction.


  A  Dead  Poem  plays  a  musical  style  that  takes  black,  doom  and  90's  era  gothic  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  death,  mourning,  misanthropy,  depression,  introspection  and  cosmic  universe  themes.


  In  my  opinion  A  Dead  Poem  are  a  very  great  sounding  mixture  of  black,  doom  and  gothic  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "In  Forgotten  Dimensions"  "Dressed  In  Black"  and  "Silent  Tears  Fall".  8  out  of  10.


  http://personal-records.bandcamp.com/album/abstract-existence

www.facebook.com/adeadpoem.doom 


  

Ponte del Diavolo/Tre-The EPCollection/Time To Kill Records/2024 EP Compilation Album Review

 


  Ponte  del  Diavolo  are  a  band  from  Italy  that  plays  a  mixture  of  black  and  doom  metal  with  elements  of  darkwave  and  this  is  a  review  of  their  2024  ep  compilation  "Tre"  which  was  released  by  Time  To  Kill  Records  and  consists  of  their  first  3  ep's.


  Dark  soundscapes  start  off  the  compilation  along  with  some  synths  a  few  seconds  later  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Spoken  word  samples  can  also  be  heard  briefly  while  the  blast beats  and  black  metal  style  tremolo  picking  can  also  be  heard  when  the  music  speeds  up  and  the  vocals  also  add  in  a  lot  of  clear  vocals.


  Elements  of  darkwave  are  also  utilized  quite  a  bit  throughout  the  compilation  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  The  slower  sections  of  the  songs  are  also  very  heavily  rooted  in  doom  metal  along  with  some  of  the  tracks  also  being  very  long  and  epic  in  length.


  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  along  a  couple  of  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  a  couple  of  tracks also  being    instrumentals,  clean  playing  can  also  be  heard  briefly  and  the  vocals  also  add  in  harsh  screams  towards  the  end.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  a  mixture  of  English  and  Italian  and  cover  dark  and  esoteric  themes.


In  my  opinion  Ponte  del  Diavolo  are  a  very  great  sounding  mixture  of  black  and  doom  metal  with  elements  of  darkwave  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Wickedest  Woman  In  the  World"  "The  Unborn"  and  "AVE".  8  out  of  10.


  https://www.facebook.com/PontedelDiavolo/

https://www.instagram.com/Pontedeldiavoloband  

Wednesday, December 25, 2024

Crestfallen Queen/Horns/Vocem Interiorem Manifestations/2024 Full Length Review

 



    Germany's  Crestfallen  Queen  have  returned  with  a  new  recording  which  shows  the  music  going  for  more  of  a  progressive  form  of  blackened  doom  metal  with  some  elements  of  occult  rock  and  this  is  a  review  of  their  2024  album  "Horns"  which  was  released  by  Vocem  Interiorem  Manifestations.


  A  very  slow,  dark  and  heavy  sound  starts  off  the  album  where  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording.  Most  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  harsh  vocals  are  mostly  black  metal  screams  and  elements  of  doom  metal  are  added  into  the  slower  sections  of  the  songs.


  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  clean  sections  of  the  songs  also  take  the  music  into  more  of  a  progressive  direction.  Clear  male  and  female  vocals  are  also  added  into  some  parts  of  the  album  and  blast  beats  can  also  be  heard  at  times.


  Keyboards  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  the  solos  and  leads  also  being  done  in  a  very  dark  yet  melodic  style  as  well  as  some  of  the  tracks  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  tremolo  picking  can  also be  heard  in  some  of  the  faster  riffing  and  some  tracks  also  add  in  acoustic  guitars.  The  production  sounds  very  professional  while  the  lyrics  cover  Occultism,  Paganism,  Mythology,  Philosophy  and  Dark  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Crestfallen  Queen  and  if  you  are  a  fan  of  progressive  blackened  doom  metal  with  elements  of  occult  rock,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Horns"  "Wyllt"  and  "Arcane  Sorcerer  Pt.2  Wyrd's  Lament".  8  out  of  10.


  https://crestfallenqueen.bandcamp.com/

https://www.facebook.com/CrestfallenQueen

https://www.instagram.com/crestfallenqueenband      


    

  

Dead Orbs/Self Titled/2024 Full Length Review

 


  Dead  Orbs  are  a  band  from  Brazil  that  plays  a  mixture  of  black  and  doom  metal  and  this  is  a  review  of  their  self  titled  and  self  released  2024  album.


  A  very  slow,  dark  and  heavy  doom  metal  sound  starts  off  the  album  while  melodies  are  also  added  into  some  of  the  guitar  riffing.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  vocals  being  mostly  grim  sounding  black  metal  screams  and  the  music  is  very  heavily  rooted  in  the  early  90's  era.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  yet  old  school  style  while  some  of  the  tracks  are  also  very  long  and  epic  in  length.  A  lot  of  the  album  also  sounds  like  it  could  of  easily  been  recorded  and  released  more  then  30  years  ago  along  with  a  couple  of  songs  also  adding  in  a  small  amount  of  clean  playing  and  the  whole  recording  also  sticks  to  a  slower  direction.


  Dead  orbs  plays  a  musical  style  that  goes  back  to  the  early  90's  era  of  black  and  doom  metal.  The  production  sounds  very  old  school  while  the  lyrics  cover  darkness  and  death  themes.


  In  my  opinion  Dead  Orbs  are  a  very  great  sounding  mixture  of  black  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Wrath  Of  The  Deep"  "Buried"  and  "Decadence  Of  Filth".  8  out  of  10.


   Listen here


@deadorbsband


  

Tuesday, December 24, 2024

Zen Disdain/Inanition/2024 Full Length Review

 


  Zen  Disdain  are  a  band  from  the  Netherlands  that  plays  a  blackened  mixture  of  doom  and  death  metal  and  this  is  a  review  of  their  2024  album  "Inanition".


  A  very  dark  yet  heavy  sound  starts  off  the  album  while  the  slower  sections  of  the  songs  also  bring  in  elements  of  doom  metal.  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  along  with  some  clean  singing  also  being  utilized  at  times  and  the  riffs  also  add  in  a  lot  of  melody.


  Most  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  faster  sections  of  the  songs  also  add  in  a  decent  amount  of  blast  beats.  All  of  the  musical  instruments  on  the  album  also  have  a  very  powerful  sound  to  them  along  with  the  recording  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.


  Tremolo  picking  is  also  added  into  some  of  the  faster  riffing  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are  utilized  as  well  as  some  of  the  tracks  showing  an  influence  of  the  classic  epic  doom  metal  era,  whispered  vocals  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness,  depression,  nature  and  spirituality  themes.


  In  my  opinion  Zen  Disdain  are  a  very  great  sounding  mixture  of  black,  doom  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Everpresent" "The  Woods"  and  "What  Remains  of  Us".  8  out  of  10.


  Bandcamp https://zendisdain. bandcamp.com

YouTube https://www.youtube. com/@ZD_metal
Facebook https://www.facebook. com/zendisdain
Instagram https://www. instagram.com/zendisdain

Spotify https://open.spotify. com/artist/ 23KOXGc8x2RqQhlaIfzgZp  

Nepenthe/The Fading Promise Of Tomorrow + Elegies Of Loss And Doom/Hypaethral Records/2024 Compilation Album Review

 


  Nepenthe  are  a  band  from  Ontario,  Canada  that  plays  a  very  atmospheric  form  of  blackened  doom  metal  and  this  is   a  review  of  their  2024  compilation  album  "The  Fading  Promise  Of  Tomorrow  +  Elegies  of  Loss  And  Doom"  which  was  released  in  2024  by  Hypaethral  Records  and  consists  of  their  2020  and  2024  ep's.


  Clean  playing  starts  off  the  compilation  while  clear  vocals  can  also  be  heard  on  some  of  the  tracks.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  slower  sections  of  the  songs  also  bringing  in  elements  of  doom  metal  and  the  riffs  also  add  in  a  lot  of  melody.


  Some  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  harsh  vocals  are  mostly  high  pitched  black  metal  screams.  When  the  music  speeds  up  a  decent  amount  of  blast  beats  and  tremolo  picking  can  also  be  heard  along  with  the  compilation  also  having  its  atmospheric  moments  and  one  song  is  also  a  'Of the Wand And Moon' cover.

  

  Spoken  word  parts  can  also  be  heard  briefly  along  with  some  of  the  tracks  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  a  couple  of  songs  also  bring  in  a  small  amount  of  acoustic  guitars,  violins  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  cover  existentialism  and  the  writings  of  Fredrich  Nietzsche  and  Charles  Baudelaire. 


  In  my  opinion  Nepenthe  are  a  very  great  sounding  atmospheric  blackened  doom  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  compilation.  RECOMMENDED  TRACKS  INCLUDE  "Upon  These  Familiar  Shores"  and  "Drowning  In  Acrid  Light".  8  out  of  10.


https://www.facebook.com/nepenthe.doom
https://instagram.com/nepenthe.doom


       

Pentacle/Archaic Undead Fury/Vic Records/2024 EP re-Issue Review

 


  This  is  a  review  of  an  earlier  recording  from  Netherland's  Pentacle  which  showed  the  music  going  for  an  old  school  form  of  blackened  death  metal  with  elements  of  doom  metal  and  the  ep  was  originally  released  in  2005  and  called  "Archaic  Undead  Fury"  which  was  re-issued  in  2024  by  Vic  Records.


  A  very  dark  yet  heavy  sound  starts  off  the  ep  while  the  slower  sections  of  the  recording  also  show  an  influence  of  doom  metal.  Vocals  are  mostly  death  metal  growls  along  with  the  music  also  adding  in  elements  of  first  wave  era  black  metal  and  most  of  the  recording  is  also  very  heavily  rooted  in  the  early  80's  era.


  A  small  amount  of  melody  can  also  be  heard  in  some  of  the  guitar  riffing  while  blast  beats  are  also  utilized  when  the  music  speeds  up.  The  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  the  whole  recording  also  sticks  to  a  heavier  direction.  


  On  this  recording  Pentacle  went  for  more  of  an  early  90's  style  of  death  metal  as  well  as  mixing  in  some  black  and  doom  metal  elements  to  take  the  music  into  a  darker  direction.  The  production  sounds  very  old  school  while  the  lyrics  cover  occultism,  warfare  and  death  themes.


  In  my  opinion  this  was  another  great  sounding  recording  from  Pentacle  and  if  you  are  a  fan  of  old  school  death  metal  with  elements  of  doom  and  thrash  metal,  you  should  check  out  this  re-issue.  RECOMMENDED  TRACK  "Hellish  Descent".  8  out  of  10.


  https://youtu.be/Nv-V9XlGWao    

Monday, December 23, 2024

Marche Funebre/After The Storm/Ardua Music/2024 Full Length Review

 


  Belgium's  Marche  Funebre  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  blackened  form  of  doom/death  metal  and  this  is  a  review  of  their  2024  album  "After  The  Storm"  which  was  released  by  Ardua  Music.


  Melodic  guitar  solos  and  leads  start  off  the  album  along  with  some  atmospheric  sounding  synths  a  few  seconds  later.  Elements  of  doom  metal  are  also  added  into  the  slower  sections  of  the  recording  while  the  vocals  bring  in  mostly  death  metal  growls  mixes  in  with  some  black  metal  screams.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  all  of  the  tracks  are  also  very  long  and  epic  in  length.  Clear  vocals  are  also  utilized  quite  a  bit  throughout  the  recording  along  with  some  of  the  songs  also  adding  in  a  decent  amount  of  clean  playing  as  well  as  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  and  the  whole  album  also  sticks  to  a  slower  direction.  


  On  this  recording  Marche  Funebrae  goes  for  a  very  slow,  atmospheric  and  melodic  style  of  doom/death  metal.  The  production  sounds  very  professional  while  the  lyrics  cover  melancholic  themes.


  In  my  opinion  this  is  another  great  sounding  album  from  Marche  Funebre  and  if  you  are  a  fan  of  atmospheric  and  blackened  doom/death  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "In  A  Haze"  and  "After  The  Storm".  8  out  of  10.


  https://www.facebook.com/MarcheFunebreDoom

https://youtu.be/6MFlPmx_NLo

Tyrannic/Tyrannic Desolation/Iron Bonehead Productions/2024 Full Length Review

 


  Australia's  Tyrannic  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  blackened  form  of  doom  metal and  this  is  a  review  of  their  2024  album  "Tyrannic  Desolation"  which  was  released  by  iron  Bonehead  Productions.


  A  very  dark  yet  heavy  sound  starts  off  the  album  while  melodies  are  also  added  into  some  of  the  guitar  riffing.  Vocals  are  mostly  grim  sounding  black  metal  screams  while  the  music  also  adds  in  a  lot  of  80's  and  early  90's  influences   and  toy  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording.


  Elements  of  doom  metal  are  also  added  into  the  slower  sections  of  the  songs  while  clear  vocals can  also  be  heard  on  a  few  tracks.  When  guitar  solos  and  leads  are  utilized  they  bring  in  more  of  a  dark  yet  melodic  style  along  with  some  of  the  tracks  also  being  very  long  and  epic  in  length  and  blast beats  are  also  added  when  they  music  speeds  up.


  Tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing  along  with  some  of  the  angry  shouts  also  giving  the  songs  more  of  a  first  wave  black  metal  vibe  when  they  are  introduced  into  the  music  as  well  as  some  of  the  tracks  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  synths  and  clean  playing  can  also  be  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  cover  death  and  desolation  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Tyrannic  and  if  you  are  a  fan  of  blackened  doom  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Prophetic  Eyes  Of  Glass"  "Impaled  Before  Your  Mirror  Of  Fate"  and  "Morbid  Sanctum".  8  out  of  10.


  http://soundcloud.com/iron-bonehead-productions/tyrannic-prophetic-eyes-of-glass

www.facebook.com/Tyrannic-413672648839389

Wednesday, October 23, 2024

Shaarimoth Interview

 

1. Can you give us an update on what has been going on with the band since the recording of the new album?

Between the shadows of 'Temple of the Adversarial Fire' and the impending arrival of 'Devildom,' we contributed to the split 'SamaeLilith: A Conjunction of the Fireborn,' released by the World Terror Committee in 2021. This 4-way split showcases pure black magic mayhem, featuring contributions from some of the most dedicated bands in the genre. While this format may be seen as untrendy within the 'scene', I believe these splits are an essential part of the metal legacy and something that must be preserved.


Since then, we have been immersed in the creative process for our new album, which was recorded in 2022. However, like with all our previous releases, we have faced formidable challenges that have delayed its release. Despite this, our spirit remains strong, and we eagerly anticipate sharing the fruits of our labor with our listeners soon.


2. You have a new album coming out on Halloween. Musically, how does it differ from your previous releases?

Each album is an act of defiance, a manifestation of our relentless evolution. We reject stagnation as it is the death of art and all other aspects of life. This new album, set to emerge on Samhain, plunges deeper into the abyss, reflecting our unyielding exploration of primal energies which manifests from the unconsciousness. While our essence persists, we have pushed the boundaries further, intertwining new elements that challenge both us and our listeners.


In essence, this album is a dark testament to our growth, each note and lyric is a step into the depths we willingly traverse.


3. What are some lyrical topics you have covered that you weren’t able to explore in previous releases?

In this new endeavor, we have embraced the opportunity to approach our lyrical themes from a new perspective, while remaining true to the primal forces that have guided us from the very beginning. We navigate through the darkest paths to esoteric enlightenment, forging a synthesis from the traditions of countless centuries.


This time, we deliberately obscured the deities that inspired the tracks, inviting listeners to engage with the material on a deeper level. By cloaking certain elements in mystery, we create space for interpretation, urging our audience to unearth their own meanings and forge a connection with the dark powers that dwell within. We aim to awaken the rebellious nature within our listeners, inspiring them to realize their divine potential and discover the power of the inner flame.


4. Many of your lyrics focus on Chaos Gnosticism and the Left-Hand Path. How has your interest evolved over the years?

My spiritual journey is and has always been dynamic and ever-evolving. 

Each experience, each revelation, shapes my understanding of creation and our place within and beyond it. These paths beckon us to confront the darkness, to question established norms, and to dive deep into the recesses of our own (un)consciousness.


Remaining open to new impulses allows fresh ideas and insights to shift our understanding. Engaging with these philosophies reveals them as living traditions that encourage adaptation. It’s about being receptive to the currents of the powers we work with and allowing these experiences to shape our art and spirituality.



5. In previous lyrics, you've explored the left-hand path and the sinister aspects of vampirism. Do you find inspiration in writers like Michael W. Ford?

My inspiration comes from a multitude of sources, occult and philosophical literature, music, paintings and the vast landscape of art itself. Each medium provides a distinct lens for exploring ideas. While it’s essential to draw inspiration from others, true understanding emerges through dedicated practice and immersion.


Knowledge is gathered through reading, but wisdom is forged through experience. This journey allows us to create a synthesis between dark traditions, contributing to a rich tapestry of understanding. Ultimately, it’s about harnessing that inspiration to carve a unique path, fearlessly exploring the shadows while integrating past wisdom with personal truths.


6. You've also covered Sumerian Magick and the Qliphoth in your lyrics. How have these practices impacted your life and worldview?

It’s not a specific system that has shaped my journey, but rather the underlying essence that transcends time and form. Myths resonate with singular truths, and our lyrical expressions evolve across cultures and centuries. Exploring different traditions unveils unique dimensions of the same underlying powers. Gnosis is key, through deep understanding, we draw closer to liberating truths.


The powers we explore have profoundly reshaped my life, guiding me toward spiritual ascension and personal excellence. This path demands a restructuring of internal paradigms into a sinister discipline. Once certain bridges are burned, there’s no turning back, and the freedom drives me forward into the unknown.


7. Can you tell us more about the artwork for the new album cover?

The artwork for our new album is a powerful collaboration between Vamperess Imperium and Khaos Diktator. We aimed for a design that demands attention, bursting with vibrant colors that embody the fiery spirit of our music. We’re thrilled with the final result as it perfectly captures the essence of "Devildom."


8. Out of all the shows the band has played, which ones stand out the most?


Choosing a singular standout performance feels impossible as each show is a unique convergence of energies. Music serves as a transformative force, altering not just ourselves but also the audience. Witnessing this metamorphosis, where raw energies intertwine and people tap into the spirit we strive to channel, can be immensely rewarding. It also depends on the energy between the band members, they need to be in the right mood to transmit these energies and act as conduits between the invoked powers and the audience. When all the above elements are present, it becomes a ritualistic communion, a celebration of the otherworldly, forging a powerful exchange between the high and the low, all colliding in the axis mundi.


While it’s hard to pinpoint a specific show, I’d like to highlight the atmosphere in Abtenau. The air there crackles with intensity, resonating deeply within the mountains, something we experienced during our tour with Thy Darkened Shade and Horna.



9. Do you have any touring or show plans once the new album is released?

We are preparing for live appearances and are currently in discussions with potential partners. We embrace opportunities as they arise and remain open to what feels right and intriguing. Let’s see what unfolds, and if the Gods will it, we will definitely be ready to strike with a full-on assault.


10. Musically, you lean more toward death metal while your lyrics delve into the occult side of black metal. Do you feel you’re bringing something original to the genre?

While it may be tempting to label Shaarimoth as merely death metal, I reject the notion of confining our expression to such narrow confines. Music should not be constrained by simplistic categories, it exists in a realm of freedom that invites exploration beyond the ordinary. Our art strives to shatter limitations, embracing an ultimate freedom that transcends any imposed rules or genres. I do not claim our work to be groundbreaking in a conventional sense, but it resonates with a raw honesty, drawing from a source far removed from the majority of today’s acts.


The labels that once defined this genre have long since lost their initial meaning. The darker, radical, and spiritual elements that once gave it life have faded, leaving behind categories based on superficial traits. We seek to rise above these limitations. Through our music, we channel adversarial energies, tapping into the potent currents that lie beneath the surface. This allows us to forge an expression that defies simplistic categorization, speaking to the deeper, often uncharted realms of existence and beyond.


In many ways, the music manifests itself, we serve as instruments for the forces we align with, allowing those energies to flow through us. This is not music, this is ritual, a sacred communion with the abyss. 

11. How has the reaction been to your music from underground metal fans worldwide?


It's difficult for me to fully assess our impact, and honestly, I rarely check the internet to read about our own work, as other people's opinions often feel irrelevant to me. However, since the release of "Current 11" we’ve attracted attention from all corners of the globe, at least judging by the inquiries and messages we received around that time. Even during our quieter periods, people have often asked for updates on new releases, so I suppose we haven't been completely forgotten, despite our long periods of silence. The response to "Temple of the Adversarial Fire" was notably heightened, showcasing its resonance upon its release. Our split, "SamaeLilith: A Conjunction of the Fireborn," which we did with Thy Darkened Shade, Amestigon, and Inconcessus Lux Lucis in 2021, also seemed to open some new gates and reach a new audience. 


It’s important to note that we don’t fully identify with any specific scene or label, for various reasons, we prefer to exist outside those confines. We may not draw the largest crowds, but we have cultivated a loyal following, many of whom have stood by us for over twenty years. Their steadfast support is a testament to the profound connection we’ve forged. 

12. Where do you see the band heading musically in the future?

As for our musical direction, the next album is already recorded, we’re simply awaiting the mixing and mastering process. Yet, beyond that, the future remains shrouded in mystery. Each moment presents new crossroads, and the paths we may take are unpredictable. While we have a vision, the essence of our journey is shaped by the unfolding of experiences and the raw energy that drives us. The evolution is constant, and we embrace the unknown. 

13. What bands or musical styles are the members currently listening to?

My listening habits are as diverse as the music we create, spanning a wide selection of genres, from the most extreme realms of metal to rock, ambient, punk, noise, classical and beyond. The list of bands that inspire me is extensive. In the realm of extreme metal, I draw from titans like Morbid Angel, Death, Possessed, Immolation, Incantation, Repugnant, Bathory, Dissection, early Emperor, Nifelheim, Abigor, Deathspell Omega, and Funereal Presence, among others.


I also appreciate classic metal acts that tread a slightly less extreme path, such as Iron Maiden, Judas Priest, Mercyful Fate, Danzig, Angel Witch, Christian Death, Fields of the Nephilim, and W.A.S.P. In the realm of non-metal, I find deep resonance in the works of Lustmord, Puissance, Swans, Nick Cave, Gallows, Ulver, and GGFH.


Personally, I often feel disconnected from the current music scene. Instead, I immerse myself in the raw energy of past releases, relishing old demos and classic albums by bands like Autopsy, Merciless, Necrovore, Sarcofago, Vulcano, and Von. Yet, it’s undeniable that certain more modern bands have influenced our sound, perhaps more than we’d like to admit, which is more evident in our latest work, "Devildom," where the echoes of those inspirations resonate clearly. 

14. Before we wrap up this interview, do you have any final words or thoughts?

Thank you for the support. 


For those who are prepared, the void awaits!


A.M.L.G.



Saturday, October 12, 2024

Dammnatorum Interview

 

1. Can you let us know what's been going on in the band lately?


Our line-up has been enriched by a second guitar. Celer, due to his musical education, is a good reinforcement for the band. It took us some time to get in tune. Finally, we can play concerts as they were recorded in the studio. In July 2024, we published the first official video clip for the song "Per Mortem Vado". Working on it was a new, interesting experience. We enjoy performing on stage, where we have contact with the audience and see how they react to our music. We thank everyone very much for their support. Between concerts, we are preparing material for the next album (it will probably be two mini-albums spread out over time), which are to be recorded in 2025. The music will be recorded in a different studio than our debut.


2. In 2023, you released your first full-length album. Can you tell us a little more about the musical style you used in the recording?


Everyone can determine at their own discretion what style to pigeonhole us into. Our music is what we like to create and what we feel comfortable with. Generally, what we play can be described as death metal spiced with elements of black metal.


3. The band has existed since 2018, but waited 5 years to release its first full album. Can you tell us a little more about this long wait?


We haven't played instruments at all for twenty-something years. It took us some time to get good at it. It's about being good at executing the intended projects. Starting from scratch, you have to buy instruments, which is not easy at all, because there are some goals set, but unfortunately they cost money. Finding the right room to play was not easy either. We used to get chased away because of the noise.


During our inactivity, the music world has changed a lot for the better in many ways. It's about technology that didn't exist before. Electronics and the possibilities it brings have developed a lot. Now we can create projects to play at rehearsals and update them without leaving home. Social media has become very important. In addition to playing, you have to take care of additional tasks such as selling gadgets, online activities, etc.


From the beginning, we imagined that we would play with two guitars. We tried with several guitarists. We had spent a lot of time on that. However, they dropped out due to difficulties in mastering the material and lack of time.


Our debut was the song “Tenebrae”, which was released as a single. It was created very quickly. We were motivated to take part in the project “IN MEMORIAL”, in which famous artists from all over the world from different musical styles were offered to participate. Unfortunately, the project was not realized, but “Tenebrae” was released on popular streaming media.


Then it was time to record the album. Before the recordings, the first vocalist left us. We started a feverish search. We had several willing people. We made the final choice and, as it turned out, the right one.


We chose the most favorable studio for us. The start date of the recordings was postponed several times, but in the end, the drum part was recorded. It took 2 days, but the processing of this material was also postponed several times. The guitars and vocals went smoothly, but we had to wait a long time for the final mix. The whole production took us over a year.


4. What non-fictional topics has the band touched on in the lyrics so far? Are there any fictional lyrics in them?


Basically, all of our lyrics are non-fictional. We touch on the problem of evil, various states of mind and the matter of death in the context of human proclivities and frailties. “Aokigahara” is a story about a forest at the foot of Mount Fuji, which is a traditional place for committing suicide. “Necrophagus” is a true story of an ordinary man, a printing worker. The hidden side of his personality was necrophilia and cannibalism. The lyrics “Animarum Pernicies” talk about suffering and depression. In the other lyrics, you can find metaphorical references to modern times.


5. What is the meaning and inspiration of the name “Dammnatorum”?


The inspiration for the band's name is... Latin. It has many meanings. It signifies the damned or the curse.

6. Can you tell us more about the artwork on the album cover?


The artwork was created by Daniel Rusiłowicz, who works for bands such as BELPHEGOR and HATE. The artwork directly refers to the album title: “In the Shadow of Death”. At first glance, it is associated with a certain religion and in this context it is a provocation. When you look closely, you can see that the figure is crucified contrary to Christian iconography and, above all, it has no face. This figure has the face of every human being and is a symbol of suffering (crucifixion - that is, torment for a long time) that we experience for most of our lives, the arrows stuck in the body of the condemned (the damned - a reference to the name of the group) are a metaphor for death that awaits each of us.


7. You also wear masks in promotional photos. What do they symbolize and mean to you?


Masks are our “armor”, our “dehumanization”. Our image directly refers to the music and lyrics.


8. What are the best concerts the band has played so far and how would you describe your stage performance?


We remember every concert fondly and every performance is a valuable experience. It would be very hard for us to single out the best one. We definitely don't remember the first 2 performances fondly due to our lack of experience (we were inactive for almost a quarter of a century), although we learned important lessons for the future from them, so they weren't completely unsuccessful concerts.


9. Do you have any plans for a tour or performances in the future?


Unfortunately, a lot doesn't depend solely on us and it's hard to plan anything specific in certain matters. We post planned performances on our band's FB. Of course, we would like to play concerts as often as possible and reach the widest possible group of metal fans. First of all, we plan to record new material.


10. The band currently has no signed contract. Are you looking for a label or have you already met with interest?


Thank you for this question. We are open to cooperation. We will consider any proposal. We can confirm that we have already analyzed the offers, but they did not meet our expectations.


11. What is the reaction of black and death metal fans around the world to your music?


The reactions are very positive. Interestingly, the response to our music came from various corners of the world, even from such an exotic country as Peru, where we sent our records and T-shirts.


12. What musical future do you see for the band?


The future is primarily to play and practice as much as possible. Musically, we are evolving a bit, the new material will be a bit more developed and technically slightly more difficult, but there will also be a greater emphasis on melody in solos - of which there will be a bit more now thanks to the second guitarist - Celer.


13. What bands and styles of music do the band members currently listen to?


Of course, each of us listens to metal, with a special emphasis on death and black metal.


Dziab

I uncritically love Decapitated. I listen to (apart from metal) the most guitar music: Vai, Plini, Satriani, Malmsteen, etc. I also listen to a lot of classical music and occasionally jazz. My great love in music is progressive metal like Dream Theater. For many years, Symphony X has been my number 1 band, a mix of progressive and neoclassical metal.


Max

I listen to a variety of music. But metal has always been and will always have a place of honor in my life. I think that our domestic bands are among the world's top. Bands like Hate, Decapitated, Vader are our pride.


Mef

That's a difficult question for me. I know that for the rest of the band too, because I've been listening to bands for several decades and if I were to go back to the beginning of my adventure with metal music, listing the bands would fill an entire page, and this is only part of it. You know, we musicians listen, absorb a huge amount of new music and exchange it with each other, talk about bands. Sometimes I laugh, because when we talk in a band I have the impression that we are small encyclopedias of music. So ok, I will put it this way: I listen to metal in every possible variety, starting with bands from my city, country and the world. I think that Polish bands have their own recognizable character. I like some genres of jazz and electronic music, especially the monumental kind. At work, usually Polish hip hop.


Celer

I have been very closed in on the musical diversity of what I listen to for the last year or two, because I know how much it influences the way I play. So recently I have been listening mainly to Necrophagist, Obscura, and Death. Personally, I think that the first one is the best band of all time, I know that it is not the most accessible music, even in the world of metal, but it has a unique atmosphere, something that has not been repeated later in the history of music. Apart from that, I sometimes get lost in music from the Middle Ages, Renaissance or Baroque. I really like listening to John Dowland, his music increasingly shows me more and more details that I haven't heard before. It's like discovering new threads in an old story.


Vesper Locust

Metal and other interesting songs from different genres and because of varied reasons.

14. Before we end the interview, do you have any last words or thoughts?


Dziab

Facebook | Bandcamp | Spotify | Instagram

Let's hurry up to love people, the world and music - because we're leaving quickly. Let's live and let live.


Mef

Metal is the music of freedom and fight! We don't give in to the system! As my brother in metal said: LOVE YOU MOTHERFUCKERS AND ROCK AND ROLL!!!