Showing posts with label Obsidian Kingdom. Show all posts
Showing posts with label Obsidian Kingdom. Show all posts

Thursday, March 17, 2016

Obsidian Kingdom/A Year With No Summer/Season Of Mist/2016 CD Review


  Obsidian  Kingdom  are  a  band  from  Spain  that  has  been  featured  before  in  this  zine  and  that  started  out  as  an  experimental  mixture  of  black,  doom  and  death  metal  but  have  evolved  into  more  of  a  progressive  and  melodic  extreme  metal  band  on this  recording  and  this  is  a  review  of  their  2016  album  "A  Year  Of  No  Summer"  which  was  released  by Season  Of  Mist.

  Drum  beats  start  off  the album  along  with  some  atmospheric  sounds which  also leads  up  to  melodic  singing  and  clean  playing  being  added  onto  the  recording  before  going  into  a  heavier  musical  direction  which  still  also  utilizes a  great  amount  of  melody  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to them.

  Some  of  the  tracks  are  very  long  and  epic  in  length and  some  songs  also  bring  in  a  small  amount  of  spoken  word  parts  while  the  synths  also  give  the  songs  more  of  an  experimental  feeling  when  they  are  used  and  they  also  bring  in  an  experimental  track  and  the  whole  album  also  sticks  mostly  to  a  very  slow  musical  direction  and  on  the  last  track  the  vocals  starting  getting  slightly  more  aggressive  while  also  adding  in  a  few  seconds  of  spoken  word  parts  while  also  speeding  up  for  a  few  seconds  and  also  adding  in  blast  beats.

  Obsidian  Kingdom  move  away  from  the  black  and  death  metal  roots  of  their  earlier  recordings  and  focus  more  on  a  melodic and  progressive  style  of  metal  which  is  also  very  different  from  anything  they  have  done  in  the  past,  the  production  sounds  very  professional  while  the  lyrics  cover  Esoterism,  Psychology  and Fear  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Obsidian  Kingdom  and  if  you  are  a  fan  of  progressive  and  melodic  metal,  you  should  enjoy  this  album.  RECOMMENDED  TRACKS  INCLUDE  "A  Year  With  No  Summer"  "Darkness"  and  "Away/Absent".  8  out  of  10.

https://obsidiankingdom.bandcamp.com/?utm_source=Obsidian%2BKingdom%2BMedia%2BMailing%2Blist&utm_campaign=f3e00832c0-20160311_ALBUM_RELEASE_MEDIA3_11_2016&utm_medium=email&utm_term=0_9e38421a46-f3e00832c0-103972913  

Tuesday, March 11, 2014

Obsidian Kingdom Interview


1. Can you give us an update on what is going on with the band these days?

We are on the verge of making a very big announcement that will suppose a turning point in the history of the band. In the meantime, there's a tight schedule for us this year, since 2014 is going to be a very busy year for Obsidian Kingdom.

Expect to enjoy a lot of newly released audiovisual material, included but not limited to, music videos, photo shoots and a European tour by this fall...

And of course, we are already writing our next album.

2.How would you describe the musical sound of the newer material and also how does it differ from your older recordings?

It is still soon to say something about it, since it is still in the making, but we can already announce that we are experimenting in two directions at the same time: first, we have become very curious about pop structures and radio formula. That doesn't mean we're going to do that in the near future, but we're certainly dabbling with that field of expression. Furthermore, we're implementing electronic music production techniques into our style and language. That will sure not come as a surprise after the release of our latest album, "Torn & Burnt", which is mainly electronic music.

Anyhow, we're definitely keeping the darkness, the sophistication, the aggression and the variety, as well as our ability to keep our listeners engaged and entertained with our art.

3.Recently you put out a remix album, can you tell us a little bit more about it?

"Torn & Burnt" is  a collection of remixes of seven cuts from "Mantiis", produced by renowned artist from all over the world which have been personally selected by us. They have taken up the task to re-write the codes of the original work in a new key of dark and moody electronic music, maintaining the overall atmosphere but altering the language as they have found appropriate, making the songs their own in the process.

The result couldn't be less astonishing, we're certain that is will interest not only the fans of "Mantiis" or the regular followers of the remixing artists, but also to everyone curious about stylistic gray zones and dark broody music in general.

4.What are some of the lyrical topics and subjects the newer music explores?

As it has been said before, it may still be too soon to make a statement about this issue, but there are certain general lines that have already been laid regarding lyrical content.

The music in the new album will certainly have a more urban and contemporary feel, as opposed to the psychologically abstract and fable-like tone in "Mantiis". We're currently addressing less introspective themes such as city spleen, near-future dystopias or secret society conspiranoia. What will become of it in the end, no one yet knows.

5.What is the meaning and inspiration behind the name Obsidian Kingdom?

It's an abstract and suggestive image that evokes the dichotomy between the primeval chaos that is condensed inside a volcanic stone and the cold order of a hierarchical structure - the immanent connotations of a material that's both useful for weapon and ornament manufacturing.

6.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

Despite acknowledging that our live shows keep getting better and better, and how much we love to play abroad, it is fair to say that one of our stage highlights was the first live presentation of "Mantiis"  in our hometown, Barcelona. The energy that derived from that show is hard to describe, but there was this remarkable anticipation and momentum amongst the audience that made this event one to remember. Although we know it is impossible to be successful in such a task, we still tried to capture some of that energy on camera, and you are welcome to watch the results on our Youtube channel. We hope to repeat it very soon, though.

Our shows are intended to enhance and amplify all the emotions that run through our music, provoking an immediate nervous response in the audience. Complemented with video projections and special stage lighting – and of course the complexities of the interpretation of music and words themselves – they broaden the band’s speech and take it to further fields of reading.

7.Do you have any touring or show plans for the future?

Certainly. There's nothing assured to this very date, but chances are that we will hit the road this fall in order to present both "Mantiis" and some of our new material through the main cities of Europe.

8.Currently you are unsigned, are you open to working with a label in the future?

It could well be, if the conditions are suit. We've realized that, in order for our music to reach its potential audience in a proper way, alliances in the music industry need to be made and, for as long as our artistic integrity stays a priority, we will be willing to take advantage of any chance we get to have our music pour into your ears.

9.On a worldwide level how has the feedback been to your music by fans of extreme metal/

We are still totally blown away by the incredible outcome of "Mantiis". Both audience and media have given it a much warmer welcome than we ever expected. The digipak edition sold out in a couple of months and the vinyl one is running short, and the digital album has been downloaded more than 6500 times to this very day. Furthermore, feedback from both the audience and the music press has been amazing so far; the album is getting an average score of 9/10 in the more than eighty reviews that have been published to date from all over the world, ranking in high positions on several ‘best of’ lists among giants such as Neurosis, Ihsahn, High on Fire or AmenRa. We couldn’t ask for more.

10.What direction do you see your music heading into on future releases?

Anywhere, for as long as it keeps both us and our audience excited and enthralled about the magic of making music. There's a thin line between finding one's own voice and stagnating, but we have just started to tread our own path so it's far too early to worry about such a thing. Being conscious of our insatiable curiosity and ambition, the Obsidian Kingdom could be heading anywhere, anytime. Just come along and trip with us.

11.What are some bands or musical styles that have influenced your newer music and also what are you listening to nowadays?

It shouldn't come as a surprise that we're deeply interested in dark electronics this days, especially the UK scene - drone techno, minimal, idm, dub and bass music. We could maybe point at Andy Stott, WIFE, Demdike Stare, Actress or The Haxan Cloak just to name a few. We are also doing a little research on early jazz as a result of the recent start on trumpet playing of Ojete Mordaza II, especially John Coltrane... And of course we love to listen to many bands that are still doing excellent boundary-pushing Metal such as Necro Deathmort, Shining (NOR) or Cult of Luna.

12.How would you describe your views on Occultism and Philosophy?

We're keen on many disciplines related to Occultism, such as Magic(k), Astrology, Numerology and Tarot, and we're particularly fond of literature on Parapsychology and the History of Occultism, from Theosophy to Satanism and including Illuminism or anything Crowley-related, but we wouldn't say that Obsidian Kingdom is a band about that at all.
Furthermore, let us not forget that we are a group of five independent individuals, each one with its own beliefs and ideas in the fields of philosophy, religion and general spirituality, so it would be really hard for us to describe our points of view in that field in the brief space left in the question of an interview. Nevertheless, it wouldn't be too wrong to say that most of us just fall somewhere between the Nihilist/Hedonist and the Zen Buddhist personality type. Whichever that might mean.

13.Outside of music what are some of your interests?

We wouldn't know where to start... We come from very different academic backgrounds and we share most of our many interests, and I think that is what makes the band so special. Just to name a few of our most common passions, we could maybe name Literature, Cinema, Comic Books, Architecture, Video Games, Photography, Design, History, Travelling, Economy, Sex, Drugs & Rock and Roll.

14.Any final words or thoughts before we wrap up this interview?

We would just like to thank you for this fine interview and send our kind regards to every reader of Bringer of Death.

Also, fourteen questions, is that a coincidence? We shouldn't think so...

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Tuesday, November 19, 2013

Obsidian Kingdom/Torn & Burnt/2013 Remix Album Review


  This  is  the  final  review  of  an  album  from  Obsidian  Kingdom  which  is  all  remixes  and  continues  their  progressive  black/death  metal   sound  while  also  adding  in  elements  of  dubstep,  Idm,  and  hip  hop  with  the  album  being  self  released  in  2013  and  called  "Torn  &  Burnt".

  "And  Then  It  Was( Oktopus  Remix)"  which  is  also  the  first  song  on  the  album  opens  up  with  drum  beats  and  elements  of  electronic  music  which  also  brings  in  ambient  elements  and  a  minute  later  heavy  guitar  riffs  are  added  into  the  song  as  well  as  some  melodic  vocals  shortly  after  that  which  also  lead  up  to  dubstep  elements  as  well  as  black  metal  vocals.

  "Last  Of  The  Night(Subheim  vs  Poordream  Remix)"  begins  with  dark  ambient  sounds  and  drones  and  a  minute  later  elements  of  breakcore  and  idm  are  added  into  the  song  and  the  song  is  all  instrumental.

  "Awake  Until  Dawn(Necro  Deathmort  Remix)"  starts  up  with  ambient  sounding  keyboards  along  with  some  drum  beats  a  few  seconds  later  and  after  a  couple  of  minutes  you  can  hear  some  black  metal  vocals  being  utilized  in  the  background.

  "Fingers  In  Anguish(Jr.  Morgue  Remix)"  kicks  in  with  ambient,  and  tip  hop  style  beats  which  also  lead  to  some  melodic  clean  singing  vocals  and  the  song  is  under  2  minutes.

  "Haunts  Of  the  Underworld(Drumcorps  Remix)"  hits  it  in  with  dark  sounding  keyboards  which  have  a  dark  ambient  feeling  to  them  and  a  few  seconds  later  drum  beats  kick  in  as  well  as  some  heavy  guitar  riffing  a  few  seconds  later t hat  also  utilizes  some  melody  before  adding  in  the  idm  and  breakcore  elements  and  towards  the  end  you  can  hear  some  clean  guitars  and  then  the  song  starts  adding  in  prog  elements.

  "The  Nurse(Larvae  Remix)"  makes  its  way  in  with  trip  hop  sounds  and  drum  beats  as  well  as  some  synths  which  also  leads  up  to  some  drum  beats  and  after  a  minute  you  can  hear  elements  of  dubstep  being  added  into  the  song.

  "Answers  Revealing(Mothboy  Remix)"  which  is  also  the  last  song  on  the  album  opens  up  with  dark  ambient  sounds  and  as  time  goes  on  by  idm  and  breakcore  elements  find  their  way  into  the  song  along  with  some  dubstep  elements  which  also  leads  up  to  some  melodic  clean  singing  vocals  and  drumbeats.

  Song  lyrics  are  used  rarely  with  the  album  being  all  remixes,  while  the  production  has  a  very  strong,  powerful,  heavy  and  professional  sound  for  being  a  self  released  recording.

  In  my  opinion  this  is  another  great  sounding  album  from  Obsidian  Kingdom  and  if  you  are  a  fan  of  metal  or  electronic  music  genres,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "And  Then  It  Was( Oktopus  Remix)"  "Haunts  Of  the  Underworld(Drumcorps  Remix)"  and  "Answers  Revealing(Mothboy  Remix)".  RECOMMENDED  BUY.

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Obsidian Kingdom/Mantiis/2012 CD Review


  This  is  a  review  of  another  recording  from  Obsidian  Kingdom  with  the  music  being  a  mixture  of  avant  garde,  progressive  rock,  black  and  death  metal  with  the  album  being  self  released  in  2012  and  called  "Mantiis".

  "Not  Yet  Five"  which   is  also  the  first  track  on  the  album  opens  up  with  soft  ambient  synth  sounds  and  a  few  seconds  later  you    avant  garde  elements    in  the  background  along  with  some  bass  and  clean  guitars   and  the  song  is  all  instrumental.

  "Oncoming  Dark"  begins  with  soft  acoustic  guitar  playing  and  a  few  seconds  later  bass,  drums  and  melodic  clean  singing  vocals  kick  in  and  a  minute  later  you  can  hear  some  distortion  in  the  background  along  with  a  small  amount  of  heavy  guitars.

  "Through  The  Glass"  starts  up  with  soft  keyboards  and  bass  guitars  before  adding  in  heavy  guitar  riffs  and  drums  as  well  as  a  small  amount  of  melodic  lead  guitars  and  the  song  is  another  short  instrumental.

  "Cinnamon  Balls"  kicks  in  with  heavy  guitar  riffs  and  drums  along  with  some  black  metal  screams  a  few  seconds  later  as  well  as  a  small  amount  of  blast  beats  and  then  the  music  goes  into  a  progressive  metal  direction  and  towards  the  end  there  is  a  brief   use of  guitar  solos  and  leads.

  "The  Nurse"  which  is  another  short  song  begins  with  soft  keyboards  playing  along  with  some  drum  beats  and  guitar  effects  a  few  seconds  later  and  the  song  is  all  instrumental  and  under  2  minutes.

  "Answers Revealing"  opens  up  with  soft  acoustic  and  bass  guitars  along  with  some  keyboards  and  drum  beats  in  the  background  which  also  leads  up  to  some  melodic  clean  singing  vocals  and  towards  the  end  there  is  a  brief  use  of  heavy  guitar  riffs.

  "Last  Of  The  Light"  makes  its  way  in  with  heavy  guitar  and  bass  riffs  along  with  some  drums  which  also  leads  up  to  keyboards,  blast  beats  and  black/death  metal  growls  and  screams  and  a  minute  later  the  music  slows  down  and  goes  into  a  more  progressive  direction  along  with  some  melodic  guitar  leads  which  also  lead  up  to  saxophones  being  added  into  certain  sections  of  the  song  and  towards  the  end  the  music  gets  heavy  again.

  "Genteel  To  Mention"  is  introduced  with  soft  keyboard  playing  and  a  few  seconds  alter  drums,  bass  and  acoustic  guitars  kick  in  along  with  some  melodic  clean  singing  vocals  before  adding  in  guitar  leads.

  "Awake  Until  Dawn"  has  it's  start  with  acoustic  guitars  and  keyboards  before  adding  in  drums,  heavy  guitar  riffs  and  black  metal  screams  and  after  awhile  you  can  hear  some  bass  and  melodic  guitar  leads  and  a  minute  later  the  music  goes  into  a  softer  direction  and  towards  the  end  their  is  a  brief  use  of  clean  singing.

  "Haunts  Of  The  Underworld"  has  its  beginnings  with  powerful  bass  guitars,  drums  and  keyboards  and  a  minute  later  heavy  guitar  riffs  kick  in  and  during  the  last  minute  there  is  a  brief  use  of  guitar  solos  and  leads  being  utilized.

  "Endless  Wall"  begins  with  heavy  guitar  and  bass  riffs  along  with  some  drums  as  well  as  clean  guitars  in  the  background  and  then  the  black  metal  screams  and  death  metal  growls  kick  in  and  towards  the  end  there  is  a  brief  use  of  melodic  guitar  riffing  being  utilized.

  "Fingers  In  Anguish"  opens  up with  avant  garde  sound  effects  and  a  few  seconds  later  acoustic  and  bass  guitars  start  to  kick  in  along  with  some  melodic  vocals  and  the  song  closes  with  the  sound  effects.

  "Ball-Room"  starts  up  with  drums  and  heavy  guitar  and  bass  riffs  and  a  few  seconds  later  black  and  death  metal  vocals  start  to  kick  in  along  with  a  small  amount  of  clean  singing  and  the  song  is  really  short.

  "And  Then  It  Was"  which  is  also  the  last  song  on  the  album  begins  with  heavy  guitar  and  bass  riffs  along  with  some  drums  and  melodic  vocals  which  also  lead  to  guitar  solos  and  leads  kicking  in  and  then  adding  in  black  metal  screams  and  blast  beats.

  Song  lyrics  cover  quiet  despair  and  utter  violence  themes,  while  the  production  has  a  very  strong,  powerful,  heavy  and  professional  sound  for  being  a  self  released  recording  where  you  can  hear  all  of  the  musical  instruments  that  are  present  on  the  album.

  In  my  opinion  this  is  another  great  sounding  recording  from  Obsidian  Kingdom  and  if  you  are  a  fan  of  progressive  black/death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Cinnamon  Balls"  "Last  Of  The  Light"  "Awake  Until  Dawn"  and  "And  Then  It  Was".  RECOMMENDED  BUY.  

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Sunday, November 17, 2013

Obsidian Kingdom/3:11/2010 EP Review


  This  is  a  review  of  another  recording  from  Obsidian  Kingdom  which  continues  their  experimental  mixture  of  black  and  death  metal  with  the  ep  being  self  released  in  2010  and  called  "3:11".

  "Prey"  which  is  also  the  first  song  on  the  ep  opens  up  with  dark  and  heavy  metal  guitar  riffs  before  adding  in  bass  guitars  and  drums  along  with  a  mixture  of  black  metal  and  death  metal  vocals  and  then  the  song  goes  into  a  more  heavy  and  progressive  sounding  metal  direction  and  a  few  seconds  alter  there  is  a brief  use  of  clean  singing  vocals  being  utilized  which  also  leads  up  to  a  brief  use  of  guitar  solos  and  leads.

  "Maze"  begins  with  heavy  guitar  riffs  and  drums  and  a  few  seconds  later  drums,  bass  guitars  and  melody  are  added  into  the  song  which  also leads  up  to  some  melodic  clean  singing  vocals  and  a couple  of  minutes  later  black  metal  screams  and  death  metal  growls  start  to  kick  in  as  well  as  a  brief  use  of  guitar  solos  and  leads  as  well  as  the song  going  into  a  faster direction  and  adding  in  blast  beats  from  the  drums  and  the  song  closes  with  melodic  vocals.

  "Solitude"  which  is  also  the  last  song  on  the  ep  opens  up  with  drum  beats  and  bass  guitars  which  then  lead  to  acoustic  guitars  and  drum   beats  along  with  whispers  and  a  few  seconds  later  melodic  clean  singing  vocals  kick  in  as  well  as  some  heavy  guitar  riffs  shortly  after  that  while  also  keeping  around  some  clean  sections  and  as  time  goes  on  by  death  metal  vocals  are  added  into  the  song  along  with  melodic  riffing  and  black  metal  screams  and  halfway  through  the  song  guitar  solos  and  leads  kick  in.

  Song  lyrics  cover  atavistic  human  fears,  while t he  production  has  a  very  strong,  powerful  and  heavy  sound  where  you  can  hear  all  of  the  musical  instruments  that  are  present  on  this  recording  along  with  most  of  the  songs  being  very  long  and  epic  in  length.  

  In  my  opinion  this  is  another  great  sounding  recording  from  Obsidian  Kingdom and  if  you  are  a  fan  of  experimental  black/death  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "Maze".  RECOMMENDED  BUY.

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Obsidian Kingdom/Matter/2007 EP Review


  Obsidian  Kingdom  are  a  band  from  Spain  that  plays  an  experimental  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  released  2007  ep  "Matter".

  "Fire"  which  is  also  the  first  song  on  the ep  opens  up  with  heavy  and  melodic  guitar  riffs,  drums  and  deep  death  metal  growls  and  a  minute  later  a  small  amount  of  black  metal  screams  are  added  into  the  song   which  also  leads  to  a  brief  and  small  use  of  guitar  leads.

  'Earth"  begins  with  drum  beats  and  distorted  and  melodic  sounding  guitar  riffs  and  a  few  seconds  alter  deep  growls  kick  in  along  with  some  screams  a  minute  later  and  more  black  metal  influences  and  the  song  also  gets heavier  as  time  moves  on  by.

  "Water"  opens  up  with  soft  and  clean  acoustic  guitar  playing  before  adding  in  heavy guitar  riffs  and  drums  and  a  few  seconds  later  there  is  a  brief  use  of  spoken  word  parts  as  well  as  melodies  getting  added  into  the  guitar  riffing  which  in  return  also  leads  to  a  mixture  of  black  and  death  metal  vocals  along  with  a  brief  guitar  lead  which  also  leads  to  a  few  seconds  of  clean  singing  and  then  the  music  goes  into  a  faster  direction  for  a  bit  and  then  slowing  down  again  along  with  another  guitar  lead  and   you  can  hear  some  bass  guitars.

  "Air"  kicks  in  with  a  melodic  guitar  leads  before adding  in  heavy  guitar  and  bass  riffs  along  with  some drums  before  adding  in  a  small  amount  of  blast  beats  which  also  lead  to  a  mixture  of  black  and  death  metal  vocals  and  towards  the  end  there  is  a  brief  use  of  guitar  solos  and  leads  beign  utilized.

  "Soul"  which  is  also  the  last  song  on  the  ep  opens  up with  clean  guitar  and  bass  playing  along  with  drums  and  a  melodic  guitar  lead  which  also  leads  to  grim black  metal  vocals  and  then a dding  in  heavier  guitar  riffs  while  also  keeping  around  the cleaner  sections  which  also  leads  to  a  small  amount  of  blast  beats,  faster  riffing  and  more  solos  and  towards  the  end  there  is  a  brief  use  of  melodic  vocals.

  Song  lyrics  are  a  concept  based  on  the  4  classical  elements  of  nature,  while  the  production  has  a  very  strong,  powerful,  heavy  and  dark  sound  for  being  a  self  released  recording.

  In  my  opinion  Obsidian  are  a  very  great  sounding  experimental  mixture  of  black  and  death  emtal  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  band.  RECOMMENDED  TACKS  INCLUDE  "Earth"  and  "Air".  RECOMMENDED  BUY.

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