Showing posts with label folk metal. Show all posts
Showing posts with label folk metal. Show all posts

Wednesday, June 17, 2026

Apogean/Waste Where Life Begins/The Artisan Era/2026 Full Length Review

 


  Apogean  are  a  band  from  Toronto,  Ontario,  Canada  that  plays  a  very  technical  and  blackened  style  of  death  metal  with  elements  of  neo-folk  and  classical  and  this  is  a  review  of  their  2026  album  "Waste  Where  Life  Begins"  which  will  be  released  in  July  by  The  Artisan  Era.


  A  very  heavy  and  brutal  sound  starts  off  the  album  while  the  vocals  are  mostly  death  metal  growls  and  the  solos  and  leads  are  done  in  a  very  technical  style.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  along  with  some  black  metal  screams  also  being  utilized  at  times.


  Spoken  words  can  also  be  heard  briefly  while  the  album  also  adds  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Violins  and  synths  are  also  added  on  a  couple  of  tracks  along  with    spoken  word  samples  also being  added  into  certain  sections  of  the  recording,  some  of  the  tracks  also  add  in  touches  of  neo-folk  and  classical  as  well  as  keeping  everything  brutal  at  the  same  time  and  one  song  also  adds  in  a  brief  use  of  ritualistic  chants.\


  Apogean  plays  a  style  of  blackened  death  that  is  very  technical  and  brutal  sounding as  well  as  adding  in  elements  of  neo-folk  and  classical  to  create  something  very  original.  The  production  sounds  very  professional  while  the  lyrics  Ray  Bradbury's  "Fahrenheit  451"  and  George  Orwell's  "1984".


  In  my  opinion  Apogean  are  a  very  great  sounding  technical  blackened  death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Daughter  Of  The  Oak"  "Lie  In  Cinder"  and "Black  Smoke,  Bleeding  Earth".  8  out  of  10.


  https://apogean.bandcamp.com/album/waste-where-life-begins (vinyl, CD, digital, merch)

https://www.theartisanerastore.com/search?type=product&q=apogean (vinyl, CD, and digital)

Thursday, June 11, 2026

Devour The Sun Interview

 1.For those that have never heard of you before, can you tell us a little bit about the musical project?

 

C: F. and I have already known each other for many years from the local punk and metal szene and always wanted to start a music project together. During one of the lock-downs in Corona times in 2021, we secretly met at my rehearsal room, jammed a bit around and recorded the 4 songs for our EP "Chapter I - A Lesson in Self​-​control and Devotion" within two sessions. Vocal recordings, mixing and mastering took place a bit later this year. In September 2021, we self-released the EP on Tape/MC. 

 

Right from the beginning, our music was meant to be a concept work, dividing our releases into Chapters circling around different lyrical themes. All the lyrical and visual aspects are connected to Vedic History and Classic Hindu Epics. The musical foundation is set among Black Metal with some influences from Death Metal, Hardcore Punk and Post Punk, adding some mantras and samples. 

 

2.So far you have released an ep and a full length, musically how do they both differ from each other?

 

C: The EP was written more on a spontaneous level, blending Black Metal with a higher amount of Hardcore Punk. Our full lenght took way more time during the songwriting process and was written around some pre-set lyrics. The music is also more complex and multi-layered with more focus on riffs and atmosphere. The production process and mixing/mastering also took considerably more time. 

 

3.From 2021 to 2026 there was no music being released, can you tell us a little bit more about the 5 year wait in between releases?

 

C: As both of us are playing in some other bands, we have been and are always busy with some other projects on which we need to focus more from time to time. However, during 2023 and 2024, we started to write and pre-record the songs. I also recorded the Mantras during one of my trips to Mumbai in India. During 2025 we recorded all instruments and vocals, fine-tuned everything and mixed and mastered the album, so we could finally release the album in February 2026. 

 

4.Both of the band members play in other bands, what is it that you bring into the music of 'Devour The Sun', that you have not been able to do with your other groups?

 

C: First of all, it is the unique blend of our different musical backgrounds - I have a strong Thrash Metal/Black Metal Background and F is more involved in Post Punk /Death Rock/Wave projects. We also noticed that we work well together in the songwriting process. In the end, I have every freedom in incorporating my visual and lyrical concepts into our music. 

 

5.A lot of your lyrics cover Vedic History and Hindu Scriptures', can you tell us a little bit more about your interest in these yopics?

 

C: As mentioned before, all the lyrical and visual aspects are connected to Vedic History and Classic Hindu Epics. I was living with a Hindu family in the UK for half a year during an apprenticeship around 10 years ago. It made a huge impact on me without knowing at this time. I got a climpse about the culture and was also watching a lot of Indian movies at this time (also the series about the Ramayana and Mahabharata). When I returned to Gemany, I was getting more into Hindu culture, reading books and collecting figures and puja articles. I was also travelling to Mumbai two times and even got a deeper impression on the culture and religion. One of my favorite stories is the Ramayana, so I decided to dedicate it to the music and concept of our first two releases. 

 

6.What is the meaning and inspiration behind the name 'Devour The sun'?

 

C: The band name "Devour The Sun" comes from Hindu mythology and refers to the legend of Lord Hanuman trying to eat the sun once during his childhood. Driven by innocent mischief, young Hanuman mistook the glowing sun for a ripe fruit and leaped into the sky to swallow it. He successfully caught and held the sun in his mouth, which plunged the entire universe into sudden darkness. Hanuman is also a strong devotee of Lord Rama and an important part of the lyrical concept of our first releases. So, everything is related to each other.

 

7.Can you tell us a little bit more about the artwork that is presented on the new album cover?

 

C: The album cover is showing a picture of the statue of Rama from the new Ayodha temple. The so-called "Ram Mandir" temple is a Hindu temple complex in Ayodhya, Uttar Pradesh, India. Many Hindus believe that it is located at the site of Ram Janmabhoomi, the mythical birthplace of Rama. 

 

8.Currently there are only 2 members in the band, are you open to expanding the line up or do you prefer to remain a duo?

 

C: We prefer to continue working as a duo, as there is not really a need to involve more people. We are able to play all instruments ourselves. However, for the current release, we invited a good friend of us for contributing with some additional vocals (Markus of "Morbus Kinski"). 

 

9.Currently you are unsigned, are you looking for a label or have received any interest?

 

C: If there will be any label interested in releasing our music, we would be more than happy to release our music on Vinyl, too. We have approached a few labels but have not been succesful so far. We would be highly interested in a collaboration with some labels in India.

 

10.On a worldwide level how has the reaction been to your music by fans of black and death metal?

 

C: The release of our first EP got some good recognition within the undrground scene and the tapes sold out quite fast. However, since we are self-releasing our music, we do not have access to a huge audience on a world-wide basis. But we are getting more and more attention. 

 

11.Where do you see the band heading into musically during the future?

 

C: Any future music will most likely be even more complex and epic, as it will be connnected to a different lyrical story as for our first two releases. 

 

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

 

C: For me personally, I took some influences from 90s Norwegian Black Metal and some hints of 70s Prog Rock. I basically listen to a lot of Scandinavian Black Metal, Speed Metal, HC Punk and 70s Prog Rock. 

F: My musical background and taste is all over the place. Metal, Punk, Goth, Electronica etc in various genres. The weirder the better

 

13.Before we wrap up this interview, do you have any final words or thoughts?   

 

C: Many thanks for our interest in our band. It means a lot to us. Truth Alone Triumphs.


Sunday, May 17, 2026

Devour The Sun/Chapter II - Satyameva Jayate/2026 Full Length Review


  Devour  The  Sun  are  a  duo  from  Germany  that  plays  an  epic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  self  released  2026  album  "Chapter  II  -  Satyameve  Jayate".


  A  very  ritualistic  sounding  intro  starts  off  the  album  before  going  into  a  heavier  direction  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  and  the  vocals  add  in  a  mixture  of  death  metal  growls  and  black  metal  scremas.


  Melodies  are  also  added  into  a  lot  of  the  guitar  riffing  while  the  faster  sections  of  the  songs  also  add  in  a  lot  of  tremolo  picking  and  brutal  blast  beats.  Spoken  words  can  also  be  heard  briefly  along  wit  the  album  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Clear  singing,  Asian  instruments  and  synths  can  also  be  heard  at  times  and  one  track  also  introduced  elements  of  Indian/Hindu  music  as  well  as  a  later  song  also  bringing  in  a  small  amount  of  clean  playing. 


  Devour  The  Sun  plays  a  musical  style  that  takes  and  epic  form  of  black  metal  and  mixes  it  with  death  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  Vedic  History  and  Hindu  Epics.  


  In  my  opinion  Devour  The  Sun  are  a  very  great  sounding  epic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "A  Passage  Through  The  Ocean"  and  "The  Consecration".  8  out  of  10.


  https://devourthesun.bandcamp.com/album/chapter-ii-satyameva-jayate

Sunday, January 7, 2024

Ignis Absconditus/Golden Horses of A Dying Future/My Kingdom Music/2024 Full Length Review

 


  Ignis  Absconditus  are  a  band  from  Italy  that  plays  a  mixture  of  post  black, dark,  gothic  metal,  avant  garde,  darkwave,  post  punk  and  neo-folk  and  this  is  a  review  of  their  2024  album  "Golden  Horses  Of  A  Dying  Future"  which  will  be  released  in  February  by  My  Kingdom  Music.


  A  very  gothic  rock  and  darkwave  orientated  sound  starts  off  the  album  while  clear  female  and  male  vocals  are  also  a  very  huge  part  of  the  recording.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  the  riffs  also  adding  in  a  lot  of  melody  and  the  songs  also  add  in  a  lot  of  clean  sections. 


  At  times  the  music  also  gets  very  avant  garde  sounding  while  the  heavier  sections  of  the  songs  also  bring  in  elements  of  black  and  dark  metal.  Evil  sounding  whispers  can  also  be  heard  briefly  along  with  a  lot  of  the  album  also  adding  in  touches  of  post  rock  and  neo-folk  and  the  whole  recording  sticks  to  either  a  slow  or  mid  tempo  direction.


  Ignis  Absconditus  plays  a  musical  style  that  takes  post  black, dark,  gothic  metal,  avanr  garde,  darkwave,  post  punk  and  neo -folk  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  and  melancholy  themes.


  In  my  opinion  Ignis  Absconditus  are  a  very  great  sounding  mixture  of   post  black, dark,  gothic  metal,  avanr  garde,  darkwave,  post  punk  and  neo -folk  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Shadows"  "Lucid  Madness"  "Weight  Of  Knowledge"  and  "Chasm  of  Defeat".  8  out  of  10.


  http://facebook.com/ignisabsconditus       

Wednesday, October 5, 2022

Incantvm/Strigae/I, Voidhanger Records/2022 Full Length Review

 


  Incantvm  are  a  band  from  Italy  that  plays  an  atmospheric,  orchestrated,  progressive,  horror  and  occult  themed  mixture  of  black  and  doom  metal  and  this  is  a  review  of  their  2022  album  "Strigae"  which  will  be  released  in  November  by  I,  Voidhanger  Records.


  A  very  dark   and  nature  orientated sounding  intro  starts  off  the  album  while  also  introducing  classical  music  style  instruments  into  the  music  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  Elements  of  doom  metal  can  also b e  heard  in  the  slower  sections  of  the  recording  and  most  of  the  tracks  are  also  very  long  and  epic  in  length.


  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast  beats  can be  heard  while  the  vocals  are  mostly  grim  sounding  black  metal  screams.  The  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  riffs  also  adding  in a  lot  of  melody  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to t hem.


  At  times  the  music  also  gets  very  progressive  sounding  along  with  the  spoken  word  parts  also  giving  the  music  more  of  a  ritualistic  feeling  when t hey  are  utilized.  Touches  of  Italian  folk  and  avant  garde  music  can  also b e  heard  at  times  as  well  as  some  melodic  choirs  also  being  added  into  certain  sections  of  the  recording,  clear  vocals  can  also b e  heard  briefly.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  the  witch  hunts  and  summary  trials  that  sentenced  hundreds  of  women  to  the  stake  during  dark  and  terrible  centuries. 


  In  my  opinion  Incantvm  are  a  very  great  sounding  atmospheric,  orchestrated,  progressive  horror  and  occult  themed  mixture  of  black  and  doom  metal  and  if  you  are  a  fan  of t hose  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "II  Chercio  e  il Fuoco"  and  "II  Processo".  8/5  out  of  10.


  https://i-voidhangerrecords.bandcamp.com/album/strigae    

Monday, July 12, 2021

Vouna/Atropis/Profound Lore Records/2021 Full Length Review

 


  Vouna  are  a  solo  project  from  Olympia,  Washington  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  a  mixture  of  atmospheric  black  and  funeral  doom  metal  with  elements  of  dungeon  synth  and  darkwave  and  this  is  a  review  of  her  2021  album  "Atropis"  which  will  be  released  on  July  16th  by  Profound  Lore  Records. 


  Eclectic  lap  steel's  start  off  the  album  along  with  some  clean  vocals  a  few  seconds  later  which  also  adds  in  touches  of  darkwave  while  the  slower  sections  of  the  songs  also  add  in  the  heaviness  of  funeral  doom  metal.  When  the  music  speeds  up  a  decent  amount  of  blast  beats  and  black  metal  style  tremolo  picking  can  also  be  heard.


  At  times  the  music  also  gets  very  atmospheric  sounding  while  the  synths  also  bring  elements  of  dungeon  synth  onto  the  recording.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  most  of  the  tracks  also  being  very  long  and  epic  in  length  and  melodies  are  also  added  into  some  of  the  riffing.


  Orchestra  style  structures  can  also  be  heard  in  some  parts  of  the  album  along  with  some  tracks  also  adding  in  harp's,  violins  and  touches  of  folk  music  as  well  as  one  track  also  introducing  high  pitched  black  metal  screams  onto  the  recording.  The  production  sounds  very  professional  while  the  lyrics  cover  death,  mourning  and  suicidal  ideation  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Vouna  and  if  you  are  a  fan  of  atmospheric  black  and  funeral  doom  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE "Highest  Mountain"  and  "What  Once  Was".  8  out  of  10.


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Tuesday, May 25, 2021

Forever Autumn Interview

 

1.Can you give us an update on what has been going on with the musical project since the recording of the new ep?


Yes, gladly.  Since the recording of the EP, there was of course the mixing and mastering coupled with all the logistical work  relating to pressing the actual copies.  The CDs just came in yesterday and the vinyl are still being cut.  Now, I am doing interviews, reading and sharing reviews and trying to post more online.  It's surprisingly difficult for me, but we're giving it a good effort.  I am considering a cassette release for this EP as well.  One would hope that after the musique is sent in to cut that it would just be a period of waiting until the release.  As an independant and unsigned artist, the work never stops.



2.You have a new ep coming out in  September, musically how does it differ from the stuff you have released in the past?


This EP is totally different yet echoes the same.  We have done mostly acoustic material in the past, and we will agayne in the future.  This EP is a side-step and artistic statement meant to highlight the Black and Doom metal so underlyingly presentin all Forever Autumn werke.  It is not necessarily a new direction, but something that I have wanted to do for a long tyme.  There is of course, heavy distortion and electric guitars but it still ties to the archaic and organic of Forever Autumn in the beating of the bodhrán.  Instead of a full kit, I decided to use the bodhrán and one large 'doom drum' for this release.  These instruments speak to more 'traditional' Forever Autumn whilst the raw unrelenting Black Metal weaves it's dark tapestry.




3.The new recording shows the music going back to a heavier direction after years of being acoustic, what was the decision behind going into this musical direction?


In truth, I had always had a fantasy of leading a Black Metal band.  I have been sitting on the idea of this EP for many years.The tyme wes finally right, and it all came together.  As mentioned above; it's not a new direction but an artistic statement.The next full length album (which we are already working on) will be a return to the 'traditional' acoustic of Forever Autumn.This EP highlights and celebrates an invaluable part of me and my process.  On the next release you can expect more bodhrán blast-beats and rapid riffs interwoven with the blackened Other-Worldy visceral folk commonly associated with Forever Autumn.



4.A lot of your lyrics cover Celtic Paganism and Shamanism, can you tell us a little bit more about how your interest in this path has evolved over the years?


Yes, I can.  These elements of Celtic Paganism and Shamanism are integral across the body of my werke.  It appears not just in musique but in my visual werkes and other endeavors as well. It seems (from outside perspectives) that I move and carry myself through the world with such things shining through.  It is definitely an interest, but moreover I would say that it is a calling.  It is part of the werke I must do here.  The evolution sees a growing pattern of interconnectedness with Spirit and my visits to the Other-World.  The wisdom and medicine from such endeavors are brought back for the good of the people.My werke calls to the primal and archaic.  It is by no means for ev'ryone.  Those who are willing and able will find great medicine in my werkes.  The Celtic aspect is in the bloed, after all Dubhghaill is a strong Irish name.  It is difficult to explainbeyond that.  Thank you for asking such a question.  These things are important for people to hear and understand.



5.What are some of the other lyrical topics and subjects you have explored over the years with your music?


Other lyrical topics include death, isolation, loss and carrying on in the face of adversity.  I am looking for others but most of it seems to fall under the above question on Celtic Paganism and Shamanism.


6.What is the meaning and inspiration behind the name 'Forever Autumn'?


Since my name is Autumn Ni Dubhghaill, there is a common misconception that it's named after myself.  I suppose, in an unconscious way, that could be true?  Forever myself.  The primary inspiration comes from the season of Autumn, that dying tyme of year.  It is not necessarily the bright coloured, cooling days of the early Fall, but speaks more to the bleakness of Oktober and Novembre.  That desolation and coming silence, that tyme of introspection and loss, and the coming of Winter tie in with common themes throughout Forever Autumn.  There is also an element of hope where others find despair.The period of Fall and Winter become my more active and inspired tymes.  Great werke is oft created in this period. The lightis sideways and fading and much more agreeable to my sensitive skin and eyes.  Darkness is coming, and in it we thrive.



7.Can you tell us a little bit more about the artwork that is presented on the new ep cover?


The artwerke for 'Hail the Forest Dark' is meant to honour early Black Metal.  The left hand is raised in horns as a nod to the Satanic Black Metallers out there and their Left-Hand Path whilst the right hand sits lower yet holds the light of inspirit.The candle illuminates the darkness, just enough to define the figure in a haunting sense.  The elbows sit on a similar plane to show the duality of the light and the dark, and the bullet belt harkens as well to early Black Metal.  This cover also marks a bold departure from other album covers, where less of self is presented and more of my werke.  Here, on 'Hail the  Forest Dark', while still my own original artwork, the self is much more present and revealed in a way that I have not done before.  It marks a turning point, signallyng the honest exposure of self, yet still presented in a controlled way.  The cover of this release is carefully composed like that of the Olde Master Painters where nothing is inserted without a reason.  The imagery of the piece highlights the self revealed.



8.What are some of the best shows that you have played over the years and also how would you describe your stage performance?


Some of our best shows have been the smaller, more intimate ones.  These are the shows in a small venue with people crowded close.  Some of our best shows have been marked by some listeners sitting on the floor and letting themselves be taken away by the musically woven spell.  Our stage performance is simple, we often sit in chairs which lends itself to a more personal atmosphere, though this EP would have to be performed a little differently.  One of the most memorable shows waes in an above-described environment with a notable difference;  during our set, the spirit-ghost of a man appeared side-stage.  He loved the musique and nodded along.  I have not seen him since, but I know that by performing my craft, I helped him in some way.  We've played that venue agayne, but I've not seen him agayne.  



9.The musical project has been around since 2000, what is it that motivates you to keep going after a couple of decades?


I believe that there are two major motivational factors to consider.  One is the dream; the idea that through dedication and hard work, we too can 'make it'.  It's clear that we don't have the luck that many others do by being in the right place at the right tyme, but ever we press onward.  There are, of course, countless moments of doubt that plague the saga, but one has to keep the dream.  The other motivational factor is the calling.  This is my werke.  This is what I must do.  This ties back in with the Shamanic aspects of myself and my werke.  Over the years, we have made a positive impact on many people, and perhaps so many more that we don't even know about.  We provide wisdom and medicine.  We provide escape.  We bring Spirit to this world, to help others be not so alone, to help them do their werke and pursue their own dreams.  We chase the dream whilst feeding the dream of others by providing them with the introspection and blessyngs needed to come into their own selves.  It is for these reasons that we continue after decades.  We have been working hard to come to this tyme.  






10.On the new ep you also had a guest appearance from Aaron Stainthorpe of 'My Dying Bride, can you tell us a little bit more about his contribution to the recording?


Indeed.  Aaron and I have become good friends over the years.  I, a fan of his musique and he of myne.  He had some great feedback on our last full-length, 'Howls in the Forest at Dusk'.  There waes one song in particular, 'Owl Bones and River  Stones', of which he had a lot to say.  We agreed that it would be fun to work together.  I had decided to finally tackle this Black Metal EP and asked Aaron if he would like to hjelp out.  Enthusiastically he agreed and we worked together on this new werke.  At first it waes just about narration, but we decided to go further and involve him on all tracks.  I had some perfect roles planned for him as I needed a voice to a particularly important entity.  The result waes much better than I had anticipated.  We may work together in the future too as we both enjoyed it.  I do have a new balalaika song that would benefit from his talents.  This collaboration is also a milestone for myself and Forever Autumn, by letting someone into the 'sanctum sanctorum' so to speak.  It is rare for me to involve others in my werke, apart from Jon.  Just as the cover art is a bold newstatement, so too is the integration of the talents of a dear friend.  I am ever thankful for Aaron's presence on these recordings.



11.From 2002 to 2014 there was no music being released, can you tell us a little bit more about what was going on during that time frame?


There were a few more demos in 2003 and 2004.  I believe that 'Archaic' came about around then.  Then, in 2005, 'Waiting for Öktober' waes recorded but didn't see a limited release until I could afford it in 2008.  In 2009, we made some crude live recordings that were never really released.  We were active during that tyme with limited performances and the like.  During that period, I had also returned to school a few tymes to finish my art degree.  I would like to have  produced more at that point but money waes quite tight and I lacked the proper recording gear that I now possess.  The rest of it seems a strangefog, almost as if it is hard to process that it haes been that long.  Many bands would have produced much more in that tymeframe, and would that we could have, but money is a real issue when your project is entirely self-funded.  I feel that I may have been much more active producing my visual art and showing at galleries and things during that tyme.



12.Currently you are unsigned, are you looking for a label or have received any interest?


We are always looking for a label, and no we have not received any interest.  In the past two decades, I have sent so much musique out to so many labels that I have lost count.  None have ever been interested.  Most don't even provide a 'thanks but  no thanks'.  I know they must have so much coming in that it's difficult to respond, but still...  It is additionally difficult in that many labels don't actually want to hear from you.  They seem to have a 'we'll find you' sort of policy, but they never do. Maybe this EP is the impetus for change?  Perhaps, after two decades of hard work that reward will finally be revealed?

13.On a worldwide level how has the reaction been to your music by fans of neo-folk, black and doom metal?

Forever Autumn fans are few and far between.  They are scattered across the globe.  Some are very dedicated.  They, like myself, tend to retreat into seclusion.  I had long felt that the Neo-Folk scene would really appreciate my werke but it haes been an astonishing dead end.  I have joined online groups and the like but for all my tries to introduce, Forever Autumntends to be blocked and just not posted.  I have had a difficult tyme finding a space in the Neo-Folk scene.  Black and Doom metal, while prevalent in Forever Autumn is often missed by those in the Black and Doom scenes.  Honestly, we've not had much Black Metal attention, but I am hoping that 'Hail the Forest Dark' will change that.  We have existed on the periphery of the underground Doom scene for these decades.  Though often missed by Doom fans, we have been able to carve out a  haunted little corner even if we are not understood.  All those at doom-metal.com have been staunch supporters for many years.  It is through the aid of that nexus point that we have been able to accomplish much of what we have. Forever Autumn haes long been an obscure force, never quite fitting in anywhere.  To our dedicated fans; thank you for your continued support all these many long years.



14.Where do you see yourself heading into as a musician during the future?


I endeavor to project into the future.  What I see is a new album, tentatively entitled "the Lamentations" as well as a contemporary re-imagining of the very early Forever Autumn werkes possibly called "Antiquity".  We have also begun  a conversation about a boxed set, which would also include the two aforementioned albums.  I hope to see new fansand make new friends.  I hope for Forever Autumn to reach those who could benefit from it and once it is safe for live performances agayne, I would really love to perform.  I have missed performing, dearly.  


15.What are you currently listening to nowadays?


Recently, I've been listenyng to Asgard, Sargeist and Death, as well as olde Kreator records and Darkthrone.  I have been on a bit of a Siouxsie and the Banshees kick for a while and believe it or not; Human Drama.  Now that I have had my tape deck fixed, I am also rediscovering some olde Black Metal tapes like The Cross, Black Funeral and some early Mayhem.  In the carit haes been Slayer, Venom, and Mayhem with Foresti and the Sisters of Mercy.

16.Before we wrap up this interview, do you have any final words or thoughts? 


First I must thank you for doing your research and asking some really good, thought out questions.  I thank all those reading this and cannot stress enough; support the underground.  In conclusion, thank you; it is tyme for a cup of tea.



https://foreverautumn.bandcamp.com/
https://www.facebook.com/HailWoodlandSorcery

Monday, May 17, 2021

Gods Tower/Mirrors And Echoes/Earth And Sky Productions/2020 Compilation Review

 


  Gods  Tower  are  a  band  from  Belarus  that  has  had  music  reviewed  before  in  this  zine  and  plays  a  progressive  mixture  of  pagan,  black,  doom  and  folk  metal  and  this  is  a  review  of  their  2020  compilation  album  "Mirrors  And  Echoes"  which  was  released  by  Earth  And  Sky  Productions.


  Epic  sounding  synths  start  off  the  compilation  and  also  mixes  in  with  the  heavier  sections  of  the  music  at  times.  When  guitar  solos  are  utilized  they  are  also  done  in  a  very  melodic  style  while  the  slower  sections  of  the  songs  also  add  in  elements  of  doom  metal  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  Influences  of  folk  music  can  also  be  heard  at  times  while  the  riffs  also  add  in  a  decent  amount  of  melody.  Vocals  are  done  in  more  of  an  aggressive  yet  semi  melodic  pagan  style  along  with  some  of  the  tracks  also  being  very  long  and  epic  in  length  and  they  also  bring  in  some  Nokturnal  Mortem  and  Bathory  covers.


  At  times  the  music  also  gets  very  progressive  sounding  along  with  the  compilation  also  adding  in touches  of  black  metal  in  certain  sections  of  the  tracks  as  well  as  one  song  also  being  influenced  by  thrash  metal,  as  the  compilation  progresses  a  brief  use  of  spoken  word  parts  and  acoustic  guitars  can  also  be  heard  and  the  compilation  also  closes  with  4  live  songs  and  all  of  the  music  also  sticks  to  either  a  slow  or  mid  tempo  direction.  The  production  sounds  very  professional  while  the  lyrics  cover  Paganism  themes.


  In  my  opinion  this  is  a  very  great  sounding  collection  from  Gods  Tower  and  if  you  are  a  fan  of  pagan,  black,  doom,  folk  and  progressive  metal,  you  should  check  out  this  compilation.  RECOMMENDED  TRACKS  INCLUDE  "Roll  Out"  "The  Field  Of  The  Dead"  "Heroes  Die  Young"  and   "Earth,  Wind,  Fire  And  Blood".  8  out  of  10.


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Sunday, May 9, 2021

Forever Autumn/Hail The Forest Dark/2021 EP Review

 


  Forever  Autumn  is  a  solo  project  from  Massachusetts  that  plays  an  avant  garde  mixture  of  black,  doom  and  death  metal and  this  is  a  review  of  her  self  released  2021  ep  "Hail  The  Forest  Dark"  which  will  be  released  in  September.


  Distorted  soundscapes  start  of  the  ep  along  with  some  heavier  riffing  a  few  seconds  later  while  the  vocals  are  mostly  high  pitched  black  metal  screams.  Tremolo  picking  can  also b e  heard  in  some  of  the  guitar  riffing  along  with  the  slower  sections  of  the  songs  also  adding  in  elements  of  doom  metal.


  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  while  percussion  can  also  be  heard  at  times  which  also  adds  in  touches  of  folk  music.  When  the  music  speeds  up  a  small  amount  of  blast  beats  can  also  be  heard  along  with  one  track  also  adding  in  a  brief  use  of  vocals  from  Aaron  Stainthorpe.


  The  music  also  has    its  avant  garde  moments  along  with  some  influences  of  death  metal  also  being  utilized  at  times,  spoken  word  parts  can  also  be  heard  briefly  on  the  closing  song  as  well  as  the  guitar  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are  finally  added  onto  the  recording. The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  nature  themes.


  In  my  opinion  Forever  Autumn  is  a  very  great  sounding  avant  garde  mixture  of  black,  doom  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACK  "The  Firmament  In  Absence".  8  out  of  10.


https://foreverautumn.bandcamp.com/

https://www.facebook.com/HailWoodlandSorcery      


    

Sunday, June 14, 2020

Cirkeln/Kingdoms That No One Remembers/Naturmacht Productions/2020 CD Review


  This  is  a  review  of  another  recording  from  Sweden's  Cirkeln  which  continues  his  old  school  and  epic  mixture  of  black,  doom  and  heavy  and  the  album  will  be  released  on  June  25th  by  Naturmacht  Productions  and  id  called  "Kingdoms  That  No  One  Remembers".

  Dark  soundscapes  start  off  the  album  while  spoken  word  samples  can  also  be  heard  briefly  before  going  into  a  heavier  direction.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  the  vocals  being  mostly  grim  yet  high  pitched  black  metal  screams.

  Elements  of  doom  metal  can  also  be  heard  in  the  slower  sections  of   the  songs  while  blast  beats  and  tremolo  picking  are  also  utilized  when  the  music  speeds  up. The  tracks  also  add  in  a  decent  mixture  of  both  old  school  and  modern  influences   along  with  the  riffs  also  adding  in  a  decent  amount  of  melody.

  When  acoustic  guitars  are  utilized  they  also  add  in  some  touches  of  folk  music  along  with  the  songs  also  having  their  atmospheric  and  epic  moments.  Keyboards  can  also  be  heard  in  certain  sections  of  the  recording  as  well  as  a  great  portion  of  the  tracks  being  very  long  and  epic  in  length. 

All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them as  well  as  some  of  the  riffing  also  showing  some  influences  of  thrash  and  traditional  metal  and  one  track  also  introduces  clear  pagan  vocals  onto  the  recording  and  as  the  album  progresses  a  brief  use  of  movie  samples  can  also  be  heard  and  most  of  the  music  also  sticks  to  either  a  slow  or  mid  tempo  style.  The  production  sounds  very  professional  while  the  lyrics  cover  fantasy,  mythology  and  some  of  the  writings  of  J.R.R.  Tolkien.   

  In  my  opinion  this  is  another  great  sounding  recording  from  Cirklen  and  if  you  are  a  fan  of  old  school  and  epic  black,  doom  and  heavy  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "In  His  Deep  Hidden-Hall"  "The  Dreaming  City"  and  "Kingdoms  That  No  One  Remembers".  8/5  out  of  10.

https://www.youtube.com/watch?v=MliVTJuwWL0&feature=youtu.be  

Thursday, June 20, 2019

Intothecrypt Interview

1. For those who have never heard of you before, can you tell us a little bit about the band?
Velingor: When it all started in 2016 it was only Harald (guitars) and I (Velingor – bass, vocals) who were involved in the project. We haven’t played together for quite a while (more than 15 years, actually – since we were in SCALD together and afterwards for a short period of time in TUMULUS), but decided to risk it. By that time Harald had a lot of musical ideas which he could not use anywhere else, whereas I was interested in Northern shamanism (I planned to use this concept in TUMULUS but it never worked out). So I suggested we combine our efforts and see what happens. We had no definite plans as to our musical style, but rather decided to let it develop naturally.
The name INTOTHECRYPT was my idea – I had these words spinning in my head for quite a while , probably since the time I first heard the song “Into the Crypts of Rays” by Celtic Frost – only I wanted it to be written as one word, looks more original and cool in my opinion (laughing). And since Harald was one of the main composers in SCALD he is still influenced by BATHORY of their Viking period, by doom metal as a whole as well as black metal and a little bit of folk music – so what he started to create felt like a unique mix of it all. As to the lyrics we had a lot of help from Tatiana “Kedi” Krylova who translated the lyrics I suggested (the ones dealing with shamanism) into ancient Russian, using a lot of Finno-Ugric words as well – this way it all feels more authentic; she also helped us with our English translations. And finally, we were lucky to have Gervald, a highly gifted multi-instrumentalist, on our team (we had played together in an oriental black/death metal project called TURBATO CORDO when I lived abroad). It was him who managed to create the unique back sound of INTOTHECRYPT, full of mysticism and “dreadful fairytales of the North”.
As to the vocals – we had not much of a choice, so I offered my own version of growling and screaming vocals (I already had some experience with this). After having recorded the demo we decided that the project was working out and showing some promise, so we started sending the demo out to various labels while continuing to work on the full-length album.
Harald: After having lived in Rybinsk (a city not far from Yaroslavl) for several years I was back in my home town, and quite soon I felt the need to use my new musical ideas somehow. I tried to join various bands… not really worth mentioning, let’s just say nothing good came out of this.
But then Velingor was back in Yaroslavl too! And that’s when it all began…
First we tried to reanimate a project we had before, called Keremet – but we failed magnificently (laughing). Then Velingor suggested we do something completely new, what was only logical because I had a lot of stuff recorded already. It was also the time when Gervald stepped in. That’s when things got really exciting! We would create something, send it to Gervald and get something entirely different after he had worked on it. We completed a 4 song demo and published it online to see if we would get any response – and it was totally positive one! Then we have finished working on the album, inviting Ottar as our drummer and Marina Sokolova for female vocals. Finally, the long and boring mixing had to be done (to be honest I’m still not quite satisfied with it!), and – bingo!

2. In June you have your first album coming out, can you tell us a little bit more about the musical style you went for on the recording?
Velingor: After having recorded the demo we made a decision to continue in the same direction with our debut album. We invited Ottar to be our drummer, which was of a great importance to me in particular – since we played together in SCALD and TUMULUS and can really work well as a rhythm section. We also decided to make the music even darker and use additional shaman spells. We completely re-recorded all four songs of the demo, with me using a greater variety of vocals than simply growl and scream and Harald creating new musical elements which made overall impression more complex and fascinating. It took us another year to record the album, which was finished only in 2018.
We do hope that “Vakor” is something bigger than simple pagan doom/death with elements of black and folk metal. We had no intention of creating something highly experimental, but what we definitely didn’t want either was something trivial and hackneyed, something one can hear many other bands playing. Those who’ll listen to the album will understand what I mean!
Harald: All I can say is that I played the way I wanted to! And it turned out it was in accordance with what Velingor had in mind, too.

3. The lyrics cover Slavic and Finno-Ugric Paganism, can you tell us a little bit more about your interest in these topics?
Velingor: My personal interest in this goes back as far as 20 years ago. I read a lot on the subject, mostly scientific literature. Shamanism is the most ancient, the most basic form of communication with spiritual world that is known to mankind. After Christianity became dominant the people who still had this knowledge were accused of witchcraft and forced into exile. Why Finno-Ugric paganism in particular? Because here in the Yaroslavl region Finno-Ugric tribe called Merya used to live (it is mentioned by the sources as late as in 14th century). There are still a lot of objects here (lakes, rivers, villages) which bear Finno-Ugric names. One of the songs from “Vakor” album, called “Mga”, consists entirely of such names. As a person responsible for the lyrics of INTOTHECRYPT I intended to make a shaman the central image of our songs. He is an outcast who lives in his own frightful worlds, using Meryan shaman practices and combining them with some Slavic pre-Christian beliefs. He terrifies the common people, who regard him as a wizard. So all our lyrics are written from the point of view of this shaman – and it’s nothing like mere fairytales, it is an alien, horrifying world, full of appalling creatures of the forests, living tree stumps that tear apart those who tread upon their ground, spirits of the swamp, incantations addressed to indescribable monsters (who don’t fail to appear when summoned)…
Harald: Well, it is related to our native land, the place where we were born and have lived our lives. Everybody is interested in their roots! Ask SEPULTURA about it! (referring to SEPULTURA’s album “Roots” – laughing)

4. All of the INTOTHECRYPT members played in SCALD, what is it that you bring into the music of INTOTHECRYPT that you were not able to bring into your other group?
Velingor: I believe that, sure, SCALD and INTOTHECRYPT have a lot in common. So some ideas could probably be used in SCALD as well – for example, the melodic guitar parts composed by Harald, which are easily recognizable in both bands. But still, there is a great different between the two as well: SCALD is epic music filled with majestic vocals whereas INTOTHECRYPT has ritualistic, out-of-this-world like atmosphere, and is of course much more extreme than SCALD.
Harald: I would say almost everything what INTOTHECRYPT is musically could be easily used in SCALD. Well, except for the growling vocals, obviously.

5. What is the meaning and inspiration behind the name 'Intothecrypt'?
Velingor: I already mentioned (when answering the very first question) where I got the idea from. As to the meaning – it means “inside the sacred place”. Crypt is here a place which only the shaman has access to, a secret place only he can visit.
Harald: And I loved the idea and got used to the name, creating, however, my own version of it – which we only use privately and which is hardly translatable anyway (laughing).

6. Can you tell us a little bit more about the artwork that is presented on the new album cover?
Velingor: At first I was trying to create some images myself, working in Photoshop, but what actually worked out was only our logo (which was approved by Harald and the others). Later, while working on the album, by mere chance I found some works by Andrey Andreev, a professional artist, and we were all impressed with mystical atmosphere of pagan fairytales which could be felt in his art. So we asked him to work on the cover for “Vakor”. The central image of it – the Vakor itself, a live tree-stump, – required a lot of work: I kept finding it looking not evil enough (laughing). Another key figure of the artwork is the shaman (on the right side of the Vakor), looking half-man and half-bear – it symbolizes bear-worship that  was characteristic of both Slavs and Finno-Ugric tribes in our region.
We also felt it necessary to publish all our lyrics: for those of them that were in Ancient Russian we made English translations and even created a sort of a “Shaman dictionary” in order to explain certain obscure words we used.

7. I have read that this band started out as a studio project, are you open to expanding into live performances?
Velingor: Not at the moment. We’ll see how the interest to “Vakor” will be developing. If we get some interesting offers – we’ll consider them, but for now we see INTOTHECRYPT as a studio project only.
Harald: We want to take it easy – transforming INTOTHECRYPT into a live band is somewhat complicated. Let’s see what happens though!

8. On the new album you also had some guest musicians, can you tell us a little bit more about who they are and also their contributions to the recording?
Velingor: The most important contribution was made, of course, by Gervald. It is him who managed to create the profound and rich back sound for us – the songs would be completely different without it. With his help it turned out to be a true Northern tale of horrors! Gervald has a classical music background so he is extremely skilled in choosing the right sounds for our purposes, combining them the way we need in order to create a truly mystical atmosphere. Sometimes we would change something in the songs to make them fit better to what Gervald suggested. By the way, he lives in another country so we can only work with him online.
I also mentioned before Marina Sokolova (folk music band SEDMAYA VODA) who has a unique, crystal clean voice. She used it brilliantly in “Deko po Markushe”, giving this rather dark song some suggestion of erotic (which was necessary for this song since it is about sexual and at the same time magical interaction between a shaman and a witch). And in «Tako rassekayut i na udy…» (“Thus they are cutting him to pieces…”) she helped to create the atmosphere of shaman’s resurrection after his having been cut to pieces by evil spirits.
Finally, both Harald and I wanted pure doom-style clean vocals to be present on the album (as a contribution to SCALD), so we asked our old friend Ilia “Judas” Kasatkin (SANTERNO) to sing such a part. And even though he himself was never a fan of doom metal, Judas agreed and made his contribution to “Yavi sya, Merek” (“Show yourself, Merek!”). In this song one can also hear an incantation performed by Masha Chirkova of ROS, who also sings on “Incorporeal Navya” (along with our two friends from TUMULUS – Kurbat and Kuchma).
Harald: I just would like to add that these people are not just guest musicians but our friends and we are really grateful to them. My special respect goes to Judas – who really tried to sing the way we asked him to!

9. The new album is going to be released on 'Ordo MCM', can you tell us a little bit more about this label?
Velingor: Ordo MCM have already released another re-issue of SCALD as a double LP, which caused a great reaction of the fans worldwide. That is why we decided to work with them, since our project is created by SCALD musicians and there are similarities in the music, too.
Harald: The guys are really good at what they do! I wish them luck in this quite unpredictable business.

10. On a worldwide level what has the reaction been to your music by fans of pagan, folk, black, doom and death metal?
Velingor: By now we only read a few reviews of “Vakor”, and all of them were positive. All the reviewers talk about the unusual overall atmosphere, original concept and memorable melodies. And, what pleases me in particular, some of them think highly of my growling vocals (laughing).
Harald: From what I have read the reaction is enthusiastic but everybody is waiting for the album to be officially released (which should be happening quite soon).

11. Where do you see the band heading into musically during the future?
Velingor: We do not have any particular plans at the moment. There are some new musical ideas and drafts of lyrics, of course. But that’s it.
Harald: Because of the SCALD reunion INTOTHECRYPT is temporarily on hold. But I can’t help having some ideas which I record for the future use in the project.

12. What are some of the bands or musical styles that have had an influence on your music and also what do you listen to nowadays?
Velingor: What had influenced us is BATHORY of Viking period (and some later bands that played in this style), oldschool doom/death metal, partly black metal, too, Northern folk music (Mari Boine is worth mentioning here), and, of course, the style of SCALD’s “Will of the Gods is Great Power”.
Personally I prefer oldschool metal of the 80s, no matter what style – I might listen to hard’n’heavy, thrash and so on. When the mood is right I also listen to the classics of doom metal, and sometimes black. I also like Bijelo Dugme – a 70s folk rock band from Yugoslavia. And of course BATHORY’s “Hammerheart” is among my favorites for almost 30 years now.
And I can answer for Ottar that he prefers progressive metal, but can listen to pop music of the 80s, too.
Harald: Well, Quorthon can be definitely heard in my music! And Michael Oldfield has influenced me as well. What do I listen to now? Mostly some stoner, Enya and Slayer…

13. What are some of your non-musical interests?
Velingor: As to myself – well, meditation (when I’m close to nature), sometimes even shaman practices (actually it’s more correct to say trying to engage in them – on some occasion it really works though)... Also walking among the quiet residential areas of Yaroslavl where a lot of buildings of 1930-40s are still preserved. But most of my time is unfortunately occupied by my job – which is not my interest but a way of making a living.
Harald: Cats! I love cats! (laughing)

14. Before we wrap up this interview, do you have any final words or thoughts?
Velingor: INTOTHECRYPT was not something we have planned, it developed naturally from what we felt was the right thing to do, so we didn’t expect ourselves that something as complete and interesting as “Vakor” would be the result of it. We do hope that everyone who’ll buy our CD and listen to it will find it fascinating, mystical and find oneself suddenly in the world of the shaman – ancient, terrifying, but spellbinding.
Harald: We do hope you’ll love it!

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Monday, May 27, 2019

Intothecrypt/Vakor/Ordo MCM/2019 CD Review


  Intothecrypt  are  a  band  from  Russia  that  plays  a  mixture  of  black,  doom,  death  metal  and  Northern  folk  music  with  a  musical  style  they  call 'pagan  shaman  metal'  and  this  is  a  review  of  their  2019  album  "Vakor"  which  will  be  released  in  June  by  Ordo  MCM.

  Folk  instruments  start  off  the album  and  they  also  mix  in  with  a  lot  of  the  heavier  sections  of  the  music.  Death  metal growls  can  also  be  heard  quite  a  bit  throughout  the  recording  and  the  riffs  also  bring  in  a  great  amount  of  melody  as  well  as  the  slower  sections  of  the  music  being  heavily  rooted  in  doom  metal.

  Black  metal  screams  can  also  be  heard  in  some  parts  of  the  music  while  the  solos  and  leads  are  done  in  a  very  melodic  style.  All  of  the  musical  instruments  have  a  very  powerful  sound  to  them  along  with  some  nature  sounds  also  being  added  into  certain  sections  of  the  recording  and  some  of  the  tracks  are  very  long  and  epic  in  length.

  A  great  amount  of  90's musical  influences  can  also  be  heard  in  the  bands  musical  style  while  also  keeping  it  very  modern  at  the  same  time.  Some  tracks  also  add  in  a  small  amount  of  female  vocals  as  well  as  the  solos and  leads  being  done  in  a  very  melodic  style  when  they  are  utilized.

  Melodic  shamanistic  chanting  can  also  be  heard  briefly  and  it  also  gives  the  music  more  of  a  ritualistic  feeling.  When  clean  male  vocals  are  utilized  they  also  bring  in  more  of  a  pagan  metal  touch  to  the  songs  they  are  included  on,  as  the  album  progresses  whispered  vocals  and  keyboards  are  also  added  onto  the  recording. The  production  sounds  very  professional  while  the  lyrics  are  written  in  Russian  and  cover  Shamanism,  Slavic  and  Finno-Ugric  Paganism  and  Mythology  themes.

  In  my  opinion  Intothecrypt  are  a  very  great  sounding  mixture  of  pagan,  folk,  black,  doom  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Si  Mas  Ver  -  This  Is  My  Place"  "Yavi  Sya,  Merek" "Dolne  Videnie"  and  "The  Incorporeal  Navya".  8  out  of  10.

http://ordomcm.bandcamp.com/track/leti-voy-nash     

Wednesday, January 2, 2019

Vouna Interview

1.For those that have never heard of you before, can you tell us a little bit about the musical project?

Vouna is a project binding the atmospheric subgenres of metal together along with other atmospheric styles of music.  In the studio I am the sole member but the live incarnation is comprised of five musicians--two guitars, vocals, bass, synth and drums.

2.Recently you have released an album, can you tell us a little bit more about the musical style you went for on this recording?

I didn’t really go for a musical style, it developed organically while I was writing the record.  Black metal was the style I had been playing for a long time, but I had a revival in my entrancement of funeral doom and death/doom.  It does need to be said that because I was so enamored with my new synth I ended up taking a synth-centric approach on this record, whereas guitar is typically my songwriting instrument. 

3.What are some of the lyrical topics and subjects you explore with your music?

We identify as being separate from nature but we are not.  Nature has no mercy and it will kill you without mercy.  Perhaps one day it will kill all of us, or maybe there will be just one person left.  I believe it would be an otherworldly experience, and something that drew me to metal was the fantastical exploration of other worlds.  Having always lived in the Pacific Northwest the destruction of nature has been consistently rooted in my everyday life, our public schools are funded by timber sales for example.  Sometimes I have a difficult time coping with the potential downfall of the global ecosystem at the hands of humans, and I have been wondering for a long time where I would go during collapse and after collapse.  The collapse of our civilization and especially capitalism is something I almost look forward to, but I completely dread widespread ecological collapse.  There will tragically be a massive die off of people in any collapse scenario and it will be terrifying.  I started writing songs with this in mind, and thus the album’s theme is the experience of a person believing that they are becoming the last person on earth.       

4.You also show an interest in Greek culture, can you tell us a little bit more about it?

My father and family are from Greece, so it’s my culture.  The experience I had of growing up between two cultures has deeply imprinted me and my music. The music is subtly Greek. 

5.What is the meaning and inspiration behind the name 'Vouna'?

Vouna means “mountains” in modern Greek.  Mountains are crushing and powerful.  The mighty volcano Tahoma has been a prominent feature in the entirety of my existence.  Tahoma’s absolute power looms over the Puget Sound area at all times, and we would be destroyed in the event of an eruption.  Furthermore, the westside of the Cascades is the way it is because we have a mountain range that runs north-south along a coast that runs north-south.  The winds come in from the Pacific to the west and bring storms and rains that nurse our beautiful conifer forests.  I wanted to honor the power of the mountains with the name of the project.

6.Can you tell us a little bit more about the artwork that is presented on the album cover?

The artwork is supposed to embody the place of my ancestors, the place of my home, and a subgenre that I believe is one of the pinnacles of the heavy metal genre as an artform.  The album cover is an overlay of lichens native to the Pacific Northwest with an ancient Greek relief of the sea nymph Doris riding a hippocamp.  It is in homage to Evoken’s album Quietus.  Even though my record has not been directly influenced by Evoken I wanted to have some connection in the artwork to funeral doom and death/doom from the 90s and early 2000s.

7.On the album you record everything by yourself, but have a line up for shows, would you be open to having other musicians on the recording or do you prefer to work solo?

My original intentions with this project were for it to be strictly a recording project that I composed and recorded solo.  I believe I will always work solo composing the material, and also recording the instruments I am proficient at.  When I record another album I will bring in some friends so I can expand on the instrumentation.       

8.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

In terms of vibe our best show would probably be at the Black Butte Center for Railroad Culture in Weed, California.  We played in a boxcar in the open air to about 15 people.  The smoke from the Mendocino Complex Fire cloaked the landscape.  Very fitting for this music.  It was the first show we ever played together as a band on tour, and on tour with another project I wrote part of “You Took Me” on the out of tune piano in that boxcar. 

9.Do you have any touring or show plans for the new album?

We already toured to Arizona and back, in the Spring we will tour to Denver and to the Southwest.  We were just asked to play a fest in Europe so we might do a Euro tour in late Summer if we can figure it out! 

10.You also have a connection with 'Wolves In The Throne Room' being signed to their label and recording your album at their studio, can you tell us a little bit more about it?

They are my fellow Olympia hessians!!  A couple years ago I became more serious about this bedroom project of mine.  I told Nathan Weaver (of WITTR) about it and sent him a demo song, and eventually he and his brother Aaron offered to help me record the album.  When I recorded it there was no talk at all of them putting out the record on their label.  I wanted to just make a tape I released myself, because that’s just what I’ve done with my bands in the past.  I had already submitted the tape order when Nathan asked me if I would be interested in Artemisia releasing the album on vinyl.

11.On a worldwide level how has the reaction been to your music by fans of black and funeral doom metal?

Overall it’s been a positive reaction.  A lot of people have told me the record sounds like a band they had been wanting to hear for a long time but hadn’t found yet.  Which is how I feel about the record myself! 

12.On the album you also do all your vocals in a clean style, do you feel this makes this music stand out a lot more from other bands in the same genre?

It’s not really a genre convention that’s for sure.  I made this decision because I’ve always been a fan of clean vocal parts in funeral doom and death/doom, and I have been wanting to hear a band that did only clean vocals in this style, in particular “female” vocals.  My goal was to add another layer of melodicism and intimacy with the vocals.  And I didn’t want to distract from the melodies--sometimes harsh vocals can do that.   

13.Where do you see yourself heading into as a musician in the future?

I will play music until I die and this particular project is something I would like to do long-term.  I’ve always been a multi-instrumentalist but have been limited as a member of a band by only playing one instrument.  Being able to play all of the instruments is nothing short of awesome.  I’ve only scratched the surface of what I can do, I feel an intense welling up of inspiration. 

14.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Finnish funeral doom, My Dying Bride, 2nd wave black metal, Greek music. 

15.What are some of your non musical interests?

My one true hobby is cooking.  My passions are music and science.  I am especially fascinated by the natural sciences and currently work conducting research on the effects of climate change on the phenology of trees and shrubs native to this region. 

16.Before we wrap up this interview, do you have any final words or thoughts?

Thank you so much for the interview!

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