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1.Can you give us an update on what has been going on with the band since the recording and release of the new album?
We really enjoy working on different things simultaneously. We believe that the success of a new record doesn't rely solely on the music or live performances.
In terms of live shows, we've been quite active promoting the album. In April, we supported Suffocation during their shows in Chile (Santiago and Concepción), and since then we've taken our performances to other cities across the country.
A couple of weeks ago, we released a new video for the song “Rotten Head”, and we're scheduled to shoot another video in July.
Right now, we’re planning the official release show for the new album. Our idea is to perform a longer set that includes songs from all our records—and maybe throw in a surprise or two.
2.In April you had released a new album, musically how does it differ from the stuff you have released in the past?
Musically, it's more straightforward and direct than our earlier albums, but it also reflects a greater level of maturity in how we create and perform music.
There are complex riffs, but the song structures on this record are more traditional. The album was conceived as a concept, so you'll notice instrumentals and other elements designed to take the listener through different stages and moods.
3.What are some of the lyrical topics and subjects the band explores with the new album and also how would you describe your progress as songwriters over the years?
As always, we focus on human behavior. Each song deals with common emotions that we all experience at different points in life—rage, revenge, faith, repentance.
In terms of our growth, there's definitely been improvement. Today, we approach each song as a complete concept. Everything must align—the lyrics, the riffs, the mood. If the lyrics express anger, then we need aggressive riffs to match that tone. Our goal is to achieve a balance between rhythm sections, solos, and vocals to fully convey each idea.
4.What is the meaning and inspiration behind the name 'Sikario'?
When we started as a band, one of our biggest inspirations was Criminal. For a couple of years, our name was Diabolical Interventus, but we eventually felt it didn’t reflect our ideas or our music.
Around that time, Criminal released their album Sicario, which we consider one of their best—and one of our all-time favorites. As a tribute, we decided to take that name, but we replaced the letter "c" with a "k" to make it our own.
5.Can you tell us a little bit more about the artwork that is presented on the new album cover?
The artwork is very straightforward and closely tied to the album’s title. We wanted something simple but powerful: an elegant man with blood on his clothes.
It also reflects the album’s musical content—technically refined and elegantly executed, but also extremely aggressive and brutal.
6.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?
Here’s our Top 5:
Suffocation (April 2024 – Santiago & Concepción, Chile):
We were honored to support Suffocation for two shows. We'd been playing regularly since returning from Mexico, so we were in great shape. The Santiago show had excellent sound, though we faced some minor technical issues—thankfully, our crew acted quickly. The next morning, we traveled to Concepción. Though there were delays and a rushed soundcheck, the production team was great and we delivered a brutal show. These were historic gigs for us—supporting one of the most iconic and brutal bands in the genre.
Terminal Prospect (Chile):
An unexpected invitation to play in a city four hours from Santiago, during a break with no rehearsals. The traffic was terrible, but the event turned out amazing. We gave a powerful, tight performance with no issues—and everyone was happy in the end.
Rotting Christ:
One of our first large-scale shows, opening for the legendary Rotting Christ during their 35th-anniversary celebration. It was a huge honor. We had a short set, but we played great and the crowd support was incredible.
Tianguis Cultural del Chopo (Mexico):
Our first show in Mexico, after a 14-hour flight and barely 3–4 hours of sleep. We performed in one of the most iconic cultural spaces in the country. While our performance could’ve been tighter, the experience was intense and meaningful—the perfect way to kick off our tour.
Shamrock (México):
Our last show of the Mexican tour. We were a bit tired, but everything clicked that night—the venue, the sound, the crowd. A truly special performance.
7.Do you have any touring or show plans for 2025?
We’re currently working on a European tour for 2026, but we're also considering a few shows in Latin America—or possibly a return to Mexico—towards the end of 2025.
8.Currently you are unsigned, are you looking for a label or have received any interest?
Yes, we’re actively looking for a label. One of the main goals of this album was to expand our reach and hopefully catch the attention of a label. We worked very hard with our producer, Erick Martínez, to achieve a professional sound, and we believe this release increases our chances of attracting label interest.
9.On a worldwide level how has the reaction been to your music by fans of extreme metal?
That's a tough question, especially today when people often only listen to a few seconds of a song or video.
But among those who truly listen and engage with our music, the response has been very positive. Of course, we want to reach more people, but we know that takes hard work—especially with so many great bands out there around the world.
10.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?
Only Tomás and Alberto are involved in other bands.
Tomás works as a session drummer and is currently recording with a few projects, including the Chilean metal band Unbowel.
Alberto plays guitar and does backing vocals for the thrash metal band Cabrio, who just released a new album last month. They’re currently promoting it through videos and interviews.
11.Where do you see the band heading into musically during the fuutre?
That’s a big question…
We’re planning to continue with Age of Disease, an apocalyptic trilogy. Right now, we’re working on Chapters 2 and 3. The idea is to push our music to the limit—adding more technical death metal elements, more atmospheric sections, and possibly even some black metal influences.
12.What are some of the bands or musical styles the band members are currently listening to nowadays?
Diversity is key in this band—haha!
Lately, we’ve been listening to: Cryptopsy, Hate, Machine Head, The Haunted, Dawnbringer, Vader, and Chilean bands like Torture Machine, Diametral, and Neural Dissonance.
13.Before we wrap up this itnerview, do you have any final words or thoughts?
First of all, thank you so much for taking the time to explore our work—it means a lot.
Your support and the work you do to promote bands is essential for helping underground music grow.
To everyone reading this: thank you for giving new bands a chance. Keep supporting us and following us on our social networks… because you never know when Sikario will strike again.
https://www.sikario.cl
https://instagram.com/sikariometal
https://youtube.com/sikariometal
https://facebook.com/sikariocl
https://sikario.bandcamp.com
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