Showing posts with label Veilburner. Show all posts
Showing posts with label Veilburner. Show all posts

Saturday, January 3, 2026

Veilburner/Longing For Triumph, Reeking Of Tragedy/Transcending Obscurity Records/2025 Full Length Review

 




  Pennsylvania's  Veilburner  have  returned  with  a  new  recording  which  shows  the  music  going  for  an  avant  garde,  experimental  and  dissonant  form  of  blackened  death  metal  and  this  is  a  review  of  their  2025  album  "Longing  For  Triumph,  Reeking  of  tragedy"  which  was  released  by  Transcending  Obscurity  Records.


  Drum  beats  and  chants  start  off  the  album  before  going  into  a  heavier  direction  while  most  of  the  tracks  are  also  very  long  and  epic  in  length.  Dissonant  melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  the  vocals  also  adding  in  a  mixture  of  death  metal  growls  and  black  metal  screams.


  When  the  music  speeds  up  a  decent  amount  of  blast  beats  and  tremolo  picking  can  also  be  heard  while  spoken  words  can  also  be  heard  on  a  few  songs.  At  times  the  music  also  gets  very  experimental  and  avant  garde  sounding  along  with  some  tracks  also  adding  in  a  small  amount  of  clean  playing.


 ,  When  guitar  solos  and  leads  are  utilized  they  bring  in  more  of  a  technical  style  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.  The  production  sounds  very  professional  while  the  lyrics  cover  Occultism,  Left  Hand  Path  and  Qlipthoth  themes.


  In  my  opinion  this  is  another  great  sounding  album  from  Veilburner  and  if  you  are  a f an  of  progressive  and  technical  blackened  death  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Longing  For  Triumph..."  "That  Which  Crypts  Howls  Grandeur"  and  "...Reeking  Of  Tragedy".  8  out  of  10.


  Veilburner Bandcamp

Veilburner Facebook

Veilburner Instagram  

Sunday, September 8, 2024

Veilburner/The Duality Of Deception And Wisdom/Transcending Obscurity Records/2024 Full Length Review

 


  Pennsylvania's  Veilburner  have  returned  with  a  new  recording  which  shows  the  music  going  for  an  experimental  and  dissonant  style  of  blackened  death  metal  and  this  is  a  review  of  their  2024  album  "The  Duality  of  Deception  And  Wisdom"  which  will  be  released  in  November  by  Transcending  Obscurity  Records.


  A  very  fast  and  brutal  sound  starts  off  the  album  along  with  a  great  amount  of  blast  beats  while  spoken  word  parts  can  also be  heard  at  times.  Vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls  as  well  as  all  of  the  tracks  also  being  very  long  and  epic  in  length  and  the  music  also  has  its  dissonant  moments.


  At  times  the  album  also  gets  very  experimental  and  atmospheric  sounding  while  synths  can  also  be  heard  on  a  couple  of  tracks.  Angry  shouts  are  also  added  into  certain  sections  of  the  album  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  the  solos  and  leads  are  also  done  in  more  of  a  technical  style.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  as  well as  one  song  also  introducing  clean  playing  onto  the  album.  The  production  sounds  very  professional  while  the  lyrics  cover  the  shadows  and  secrets  that  we  keep  form  ourselves  and  5the  idea  of  Rahu  and  Ketu.


  In  my  opinion  this  is  another  great  sounding  recording  from  Veilburner  and  if  you  are  a  fan  of  experimental  and  dissonant  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Tem  OhP  Ab  In  Mysticism"  "Shadows  Of  A  Shadow"  and  "V.I.I  (Voured  Ivhnemous  Icon)".  8  out  of  10.


   


Veilburner Bandcamp

Veilburner Facebook

  


    


 

Saturday, September 17, 2022

Veilburner/VLBNR/Transcending Obscurity Records/2022 Full Length Review

 


  Pennsylvania's  duo  Veilburner  has  returned  with  a  new  recording  which  shows  the  music  going  for  more  of  an  experimental  and  dissonant  style  of  blackened  death  metal  and  this  is  a  review  of  their  2022  album  "VLBNR"  which  will  be  released  in  December  by  Transcending  Obscurity  Records.


  A  very  dark  yet  distorted  sound  starts  off  the  album  before  going  into  a  heavier  musical  direction  while  the  riffs  also  add  in a   great  amount  of  dissonant  structures.   Some  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  the  vocals  being  a  mixture  of  black  metal  screams  and  death  metal growls.


  When  the  music  speeds  up  a  great  amount  of  blast  beats  can  also  be  heard  while  spoken  word  parts  are  also  added  on  some  of  the  tracks.  At  times  the music  also  gets  very  experimental  sounding  along  with  the  solos  and  leads  also  adding  in  more  of  a  technical  style  and  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.


  Sci-fi  style  sounds  can  also  be  heard  in  certain  sections  of  the  recording  along  with  some  tracks  also  adding  in  a  small  amount  of  synths  as  well  as  the  clean  playing  and  acoustic  guitars  also  taking  the  music  into  more  of  an  atmospheric  and  progressive  direction  when  they  are  utilized,  whispers  can  also  be  heard  briefly  and  industrial  style  beats  are  also  added  on  the  closing  song.  The  production  sounds  very  professional  while t he  lyrics  cover  theology,  science  fiction  and  occultism  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Veilburner  and  if  you  are  a  fan  of  experimental  and  dissonant  black  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Envexomous  hex"  "Lo!  Heirs  To  The  Serpent"  "Repulsed  by  The  Light"  and  "Ruin".  8  out  of  10.


  Official Video Stream #1


Official Video Stream #2

Veilburner Bandcamp


Veilburner Facebook   

Thursday, June 24, 2021

Veilburner/Lurkers In The Capsule Of Skull/Transcending Obscurity Records/2021 CD Review

 


  Pennsylvania's  Veilburner  have  returned  with  a  new  recording  which  shows  the  music  going  for  more  of  an  experimental  and  dissonant  style  of  blackened  death  metal  and  this  is  a  review  of  their  2021  album  "Lurkers  In  The  Capsule  Of  Skull"  which  will  be  released  in  September  by  Transcending  Obscurity  Records.


  Ocean  sounds  start  off  the  album  along  with  some  clean  playing  a  few  seconds  later  before  going  into  a  heavier  direction.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  while  the  vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  and  operatic  female  vocals  are  also  utilized  briefly.


  Synths  can  also  be  heard  in  some  parts  of  the  recording  while  a  great  portion  of  the  tracks  are  also  very  long  and  epic  in  length.  Throughout  the  album  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them.


  At  times  the  music  also  gets  very  technical  and  dissonant  sounding  along  with  some  melodies  also  being  added  into  the  guitar  riffing.  The  solos  and  leads  also  demonstrate  a  great  amount  of  talent  and  skill  as  well  as  the  music  also  having  its  experimental  moments,  whispered  vocals  can  also  be  heard  at  times. Clean  playing  also  makes  a  return  on  some  of  the  later  tracks  and  on  the  closing  song  a  brief  use  of  spoken  word  parts  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  cover  a  man  suffering  from  a  mental  condition  being  haunted  by  ghoul-ish  entities.  


  In  my  opinion  this  is  another  great  sounding  recording  form  Veilburner  and  if  you  are  a  fan  of  experimental  and  dissonant  blackened  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "In  The  Tomb  Of  Dreaming  Limbo"  "Lurkers  In  the  Capsule  Of  Skull"  and  "Dissonance  In  Bloom".  8  out  of  10.  


Official Video 

Official Video Stream

Official Bandcamp

Veilburner Facebook   

Tuesday, October 30, 2018

Veilburner/A Sire To The Ghouls Of Lunacy/Transcending Obscurity Records/2018 CD Review

Veilburner  are  a  band  from  Pennsylvania  that  has  been  featured  before  in  this  zine  and  on  this  recording  plays  an  experimental  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2018  album  "A  Sire  to  The  Ghouls  Of  Lunacy"  which  will  be  released  in  December  by  Transcending  Obscurity  Records.



  Dark  soundscapes  start  off  the  album  along  with  some  avant  garde  elements  a  few  seconds  later  which  also  mix  into  the  heavier  sections  of  the  music  along  with  some  clean  playing  being  used  at  times  as  well  as  a  brief  use  of  grim  sounding  clear  vocals  and  the  songs  also  add  in  a  great  amount  of  high  pitched  black  metal screams.



  Death  metal  growls  can  also  be  heard  at  times  while  the  faster  sections  of  the  music  also  add  in  a  great  amount  of  brutal  sounding  blast  beats  along  with  a  great  portion  of  the  tracks  being  very  long  and  epic  in  length  as  well  as  some  spoken  word  parts  also  being  added  into  certain  sections  of  the  recording.

  When  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  melodic  style  while  the  music  also  has  its  technical  and  progressive  moments  along  with  the  songs  also  bringing  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  avant  garde  style  clean  vocals  are  also  utilized  at  times  and  the  music  also  gets  very  experimental  on  most  of  the  tracks  throughout  the  album  and  some  tracks  also  add  in  a  small  amount  of  psychedelic  touches..

  On  this  recording  Veilburner  goes  into  more  of  an  avant  garde  and  experimental  direction  of  blackened  death  metal,  the  production  sounds  very  professional  while  the  lyrics  cover  Gnosticism,  Nihilism  and  Occult  Practices.

  In  my  opinion  this  is  another  great  sounding  recording  from  Veilburner  and  if  you  are  a  fan  of  experimental  and  avant  garde  blackened  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Panoramic  Phantoms"  "A  Sire  To  The  Ghould  Of  Lunacy"  and  "Where  Torment  Has  Danced  Before".  8  out  of  10.

Official Video



  

Saturday, September 10, 2016

Veilburner interview


 1.Can you give us an update on what is going on with the band these days?
1. MD - We just finished our 3rd album, called "The Obscene Rite," which will be available September 30th.  We're currently doing promotion for it and we've been enjoying very positive feedback on the pre-release single, called "Eucharist of the Breathing Abyss".  Chrisom has another band he sings in called "Torture Ascendancy," which I'm producing but don't play on, so we're still busy doing that for the time being.  

    2.You have an album coming out during the end of September, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?

2. CI - I would say it's a combination of the other two albums we have written. We really tried to take the originality of the first album, "The Three Lightbearers" and mix it with the really obscure and experimental feel that we achieved with "Noumenon," and try and fine-tune the balance between the two albums into an overall sound. It feels as if we have accomplished the task, and the trilogy as a whole feels like a smooth ride from beginning to end.

    3.Your lyrics cover Occultism, Gnosticism, Philosophy and Nihilism, can you tell us a little bit more about your interest in these topics?
3. CI - From a very young age, I was intrigued by the darker side of life and also by the fact that I was raised Catholic.  Although we weren't a full-on church loving family, I still needed to go to Sunday school every week until I was confirmed. Anyway, there was a day when the Archbishop of our area was visiting our class and I remember him asking if anyone believed in UFOs, ghosts, unexplained phenomena, etc.  I raised my hand for every question he asked, and when I explained to him why I believed in this phenomena, he explained to me that science could explain most of these things, and told me that ghosts are not real and it could be something like wind from my fireplace that was causing things to move in my house (even though we did not have a fireplace).  I asked him a simple question back, "If ghost's are not real, then what is the holy spirit?  Doesn't ghost and spirit mean the same thing?"  He looked shocked and told me to leave the room. So from that point on (I was 10 years old), I have always searched for something more than the traditional Christian ideals that most people in my area are raised to believe, not realizing that they are just a crumb in this vast ocean of different beliefs.  At the age of fourteen, I was turned on to Nietzsche and started to craft an anti-religious, nihilistic approach to my writing, specifically anti-Catholicism, etc. I was infatuated with crucifixion and such, and then I moved on to studying the Gnostic ideals of Samuel Aun Weor and am now fully into the writings of Blavatsky and Manly P. Hall. I love to mix Gnosticism and Nihilism because they allow for an endless landscape of writing.  Are you wrong in what you write about? Technically, you can't be. Anyway, I could go on forever but that's a small dose of why I write what I write; basically the only truth is death, and death is the thing that humans fear the most, and the humor in it is the fact that it's life's largest lie.

    4.I know that the name 'Veilburner' came from an Enslaved song, how does this name fit in with the musical style that you play?
4. MD - Enslaved obviously had their own meaning for the term when they conceived it, and I would not have used it if I just thought it sounded cool or for some other lazy purpose, because I have too much respect for the creative process.  We decided it was an interesting word, and that we'd like to give it our own meaning in the context of our project.  To me, the word makes me think of the stripping away of illusions, or the destruction of barriers.  I thought it was a really good way to describe the music we were writing, because of the way we pull influence from a lot of different genres of music in a way that makes the idea of "genres" seem to disappear and expose music for what it is.  We recognize that the idea of genres and subgenres are necessary in the world of journalism to provide quick, useful descriptions of what a band sounds like to a potential fanbase, but some people take them too far and assign more meaning and importance to them than they're intended to have.

Themeatically, the two characters at the center of our trilogy are dabbling in transhumanism (the belief or theory that the human race can evolve beyond its current physical and mental limitations) and attempting to achieve immortality through a combination of occult practices and mad scientific experiments.  In essence, they're trying to burn a veil seperating mortaility and godhood, so the name has multiple levels of meaning in our project.

CI -  We have received feedback from lots of different people asking "What is this? Whatever genre it is, it's good."  We know we are going to be labeled, and the roots of what we do are in black and death metal, but we really wanted to try and create a sound that personifies the name and vice versa. It ties into the lyrical themes and also the different genres that my mad, riff-writing musical composing cohort of insanity has seemed to be able to pull off with the music.

    5.Currently there are only 2 members in the band, are you planning on expanding the line up in the future or do you chose to remain a duo?
5. CI - It is so much easier the way it is now. Mephisto writes the music, and he is one of the few musicians I know that I can depend on composing every part of the song and not have it feel like something is missing.  With every other project I have been in, I usually feel compelled to pick up the guitar and help write, but with Veilburner I feel like we are on the same page from the first note that is written to the last word that is penned.

MD:  Efficiency and complete control over our vision are the most important things, and things become exponentially more complicated creatively and logistically as more people become involved, so the benefit to adding another member would have to outweigh the compromise we would be making to what's already a perfectly efficient process and fulfilling working relationship.

    6.Currently you are unsigned, are you looking for a label or have received any interest?
6. CI - Yes, we are definitely interested in the prospect of working with a label. We have received a lot of positive feedback and want to be able to share our music with a larger fan base, and that is really hard to do when you work for a living and cannot spend all of your hard earned cash on making music, doing all the promotion and creating merchandise to sell. We hope someone comes our way and is willing to try and help Veilburner be where we want to be.

MD - If a label approached us and felt like we we would be a good fit for their roster, I would love to hear their proposal.  Obviously, it would need to be beneficial for both parties, and I know that not having a live act to promote ourselves can be a dealbreaker for a lot of labels who depend on bands being on the road a lot to boost visibility and drive record sales.  On the other hand, I know that there are plenty of studio bands that are working with some of the bigger independent labels, and they are some of my favorite bands, so I know that it's not out of the question.  It's just a matter of  whether one thinks they can invest in us and get a return on that investment.   

    7.'Mind Eraser' has been helping with the promotion, are you happy with the support that they have given you so far?
7. CI - Words cannot express how much they have done for us in just a short amount of time. We got more than we ever expected and the campaign isn't even finished yet!!  Mind Eraser is extremely dedicated to working his ass off for us, and we do not have enough hails in corpsepaint covered faces to trvly(yes type that with a v) tell him how much we appreciate the hard work that has been put in for us two nobodies.

MD - It's been a great experience so far working with Mind Eraser.  I've been especially impressed with the efforts on the social media front.  There have been a lot of new fans coming to our Facebook page to give us "likes" and to our bandcamp page to purchase albums.  Some pretty high profile metal blogs have given us good exposure and we're excited to see our profile grow leading up to this release. 

    8.On a worldwide level how has the feedback been to your music by fans of black and death metal?
8. CI - All in all, since 2014 we have had only a few negative write-ups, and they had more to do with the production than anything else.  We were prepared to receive alot of negativity, and in the end it's to be expected. Not everyone is going to like your band and that's ok. We are very open-minded and are actually a little surprised that we haven't been shit on a little bit more, due to the fact that we like to play with experimental elements a lot, but people seem to at least respect what we are doing and that's awesome.  I never thought I would be in a project that has received so much positive feedback, and I am truely honored and extremely humbled. I am not worthy!!

MD - I also appreciate the good feedback that we have received so far, especially with our most recent single.  I know we're not everyone's taste and that for every 1 new fan that we make, there are probably dozens that checked it out, said "meh", and moved on.  That's fine. I only think about that 1 new fan. If you're really writing what you love to write and it connects with somebody, it's special because you just found somebody who shares your unique taste in art.  And if you're a weirdo like me,  then it's really special because it's rare to find that same kind of weirdo. 

    9.Where do you see the band heading into musically during the future?
9. CI - We are taking a break so we can get some much needed rest. Mephisto is training so he can get a new day job and trying to update our recording equipment so he has a new toy to mess with.  Other than that, I have an idea for a book, and my plan is to write it and then use it to create music and hopefully some sort of short film.  At the very least, it will be a book and an album. We also might write a couple of songs for a digital release or a cover song or two. Regardless, it seems like concept art is our pulse, and you can believe that whatever we release will be something more than just a group of songs.

    10.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?
10. CI - I would say for this trilogy we just completed, the biggest influence has been Morbid Angel. We are both heavily influenced by '90s death metal and the norwegian death metal from the first part of the decade. There's also a lot of influence from the French black metal bands (Deathspell Omega, Blut Aus Nord, Spektr)who use a lot of dissonance in their style. The rest of the layering is the hints of industrial, psychedlic and avant garde influences we both share.  During the recording process for the new album, I listened to alot of Leviathan.  "Scar Sighted" is a very important album for me.  It came along during a difficult time of the year and really helped me to escape and get my focus into the writing of these songs.  Florence and the Machine was on heavy rotation also, plus Blaze of Perdition, Mgla, Anaal Nathrakh, The Monolith Deathcult, Zyklon, Lord Huron, Brandi Carlile, Portal and the latest Marduk album.

MD - If you listen close enough, you'll also hear influences from film scores from different styles and eras.  This is all to give the albums and songs more of a cinematic flow and feeling as opposed to just sounding like a collection of songs. For example, on the new album "The Obscene Rite," there are a few transition pieces I wrote where I try to capture the feeling of movies like Blade Runner or the original Terminator movie. In another part, I just straight up sample music from an old 60s movie as a song lead-in.  We know it's nothing new, but it works for us. 

    11.What are some of your non musical interests?
11. CI - I do a lot of artwork via drawing and photoshop. I would love to be able to start working with other bands in helping to create artwork for their albums etc. I play a good bit of video games.  I own an Xbox One and am usually on Madden or soon to be Battlefield 1. I like to watch movies, but never seem to have time so the wife and I watch alot of stuff on Netflix (btw, Stranger Things probably would have derailed the whole writing process for the album because how awesome it is). I'm constantly researching and learning about different religions and history, etc.  I'm steadily swapping between Blavatsky's The Secret Doctrine and Manly P Hall's The Secret Teachings of all Ages.  The most important thing is being able to chill with the wife and do the family thing with the kid.  He is fourteen and at the age of becoming his own person and is developing his own listening tastes, so it makes for interesting conversation or arguments when we are picking a playlist for a road trip. He does not share in my taste of the metal.

MD - I collect oddities and bizarre antiques.  A lot of the props in our photos come from my collection.  I also study nerdy stuff like statistics and data analysis, and I've been working towards a certification so I can get a job in that field.  I'm married and have cats.  I also use my recording arsenal to help other local bands make demos.  I travel with my wife periodically.  We've been to Europe and the UK, and a lot of the Caribbean Islands.  Still go to see bands perform when I can, but prefer smaller venues and club shows.

    12.Before we wrap up this interview, do you have any final words or thoughts?
12. Thanks for taking the time to interview us, we appreciate it and look forward to talking to you in the future.

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Monday, September 5, 2016

Veilburner/The Obscene Rite/2016 Full Length Review


  Veilburner  are  a  band  from  Pennsylvania  that  plays  a  technical form  of  blackened  death  metal  along  with  some  industrial,  ambient,  psychedelic  and  prog  elements  and  this  is  a  review  of  their  self  released  2016  album  "The  Obscene  Rite"  which  will  be  released  on  September  30th.

  Ambient  style  keyboards  start  off  the  album along  with  some  heavy  guitars  a  few  seconds  alter  that  also  bring  in a   decent  amount  of  melody  and  after  awhile  death  metal  growls  are  added  onto  the  recording  and  you  can  also  hear elements  of  progressive rock  in  the  bands  musical  style  and  black  metal  screams  are  also  used  quite  a  bit  throughout  the  recording.

  When  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  and  the  music  also  gets  very  technical  at  times  while  the  solos  and  leads  remain  true  to  an  extreme  style  of  metal  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  spoken  word  parts  can  also  be  heard  at  times.

  Some  of  the  tracks  are  very  long  and  epic  in  length  and  later  tracks  also  bring  in  industrial  and  psychedelic  elements  and  the  music  also  sounds  very  ritualistic  and  occult  in  some  sections  of  the  songs  and  some  tracks  also  bring  in  a  small  amount  of  acoustic  guitars  and  as  the  album  progresses  the  solos  and  leads  also  start  getting  more  melodic  and  there  is  also  a  brief  use  of  symphonic  sounds and  one  of  the  later  tracks  is  all  instrumental  and  there  is  also  a  great  amount  of  diversity  present  throughout  the  recording  and  sone  song  also  brings  in  a  brief  use  of  melodic  vocals.

  Veilburner  plays  a  musical  style  that  is  mostly  rooted  in  black  and  death  metal  while  also  mixing  in  technical,  ambient,  progressive,  psychedelic  and  industrial  elements  which  in  return  gives  the  music  more  of  an  original  sound,  the  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  cover  Occultism,  Gnosticism,  Nihilism,  and  Scientific  themes.

  In  my  opinion  Veilburner  are  a  very  great  sounding  technical  blackened  death  metal  band  with  some  prog,  psychedelic,  ambient  and  industrial  elements  and  if  you  are looking  for  something  very  original  sounding,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Necroquantum  Plaque  Asylum"  "Baphometic  Catalyst"  and  "In  the  Revelations  Of  Bloodstained  Void".  8/5  out  of  10.   

https://www.facebook.com/veilburner/?fref=ts
https://veilburner.bandcamp.com/