Showing posts with label psychedelic black metal. Show all posts
Showing posts with label psychedelic black metal. Show all posts

Tuesday, September 2, 2025

Gorleben/Menetekel/Darkness Shall Rise/2025 Full Length Review

 


  Gorleben  are  a  band  from  Germany  that  plays  an  atmospheric  mixture  of  black,  doom  and  death  metal  and  this  is  a  review  of  their  2025  album  "Menetekel"  which  will  be  released  in  October  by  Darkness  Shall  Rise.


  Clean  playing  starts  off  the  album  along with  keyboards  and  synths  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  All  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  riffs  also  add  in  a  lot  of  melody  and  elements  of  doom  metal  are  also  added  into  the  slower  sections  of  the  recording.


  At  times  the  music  also  gets  very  atmospheric  sounding  while  the  vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams.  Angry  shouts  can  also  be  heard  at  times  along  with  some  clear  singing  also  being  added  into  certain  sections  of  the  album,  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  be  heard.


  One  song  also  introducing  psychedelic  sounds  onto  the  album  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  tremolo  picking  is  also  added  into  some  of  the  faster  riffing.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  German  and  cover  apocalyptic  themes.


  In  my  opinion  Gorleben  are  a  very  great  sounding  atmospheric  mixture  of  black,  doom  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Countdown"  and  "Menetekel".  8  out  of  10.


  www.facebook.com/GorlebenUran236

Sunday, September 1, 2024

Incessant/Entropic Aeons/Respose Records/2024 EP Review

 


  Incessant  are  a  band  from  Ireland  that  plays  a  very  atmospheric  and  blackened  form  of  death  metal  and  this  is  a  review  of  their  2024  ep  "Entropic  Aeons"  which  was  released  by  Repose  Records.


  A  very  dark  and  heavy  sound  starts  off  the  ep  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast b eats  can  be  heard.  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  and  shouts  are  also  utilized  at  times.


  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  clean  sections  also  add  in  some  progressive  touches.  The  music  also  has  its  atmospheric  and  psychedelic  moments  along  with  one  song  also  introducing  clear  chants  onto  the  ep  as  well as  some  of  the  tracks  also  showing  an  influence  of  post  rock.


  Incessant  plays  a  style  of  blackened  death  metal  that  is  very  atmospheric  and  progressive  sounding  as  well  as  mixing  in  influences  of  other musical  genres  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  existentialism,  cosmic  reflection  and  the  enigmatic  origins  of  humanity.


  In  my  opinion  Incessant  are  a  very  great  sounding  atmospheric  blackened  death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Upon  The  Cosmic  Pyre"  and  "Entropy  of  Archons".  8  out  of  10.


  Instagram: https://www.instagram.com/incessant_ire

Facebook: https://www.facebook.com/IncessantIRL
Spotify: https://open.spotify.com/album/3vIZsmkiUTM6OUw17Ncd2z?si=G9kvJ3ZDRw2lP58pwY8bTA

Bandcamp: https://incessant1.bandcamp.com/album/entropic-aeons  

Monday, December 25, 2023

Wolvennest/The Dark Path To The Light/Van Records/2023 Full Length Review

 


  Wolvennest  are  a  band  from  Belgium  that  plays  a  mixture  of  black,  doom  metal  and  psychedelic  rock  and  this  is  a  review  of  their  2023  album  "The  Path  To  The  Light"  which  was  released  by  Van  Records.


  Horror movie  style  keyboards  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of the  songs  at  times.  When  spoken  word  parts  are  utilized  they  also  give  the  music  more  of  a  ritualistic  feeling  while  some  tracks  also  add  in  a  small  amount  of  acoustic  guitars  and  most  of  the  tracks  are  also  very  long  and  epic  in  length.


  When  clear  vocals  are  utilized  they  also  give  the  music  more  of  a  60's  psychedelic  rock  vibe  while  the  whispered  and  more  aggressive  vocals  also  bring  in  elements  of  black  metal.  Melodies  are  also added  into  some  of  the  guitar  riffing  along  with  the  slower  sections  of  the  songs  showing  an  influence  of  doom  metal  as  well  as  the  album  also  having  its  experimental  moments,  when  guitar  solos  and  leads  are  introduced  on  the  album  they  are  also  done  in  a  very  melodic  style  


  Wolvennest  plays  a  musical  style  that  takes  black,  doom  metal,  experimental  and  psychedelic  rock  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  occultism  and  ritualistic  themes.


  In  my  opinion  Wolvennest  are  a  very  great  sounding  experimental  mixture  of  black,  doom  metal  and  psychedelic  rock  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Adversaries"  and  "The  Dark  path  To  The  Light".  8  out  of  10.


  https://youtu.be/9y_JVmDjIBw    

Wednesday, November 9, 2022

Various/Dark Side Of The Sacred Star/Peaceville Records/2022 Compilation Album Review

 


 This  is  a  review  of  a  compilation  put  out  by  Peaceville  Records  called  "Dark  Side  Of  The  Star"  which  consists  of  the  more  black  metal  orientated  side  of  the  label  which  will  also  be  released  in  December  and  we  will  review  the  songs  one  by  one.


  Mortem  brings  us  "Aftermath"  which  starts  out  with  some  heavy  riffing  while  synths  can  also  be  heard  in  the  background.  The  riffs  also  add  in  a  decent  amount  of  melody  along  with  the  vocals  being  mostly  grim  black  metal  screams  and  the  faster  sections  of  the  song  also  add  in  a  lot  of  tremolo  picking  and  blast  beats,  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  spoken  word  parts  can  also  be  heard  briefly..


  RUim  brings  us  "O  Sino  da  Igreja"  which  starts  out  with  some  spoken  word  parts  before  going  into  a  heavier  direction.  The  riffs  also  add  in  a  lot  of  melody  while  blast  beats  and  tremolo  picking  can  also  be  heard  when  the  music  speeds  up  and  the  vocals  are  mostly  angry  sounding  black  metal  screams  along  with  the  solos  and  leads  also  being  done  in  a  very  chaotic  style.


  Darkthrone  brings  us  "Impeccable  Caverns  of  Satan"  which  starts  out  with  some  slow  doom  metal  style  riffing  while  dark  sounding  melodies  can  also  be  heard  at  times.  Vocals  are  done  in  mostly  a  first  wave  90's  black  metal  style  close  to  Hellhammer's  and  Celtic  Frost's  early  work  and  the  music  is  different  from their  earlier  material.


  Sigh  brings  us  "Mayonaka  No  Kali"  which  starts  out  with  some  clear  vocals  and  keyboards  before  going  into  more  of  a  heavier  and  melodic  musical  direction.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  the,  while  the  solos  and  leads  also  add  in  a lot  of  melody  and  the  music  also  brings  in  avant  garde,  psychedelic  elements  and  more  aggressive  blackened  vocals.  


  Doedsmaghird  brings  us  "The,  To  Darkness  Return"  which  starts  out  with  a  very  fast  and  raw  sound  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast b eats.  Vocals  are  mostly  high  pitched  black  metal  screams  and  the  music  also  focuses  more  on  a  chaotic  and  classic  Norwegian  style.


  Kvist  brings  us  "Gaerne  Sia  av  Fjorden"  which  starts out  with  a  very  fast,  raw  and  melodic  sound  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats.  Atmospheric  sounding  synths  can  also  be  heard  in the  background  while  the  music  also  remains  true  to  the  90's  era  of  black  metal  and  the  track  is  also  an  instrumental.


  Mork  brings  us  "Alrunens  Hevn"  which  starts  out  with  a  very  dark  yet  heavy  sound  while  the  vocals  are  mostly  high  pitched  black  metal  screams.  The  synths  also  give  the  music  more  of  an  atmospheric  feeling  along  with  the  riffs  also  adding  in a  lot  of  melody  and  most  of  the  track  also  sticks  to  a  mid  tempo  direction.


  Mortuary  Drape  brings  us  "The  Secret  Lost"  which  starts  out  with  some  grim  black  metal  screams  before  adding  in  some  bass  leads  and  melodic  riffing   while  the  faster  sections  of t he  song  also  add  in  a  lot  of  blast  beats  while  the  solos  and  leads  also  add  in a   lot  of  melody  and  the  music  is  heavily  rooted  in  the  early  90's  era.


  Avmakt  brings  us  "Bitter  Carved  Hollow"  which  starts  out  with  a  very  distorted  sound  before  going  into  a  very  fast  and  raw  black  metal  metal  which  also  utilizes  a  great  amount  of  blast  beats  and  tremolo  picking.  Vocals  are  mostyl  grim  screams  and  the  music  sticks  to  a  very  violent  direction.


  Hellripper  brings  us  "Mephistophelian  Dreams"  which  starts  out  with  some  elements  of  thrash  and  speed  metal  while t he  faster  sections  of t he  song  also  add  in  a  lot  of  blast b eats.  Vocals  are  mostly  black  metal  screams  along  with  the  music  also  being  heavily  rooted  in  the  first  wave  era  and  also  adding  in  the  raw  energy  of  punk  rock. 


  Dodheimsgard  brings  us  "Stemmen  fra  Evigheten"  which  starts  out  with  a  very  fast,  raw,  melodic  and  chaotic  sound  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast beats.  Vocals  are  mostyl  grim  sounding  black  metal  screams  and  the  song  also  adds  in  some  elements  of  industrial  as  well  as  some  clear  vocals  also  being  used  briefly.  


  SnorreRuch  brings  us  "Helvete  Theme"  which  starts  out  with  a  very  dark  and  heavy  sound  while  also  keeping  everything  industrial  and  the  track  also  sticks  to  a  mid  tempo  direction  as  well a s  sticking  to  the  heavier  side.


  In  conclusion  I  feel  this  is  a  very  great  sounding  split  and  would  recommend  it  to  all  fans  of  the  different  styles  of  black  metal.  8  out  of  10.


  https://Peaceville.lnk.to/DSOTSS 


  

Monday, July 25, 2022

Blasted Heath Interview

 


1.For those that have never heard of you before, can you tell us a little bit about the band?


Blasted Heath officially formed in March 2020 during the start of the Covid lockdowns. Our previous project (Crown Hill Vulture) was sidelined, so three out of the four members continued on with what at the time we considered a "side project" that kind of took over as the main project. The three of us lived in close proximity and had a lot of time on our hands, so I might have pushed for foregoing a demo and just self recording a full length album right away. That ended up taking WAY longer than expected however, so here we are two years later finally about to release it! 



2.You have an album coming out in August, can you tell us a little bit more about the musical style that you went for on the recording?


Our guitar player Billy had asked me what kind of "side project" I might be interested in doing, and I had been kind of infatuated with the first Bathory album around this time, because I liked that it was sort of black metal but it also had this real punk element to it, almost like Discharge. So I started listening to more D-beat stuff in general around this time as well as a lot of the old school thrash I had always been into. I was gravitating toward stuff with a rougher recording aesthetic, which was a good fit because Billy came from a punk and hardcore background, and since he was also the recording engineer, had an appreciation for this sort of approach since he'd recorded punk and hardcore bands and knew how to get a lo-fi sound in a skillful way. This ended up being the approach, kind of going for lo-fi and hi-fi at the same time. We recorded in the basement live guitars and drums and dubbed bass and vocals after the fact. Our bass player Joe joined kinda late in the process but we are very happy he got to contribute to it, he is a lovely guy and helps lift our spirits at times when we'd rather be yelling at each other. 


One of the final steps was going to a studio called Postal Recording in Indianapolis to run the stems to reel to reel tape, which is something I've been really interested in doing for a long time. Billy mixed the hell out of it for months after that and then we sent it off to Dan Swano for that final polish, and there you have it. 


It's kind of like a black thrash and d-beat album but the influence of our previous project, more sludgy Neurosis type stuff with Pink Floydish psychedelics just kinda crept in naturally. I had been really into science and outer space youtube channels like PBS Spacetime and Kurgsegat at the time so this outer space theme just seemed to fit with everything that was going on. Billy has the most ridiculous pedalboard you've ever seen so the sonic possibilities felt kind of endless. 


3.A lot of your lyrics cover outer space phenomena, can you tell us a little bit more about your interest in this topic?


So yeah I sit around and get high and watch a lot of science content on Youtube. I am not a scientist of any sort but I really enjoy trying to wrap my head around some of the bigger concepts and I'm a huge proponent of science literacy in general. So PBS Spacetime, PBS Eons, Kurgsegat, Event Horizon, Cool Worlds, Stefan Milo, Astrum. Anything properly critical that talks about space and the formation of the universe fascinates me, as well as human evolution and the biology of Earth. I also have a lot of dread and dissatisfaction about the state of the world, especially the USA where I live. This kind of manifests in me wrestling with the end of existence, the arrogance of humankind, and our incredible irrelevance when you try to comprehend the scale of the universe. 


4.What is the meaning and inspiration behind the name 'Blasted Heath'?


Well it came from a band name brainstorming session of course. The outer space themes and dreading the inevitable end of existence were already strong elements, so we definitely wanted the name to reflect these things. This made "something from HP Lovecraft" kind of a natural fit. The "Blasted Heath" from The Colour Out of Space is described almost like the wasteland resulting in the wake of an impact crater. It's much weirder and more interesting than that in the story but maybe I'm just leaning into a dry science based interpretation. I'm a proponent of the idea that a lot of scientifically credible outer space phenomena can be just as frightening as any fiction. 


5.Can you tell us a little bit more about the artwork that is presented on the new album cover?


Our drummer Conrad had been working on the cover art for almost as long as we've been working on the album. If I'm not mistaken, he had already come up with the skull in a cracked space helmet idea, and I might have suggested making it an Ape skull to fit with the song Ape. Or even a reference to all the apes NASA blasted into Space to test things before sending any people up there. Conrad was very into the idea of doing a hand drawn cover and worked on it for a long time, which fits the old school vibe really well. He incorporated the "Vela" nebula into it, which is an image I found online that fascinated me so I'd made it our initial profile picture on some of the socials. The way it ties together with the nebula almost exploding out of the little hole in the space helmet (like a gunshot or something) is really cool. He killed it and we are very happy with the result. 


6.What are some of the best shows that the band has played so far and also how would you describe your stage performance?


We got to do our first show opening for Nunslaughter at Black Circle in Indianapolis where we're from, and we can't thank Dustin Boltjes enough for putting us on that for our first show. That one stands out the most! We've played a bunch around Indy and once in Lafayette but we're hoping to expand beyond that very soon. It's a pretty no frills kinda live show right now, though there has been some discussion of incorporating some video projection so we'll see where that goes. 


7.Do you have any touring or show plans for the new album?


Nothing specific but we're definitely open to it, or at the very least get out and play some shows around the midwest very soon. 


8.Currently the band is signed to 'Wise Blood Records', can you tell us a little bit more about this label?


Wiseblood Records has grown up locally around Indy in the last few years on a similar timeframe to ourselves. We think Sean Frasier is doing a kick ass job and we are super happy to be a part of it along with a lot of other cool stuff he's got his hands in lately. He's great to work with and we hope to see him expand his reach even further in the future. 


9.On a worldwide level how has the reaction been to your music by fans of black and thrash metal?


It's a little early for that! But we certainly hope a varied multitude of people get around to checking it out when it comes out in August. We've got some great feedback so far in town and hope to expand further. 


10.Where do you see the band heading into musically during the future?


The overarching idea is that we got pretty out there and weird on this one and actually want to put out something a little more "in your face" and straightforward for the next record, but I would not call that a "direction" exactly because I think the idea is to always take a new approach with each record, do something unique. We aren't far enough in yet to say we might not completely change our minds either. Early results on new material is take the hardcore and thrash elements and turn that up one more notch, at least so far! 


11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


For myself, I started with old Metallica and while we haven't talked about that much thus far, the idea of being "thrash" but in actuality sort of having a lot of varied tempos on the album comes from them. I hate when albums get samey or songs start to run together, so there has been a goal to get to that old Metallica thing where each song really stands on its own, each with a unique identity. I hesitate to speak for the other guys, but I can say Billy and I both really admire Darkthrone and respect their entire career. They perfectly ride the line of giving you what you expect but also throwing you curveballs, and really never sitting on the same exact sound for too long. I love the classic Darkthrone but I almost equally love some of their later output like Hate Them, FOAD, Arctic Thunder, etc... Also I have to give credit to Billy for turning me onto Black Breath who have become one of my favorite bands, you can definitely hear some of that "black hardcore" in the Blasted Heath sound and they are a direct influence. My personal favorite records so far at least from 2022 are either the new Devil Master or the new Demiricous if we're getting super current. 


12.Before we wrap up this interview?  


Thank you for taking an interest! Our record will be out August 12th, it's called "Vela" and it's on every goddamn format, Tape, CD, Vinyl, Bandcamp, and will hit the streaming services as well before long! We are a meat popsicle.  


Tuesday, July 12, 2022

Blasted Heath/Vela/Wise Blood Records/2022 Full Length Review

 


   Blasted  Heath  are  a  band  from  Indianapolis,  Indiana  that  plays  a  psychedelic  mixture  of  black  and  thrash  metal  with  some  elements  of  punk  and  this  is  a  review  of  their  2022  album  "Vela"  which  will  be  released  in  August  by  Wise  Blood  Records.


   A  very  distorted  sound  starts  off  the  album  while  also  introducing  psychedelic  elements  onto  the  recording  which  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  A  lot  of  the  heavier  riffing  also  shows  some  influences  of  punk  and  thrash  metal  and  the  vocals  are  mostly  high  pitched  black  metal  screams.


   A  lot  of  the  riffing  also  shows  some  touches  of  the  first  wave  era  while  the  solos  and  leads  also  remain  very  true  to  a  melodic  and  old  school  style.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  and  when  the  music  speeds  up  a  decent  amount  of  blast b eats  van  be  heard.


  Melodies  are  also  added  into  some  of  the  guitar  riffing    along  with  the  faster  riffing  also  adding  in  a  small  amount  of  tremolo  picking.  Clean  playing  and  spoken  word  parts  can  also  be  heard  in  certain  sections  of  the  recording  as  well  as  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts,  one  track  also  introduces  shouts  and  clear  singing  onto  the  recording.  The  production  sounds  very  professional  while  the  lyrics  cover  outer  space  phenome  and  existential  dread.


  In  my  opinion  Blasted  heath  are  a  very  great  sounding  psychedelic  mixture  of  black,  thrash  metal  and  punk  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Ape"  "Dark  Energy"  and  "Strange  matter".  8  out  of  10.


  Pre-Order on Bandcamp:

https://blastedheathindy.bandcamp.com/album/vela 

Blasted Heath on Facebook: https://www.facebook.com/blastedheathindy/  

Sunday, June 5, 2022

The Gates/...Of Pandemonium/Northern Silence Productions/2022 CD Review

 


  The  Gates  are  a  duo  from  Canada  that  plays  a  mixture  of  black,  doom  and  heavy  metal  with  elements  of  psychedelic  and  occult  rock  with  a  musical  style  they  refer  to  as  being  'Magik  Metal'  and  this  is  a  review  of  their  2022  album  "...Of  Pandemonium"  which  was  released  by  Northern  Silence  Productions.


  Psychedelic  sounding  synths  start  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  music  at  times.  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  riffs  also  add  in  elements  of  traditional  metal  along  with  the  vocals  being  a  mixture  of  grim  black  metal  screams  and  clean  singing.


  Spoken  word  parts  can  also  be  heard  briefly  while  all  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them.  The  music  also  takes  70's  era  occult  rock  and  mixes  it  with  a  more  modern  sound  along  with  the  slower  sections  of  the  songs  also  adding  in  a  touch  of  doom  metal  as  well  as  the  solos  and  leads  also  bringing  in  more  of  a  retro  and  old  school  style  when  they  are  utilized  and  all  of  the  music  also  sticks  to  either  a  slow  or  mid  tempo  direction.


  The  Gates  plays  a  musical  style  that  takes  black,  doom  and  heavy  metal  and  mixes  it  with  psychedelic  and  occult  rock  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  Occultism,  Psychedelic  Experiences  and  old  school  B  movies.


  In  my  opinion  The  Gates  are  a  very  great  sounding  mixture  of  black,  doom  and  heavy  metal  with  elements  of  psychedelic  and  occult  rock  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "The  Cosmic  Crypt"  "The  Wizard"  and  "The  Ghost  Of  The  Night".  8  out  of  10.


Bandcamp: https://thegates-northernsilence.bandcamp.com/
Spotify: https://open.spotify.com/album/3bZ9FjdzPRaF1OQNXojbk1?si=5MkVFJoJTbGsVdVmJeV0tg
Instagram: https://www.instagram.com/the.g.a.t.e.s/

Friday, November 26, 2021

Decay/THORnMENThORn/Loud Rage Music/2021 CD Review

 


  Decay  are  a  band  from  Romania  that  has  been  featured  before  in  this  zine  and  on  this  recording  goes  for  a  mixture  of  black,  doom,  death  and  thrash  metal  with  some  psychedelic  elements  and  this  is  a  review  of  their  2021  album  "THORnMENThORn"  which  was  released  by  Loud  Rage  Music.


  A  synth  orientated  intro  along  with  the  sounds  of  fire  burning  and  bells  start  off  the  album  before  going  into  a  heavier  musical  direction.  Elements  of  doom  metal  can  also  be  heard  in  the  slower  sections  of  the  songs  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  Vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls  while  dark  sounding  melodies  are  also  added  into  some  of  the  guitar  riffing.  A  lot  of  the  music  is  also  very  heavily  rooted  in  the  90's  era  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  yet  old  school  style.


  Whispers  can  also  be  heard  briefly  along  with  the  mid  tempo  sections  of  the  songs  also  showing  an  influence  of  thrash  metal  as  well  as  the  faster  sections  of  the  tracks  also  adding  in  a  decent  amount  of  blast  beats,  spoken  word  parts  are  also  added  in  certain  sections  of  the  recording  and  as  the  album  progresses  more  psychedelic  touches  can  also  be  heard  and  the  music  also  adds  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  The  production  sounds  very  professional  while  the  lyrics  cover  occultism,  life  and  death  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Decay  and  if  you  are  a  fan  of  black,  doom,  death  and  thrash  metal  with  some  psychedelic  touches,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "To  Survive  The  Time"  "Concentrated  Incarnation  Of  Brutal  Aggression"  and  "Eat  Your  Rights".  8  out  of  10.


Play on Bandcamp        

Saturday, September 25, 2021

Tyrannus/It Taketh/Born Too Late Tapes/2021 Demo Review

 


  Tyrannus  are  a  band  from  Scotland  that  plays  a  mixture  of  black,  death  and  thrash  metal  with  some  psychedelic  atmospheres  and  this  is  a  review  of  their  2021  demo  "It  Taketh"  which  was  released  by  Born  Too  Late  Tapes.


  A  very  dark  yet  heavy  sound  starts  off  the  album  along  with  some  grim  black  metal  screams  a  few  seconds  later.  Elements  of  death,  thrash  and  speed  metal  are  also  added  into  some  of  the  guitar  riffing  while  the  music  is  also  very  heavily  rooted  in  the  mid  80's  to  early  90's  style  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  When  clean  playing  is  utilized  it  also  gives  the  music  more  of  a  psychedelic  touch  while  the  solos  and  leads  are  also  done  in  a  very  dark  yet  melodic  style.  When  the  music  speeds  up  a  great  amount  of  tremolo  picking  and  blast  beats  can  be  heard  along  with  some  synths  also  being  added  into  certain  sections  of  the  recording  and  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  the  ep  closing  with  an  instrumental.


  Tyrannus  plays  a  musical  style  that  takes  black,  death,  thrash  and  speed  metal  and  mixes  it  with  some  psychedelic  atmospherics  to  create  a  sound  of  their  own.  The  production  sounds  very  old  school  while  the  lyrics  cover  Lovecraftian  Horror  and  Anti  Fascism  themes.   


  In  my  opinion  Tyrannus  are  a  very  great  sounding  mixture  of  black,  death,  thrash  and  speed  metal  with  some  psychedelic  atmospheres  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "The  Flood".  8  out  of  10.


 
https://borntoolate.bigcartel.com/product/tyrannus-it-taketh-limited-edition-tape (Cassette) https://distrokid.com/hyperfollow/tyrannus/it-taketh (Digital/Streaming Services) https://tyrannus.bandcamp.com/album/it-taketh-demo (Digital)  

 
https://www.facebook.com/TyrannusEtImperium

https://www.instagram.com/tyrannusetimperium       


  


  


  

Monday, September 20, 2021

Vertebra Atlantis/Lustral Purge In Cerulean Bliss/I, Voidhanger Records/2021 CD Review

 


  Vertebra  Atlantis  are  a  band  from  Italy  that  plays  a  dissonant  form  of  blackened  death metal  and  this  is  a  review  of  their  2021  album  "Lustral  Purge  In  Cerulean  Bliss"  which  will  be  released  in  November  by I,  Voidhanger  Records.


  A  very  dark  yet  heavy  sound  starts  off  the  album  while  melodies  are  also  added  into  some  of  the  guitar  riffing.  A  great  portion  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  the  faster  sections  of  the  songs  also  adding  in  a  great  amount  of  brutal  sounding  blast  beats  and t he  vocals  are  a  mixture  of  cavernous  death  emtal  growls  and  black  metal  screams. 


  At  times  the  music  also  gets  very  dissonant  sounding  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  When  clean  playing  is  utilized  it  also  gives  the  music  more  of  a  psychedelic  feeling  along  with  the  synths  also  giving  the  songs  more  of  an  atmospheric  edge  when  they  are  utilized.


 When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  dark  yet  chaotic  style  along  with  some spoken  word  parts  and  angry  shouts also  being  added  on  some  of  the  tracks  as  well  as  some  tremolo  picking  also  being  added  into  some  of  the  faster  riffing  and  one  of  the  songs  is  also  an  instrumental,  clean  vocals  can  also  be  heard  briefly  on  the  closing  track.  The  production  sounds  very  professional  while  the  lyrics  cover  revenge,  anger  and  despair  themes.


  In  my  opinion  Vertrebra  Atlantis  are  a  very  great  sounding  psychedelic  and  dissonant  blackened  death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Agoraphobic  Solipsist"  "Spiritual  Onset"  and  "The  Hermit  Strums  A  Mournful  Dirge".  8  out  of  10.


https://i-voidhangerrecords.bandcamp.com/album/lustral-purge-in-cerulean-bliss       

Friday, September 3, 2021

Wazzara Interview

 

Answering: Barbara (vocals, guitar)



1.Can you give us an update on what has been going on with the band since the recording of the new album?

A lot! There is so much to do and to consider if you do a release all by yourself. Luckily, we have good people helping us, like Markus Eck from METALMESSAGE with the promotion. He does an exceptionally good job and is very passionate. Also, we are rehearsing to play our first gig as a full band in October. And we recently had a great shoot with Snakehill Productions for a video clip that will be released in October.


2.On Halloween you have a new album coming out on Halloween, musically how does it differ form your previous ep?

The sound is fiercer, more hypnotic and has more blackgaze and black metal influences than the EP. I also decided to use grunts because it really fits the wildness I wanted to portray in the new songs.


3.You refer to your music as being 'moongaze', can you tell us a little bit more about this term?

It's a term I came up with myself, referring to the shoegaze elements in our music and to the moon, which influences my art a lot. To be honest, I find it difficult to choose a genre for your own music, so I also kind of did it to show that it's not important at all to stick to a certain genre. At the end of the day, it should be about the music itself.


4.A lot of your lyrics cover water from more of a poetic view, can you tell us a little bit more about how long you have been interest in this topic?

I have always been strongly attracted to water, even when I was a child. I could sit by the water or swim in it for hours. I'm also fascinated by its ambivalence. Water is the basis of life in every sense; it can be soothing, but - as we have unfortunately seen recently - also very destructive. All in all, water just flows; and that's something I crave in my life: just going with the flow. Or as Eddie Vedder put it: "I'll ride the wave where it takes me."


5.What is the ,meaning and inspiration behind the name 'Wazzara'?

Wazzara is Old High German and means "the water-born". Since the project was started as a solo project of mine, I wanted it to have a name that was personally connected to me. The reason why I chose an old language is my interest in those.


6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

I love this piece of art! It was created by Pierre Brost (www.pixelizer.de), an incredibly skilled illustrator and artist. I asked him if he could make a symbol related to the moon and its cycles, and that at the same time would be very feminine, because these themes strongly influenced the lyrics of the new album. And that's what Pierre did. I'm very proud to have his art on our new album.


7.Originally the band started out as a solo project but has evolved into a full band with the new album, can you tell us a little bit more about the addition of newer members?

I always wanted to bring wazzara to the stage, even when I started the project. But it was too much to organize at that time, so I just started on my own. When I decided to do a full-length album, I decided to do it with a full band this time. So I was joined by George, with whom I’ve been working for many years – I did the vocals in his project Between Giants and he produced and recorded the albums of my former band Caladmor – and by Mäsi, who played the guitar in Caladmor until we both left the band in 2018. It was very important to me not to have just "anyone" in the band. So I'm very happy about how it all turned out.


8.Once the pandemic slows down are there any plans for live shows?

Yes, there is! If everything stays as it is - we will play on October 9th as support for the Swiss dark metal band Dreams in Fragments. It will be our very first gig as a full band. Further gigs are already being planned, but not confirmed yet.


9.Currently the band is unsigned, are you looking for al label or have received any interest?

We are basically open for a cooperation with a label, but if, then it has to make sense for us. So, we wouldn't sign just any offer as long as we can do everything ourselves. There has to be an added value.


10.On a worldwide level how has the reaction been to your music by fans of post metal?

I am very grateful that the EP has received very positive feedback so far. Now, of course, I'm curious to see how the album will be received; but the most important thing is that you like your work yourself. And with both the EP and the album, I can say that I do.


11.Where do you see the band heading into musically during the future?

I'm curious about that too! (laughs) I never know what will happen; for me an album is always like a snapshot of current influences and ideas that can change from year to year. But I will definitely keep the dreamy touch in the music; this element is essential for wazzara's music.


12.What are you listening to nowadays?

I right now listen a lot to The Cure, especially the Desintegration album. 


13.Before we wrap up this interview, do you have any final words or thoughts? 

I would like to thank everyone who supported us in our crowdfunding earlier this year. Without you there would be no new album. 

Then I would like to thank everyone who listens to and enjoys wazzara's music, your support is really appreciated.

And last but not least, thank you John for this interview and for your time! All the best to you!

Friday, August 27, 2021

Wazzara/Cycles/2021 Full Length Review

 


  Wazzara  are  a  band  from  Switzerland  that  plays  a  mixture  of  blackgaze,  doom  and  post  metal  and  this  is  a  review  of  their  self  released  2021  album  "Cycles"  which  will  be  released  on  Halloween.


  A  very  dark  yet  heavy  sound  starts  off  the  album  while  the  slower  sections  of  the  songs  also  add  in  elements  of  doom  metal.  When  clean  playing  is  utilized  it  also  adds  in  touches  of  shoegaze  along  with  the  vocals  being  done  mostly  a  clean  style  and  the  music  also  has  its  atmospheric  and  psychedelic  moments.


  A  lot  of  the  music  is  heavily  rooted  in  a  post  metal  style  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  Synths  are  also  added  on  some  of  the  tracks  along  with  some  black  metal  screams  also  being  added  into  certain  sections  of  the  album  as  well  as  some  blast  beats  and  tremolo  picking  also  being  utilized  when  the  music  finally  speeds  up.


When  guitar  solos  and  leads  are  added  into  the  music  they  are  done  in  a  very  melodic  style  and  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts. The  production  sounds  very  professional  while  the  lyrics  cover  the  natural  poetry  in  water  with  some  touches  of  occultism.


  In  my  opinion  Wazzara  are  a  very  great  sounding  mixture  of  blackgaze,  doom  and  post  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Maenic"  and  "Antares"  and  "Ancestral Bonds".  8  out  of  10.


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Sunday, May 9, 2021

Kosmodemonic/Liminal Light/Transylvanian Recordings/2021 Full Length Review

 


  Kosmodemonic  are  a  band  from  New  York  that  plays  a  mixture  of  black  and  doom  metal  with  some  krautrock  and  psychedelia  elements  and  this  is  a  review  of  their  2021  album  "Liminal  Light"  which  was  released  by  Transylvanian  Recordings.


  A  very  slow,  dark  and  heavy  doom  metal  sound  starts  off  the  album  while  you  can  also  hear  all  of  the  musical  instruments  that  are  presented  on  the  recording.  Vocals  are  mostly  done  in  a  first  wave  black  metal  style  as  well  as  capturing  the  grimness  of  the  second  wave  era  and  also  adding  in  a  semi  melodic  tone  at  times.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  solos  and  leads  are  also  done  in  a  very  retro  and  old  school  style.  A  couple  of  the  tracks  are  also  long  and  epic  in  length  along  with  some  songs  also  bringing  in  a  small  amount  of  krautrock  and  psychedelic  elements  as  well  as  the  music  also  adding  in  some  blast  beats  when  the  recording  finally  starts  speeding  up  a  little bit  on  a  couple  of  songs,  as  the  album  progresses  a  brief  use  of  clean  playing  can  also  be  heard  and  some  songs  also  add  in  touches  of  prog  and  thrash  metal.


  Kosmodemonic  plays  a  musical  style  that  mixes  black  and  doom  metal  with  some  touches  of  krautrock  and  psychedelia  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover the  horrors  of  a  society  that  cannot  keep  up  with  technological  evolution.


  In  my  opinion  Kosmodemonic  are  a  very  great  sounding  mixture  of  black  and  doom  metal  with  some  elements  of  krautrock  and  psychedelia  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Drown  In  Drone"  "With  Majesty"  "Broken  Crown"  and  "Unnaming  Unlearning".  8  out  of  10.


https://www.facebook.com/kosmodemonic

https://www.instagram.com/kosmodemonic

https://kosmodemonic.bandcamp.com        

Friday, September 15, 2017

Dreadnought/A Wake In Sacred Waves/Sailor Records/2017 CD Review


  Dreadnought  are  a  band  from  Denver,  Colorado  that  has  had  an  album  reviewed  before  in  this  zine  and  plays  a  mixture  of  black  metal,  doom,  psychedelic,  progressive  and  post  rock  and  this  is  a  review  of  their  2017  album  "A  Wake  In  Sacred  Waves"  which  will  be  released  in  October  by  Sailor  Records.

  Female  vocals  start  off  the  album  along  with  some  keyboards  a  few  seconds  later  that  also  adds  in  touches  of   progressive  rock  and  after  awhile  the  music  goes  into  more  of  a  heavier  direction  while  also  adding  high  pitched  black  metal  screams  and  post  rock  style  guitar  leads  onto  the  recording.

  All  of  the  tracks  are  very  long  and  epic  in  length  while  all  of  the  musical  instruments  having  a  very  powerful  sound  to  them  along  with  the  music  alternating  between  soft  and  heavy  parts  and  the  riffs  also  utilize  a  great  amount  of  melody  as  well  as  all  of  the  musical  instruments  having  a  very  powerful  sound  to  them.

  At  times  the  music  adds  in  elements  of  70's  era  psychedelic  rock  while  saxophones  are  also  added  into some  parts  of  the  songs  along  with  the  guitars  also  bringing  in  a  great  amount  of  clean  playing  and  the  slower  sections  of  the  songs  are  very  heavily influenced  by  doom  metal  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard.

  Dreadnought  creates  another  recording t hat  sticks  to  the  black,  doom  metal,  psychedelic,  post  and  progressive  mixture  of  their  previous  release  while  also  getting  more  experimental  this  time  around,  the  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  the  process  of  life  and  death.

  In  my  opinion  this  is  another  great  sounding  recording  from  Dreadnought  and  if  you  are  a  fan  of  black,  doom  metal,  psychedelic,  progressive  and  post  rock,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Vacant  Sea"  and  "A  Drifting  Reign".  8  out  of  10.      

https://dreadnoughtdenver.com/ 

Saturday, September 10, 2016

Veilburner interview


 1.Can you give us an update on what is going on with the band these days?
1. MD - We just finished our 3rd album, called "The Obscene Rite," which will be available September 30th.  We're currently doing promotion for it and we've been enjoying very positive feedback on the pre-release single, called "Eucharist of the Breathing Abyss".  Chrisom has another band he sings in called "Torture Ascendancy," which I'm producing but don't play on, so we're still busy doing that for the time being.  

    2.You have an album coming out during the end of September, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?

2. CI - I would say it's a combination of the other two albums we have written. We really tried to take the originality of the first album, "The Three Lightbearers" and mix it with the really obscure and experimental feel that we achieved with "Noumenon," and try and fine-tune the balance between the two albums into an overall sound. It feels as if we have accomplished the task, and the trilogy as a whole feels like a smooth ride from beginning to end.

    3.Your lyrics cover Occultism, Gnosticism, Philosophy and Nihilism, can you tell us a little bit more about your interest in these topics?
3. CI - From a very young age, I was intrigued by the darker side of life and also by the fact that I was raised Catholic.  Although we weren't a full-on church loving family, I still needed to go to Sunday school every week until I was confirmed. Anyway, there was a day when the Archbishop of our area was visiting our class and I remember him asking if anyone believed in UFOs, ghosts, unexplained phenomena, etc.  I raised my hand for every question he asked, and when I explained to him why I believed in this phenomena, he explained to me that science could explain most of these things, and told me that ghosts are not real and it could be something like wind from my fireplace that was causing things to move in my house (even though we did not have a fireplace).  I asked him a simple question back, "If ghost's are not real, then what is the holy spirit?  Doesn't ghost and spirit mean the same thing?"  He looked shocked and told me to leave the room. So from that point on (I was 10 years old), I have always searched for something more than the traditional Christian ideals that most people in my area are raised to believe, not realizing that they are just a crumb in this vast ocean of different beliefs.  At the age of fourteen, I was turned on to Nietzsche and started to craft an anti-religious, nihilistic approach to my writing, specifically anti-Catholicism, etc. I was infatuated with crucifixion and such, and then I moved on to studying the Gnostic ideals of Samuel Aun Weor and am now fully into the writings of Blavatsky and Manly P. Hall. I love to mix Gnosticism and Nihilism because they allow for an endless landscape of writing.  Are you wrong in what you write about? Technically, you can't be. Anyway, I could go on forever but that's a small dose of why I write what I write; basically the only truth is death, and death is the thing that humans fear the most, and the humor in it is the fact that it's life's largest lie.

    4.I know that the name 'Veilburner' came from an Enslaved song, how does this name fit in with the musical style that you play?
4. MD - Enslaved obviously had their own meaning for the term when they conceived it, and I would not have used it if I just thought it sounded cool or for some other lazy purpose, because I have too much respect for the creative process.  We decided it was an interesting word, and that we'd like to give it our own meaning in the context of our project.  To me, the word makes me think of the stripping away of illusions, or the destruction of barriers.  I thought it was a really good way to describe the music we were writing, because of the way we pull influence from a lot of different genres of music in a way that makes the idea of "genres" seem to disappear and expose music for what it is.  We recognize that the idea of genres and subgenres are necessary in the world of journalism to provide quick, useful descriptions of what a band sounds like to a potential fanbase, but some people take them too far and assign more meaning and importance to them than they're intended to have.

Themeatically, the two characters at the center of our trilogy are dabbling in transhumanism (the belief or theory that the human race can evolve beyond its current physical and mental limitations) and attempting to achieve immortality through a combination of occult practices and mad scientific experiments.  In essence, they're trying to burn a veil seperating mortaility and godhood, so the name has multiple levels of meaning in our project.

CI -  We have received feedback from lots of different people asking "What is this? Whatever genre it is, it's good."  We know we are going to be labeled, and the roots of what we do are in black and death metal, but we really wanted to try and create a sound that personifies the name and vice versa. It ties into the lyrical themes and also the different genres that my mad, riff-writing musical composing cohort of insanity has seemed to be able to pull off with the music.

    5.Currently there are only 2 members in the band, are you planning on expanding the line up in the future or do you chose to remain a duo?
5. CI - It is so much easier the way it is now. Mephisto writes the music, and he is one of the few musicians I know that I can depend on composing every part of the song and not have it feel like something is missing.  With every other project I have been in, I usually feel compelled to pick up the guitar and help write, but with Veilburner I feel like we are on the same page from the first note that is written to the last word that is penned.

MD:  Efficiency and complete control over our vision are the most important things, and things become exponentially more complicated creatively and logistically as more people become involved, so the benefit to adding another member would have to outweigh the compromise we would be making to what's already a perfectly efficient process and fulfilling working relationship.

    6.Currently you are unsigned, are you looking for a label or have received any interest?
6. CI - Yes, we are definitely interested in the prospect of working with a label. We have received a lot of positive feedback and want to be able to share our music with a larger fan base, and that is really hard to do when you work for a living and cannot spend all of your hard earned cash on making music, doing all the promotion and creating merchandise to sell. We hope someone comes our way and is willing to try and help Veilburner be where we want to be.

MD - If a label approached us and felt like we we would be a good fit for their roster, I would love to hear their proposal.  Obviously, it would need to be beneficial for both parties, and I know that not having a live act to promote ourselves can be a dealbreaker for a lot of labels who depend on bands being on the road a lot to boost visibility and drive record sales.  On the other hand, I know that there are plenty of studio bands that are working with some of the bigger independent labels, and they are some of my favorite bands, so I know that it's not out of the question.  It's just a matter of  whether one thinks they can invest in us and get a return on that investment.   

    7.'Mind Eraser' has been helping with the promotion, are you happy with the support that they have given you so far?
7. CI - Words cannot express how much they have done for us in just a short amount of time. We got more than we ever expected and the campaign isn't even finished yet!!  Mind Eraser is extremely dedicated to working his ass off for us, and we do not have enough hails in corpsepaint covered faces to trvly(yes type that with a v) tell him how much we appreciate the hard work that has been put in for us two nobodies.

MD - It's been a great experience so far working with Mind Eraser.  I've been especially impressed with the efforts on the social media front.  There have been a lot of new fans coming to our Facebook page to give us "likes" and to our bandcamp page to purchase albums.  Some pretty high profile metal blogs have given us good exposure and we're excited to see our profile grow leading up to this release. 

    8.On a worldwide level how has the feedback been to your music by fans of black and death metal?
8. CI - All in all, since 2014 we have had only a few negative write-ups, and they had more to do with the production than anything else.  We were prepared to receive alot of negativity, and in the end it's to be expected. Not everyone is going to like your band and that's ok. We are very open-minded and are actually a little surprised that we haven't been shit on a little bit more, due to the fact that we like to play with experimental elements a lot, but people seem to at least respect what we are doing and that's awesome.  I never thought I would be in a project that has received so much positive feedback, and I am truely honored and extremely humbled. I am not worthy!!

MD - I also appreciate the good feedback that we have received so far, especially with our most recent single.  I know we're not everyone's taste and that for every 1 new fan that we make, there are probably dozens that checked it out, said "meh", and moved on.  That's fine. I only think about that 1 new fan. If you're really writing what you love to write and it connects with somebody, it's special because you just found somebody who shares your unique taste in art.  And if you're a weirdo like me,  then it's really special because it's rare to find that same kind of weirdo. 

    9.Where do you see the band heading into musically during the future?
9. CI - We are taking a break so we can get some much needed rest. Mephisto is training so he can get a new day job and trying to update our recording equipment so he has a new toy to mess with.  Other than that, I have an idea for a book, and my plan is to write it and then use it to create music and hopefully some sort of short film.  At the very least, it will be a book and an album. We also might write a couple of songs for a digital release or a cover song or two. Regardless, it seems like concept art is our pulse, and you can believe that whatever we release will be something more than just a group of songs.

    10.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?
10. CI - I would say for this trilogy we just completed, the biggest influence has been Morbid Angel. We are both heavily influenced by '90s death metal and the norwegian death metal from the first part of the decade. There's also a lot of influence from the French black metal bands (Deathspell Omega, Blut Aus Nord, Spektr)who use a lot of dissonance in their style. The rest of the layering is the hints of industrial, psychedlic and avant garde influences we both share.  During the recording process for the new album, I listened to alot of Leviathan.  "Scar Sighted" is a very important album for me.  It came along during a difficult time of the year and really helped me to escape and get my focus into the writing of these songs.  Florence and the Machine was on heavy rotation also, plus Blaze of Perdition, Mgla, Anaal Nathrakh, The Monolith Deathcult, Zyklon, Lord Huron, Brandi Carlile, Portal and the latest Marduk album.

MD - If you listen close enough, you'll also hear influences from film scores from different styles and eras.  This is all to give the albums and songs more of a cinematic flow and feeling as opposed to just sounding like a collection of songs. For example, on the new album "The Obscene Rite," there are a few transition pieces I wrote where I try to capture the feeling of movies like Blade Runner or the original Terminator movie. In another part, I just straight up sample music from an old 60s movie as a song lead-in.  We know it's nothing new, but it works for us. 

    11.What are some of your non musical interests?
11. CI - I do a lot of artwork via drawing and photoshop. I would love to be able to start working with other bands in helping to create artwork for their albums etc. I play a good bit of video games.  I own an Xbox One and am usually on Madden or soon to be Battlefield 1. I like to watch movies, but never seem to have time so the wife and I watch alot of stuff on Netflix (btw, Stranger Things probably would have derailed the whole writing process for the album because how awesome it is). I'm constantly researching and learning about different religions and history, etc.  I'm steadily swapping between Blavatsky's The Secret Doctrine and Manly P Hall's The Secret Teachings of all Ages.  The most important thing is being able to chill with the wife and do the family thing with the kid.  He is fourteen and at the age of becoming his own person and is developing his own listening tastes, so it makes for interesting conversation or arguments when we are picking a playlist for a road trip. He does not share in my taste of the metal.

MD - I collect oddities and bizarre antiques.  A lot of the props in our photos come from my collection.  I also study nerdy stuff like statistics and data analysis, and I've been working towards a certification so I can get a job in that field.  I'm married and have cats.  I also use my recording arsenal to help other local bands make demos.  I travel with my wife periodically.  We've been to Europe and the UK, and a lot of the Caribbean Islands.  Still go to see bands perform when I can, but prefer smaller venues and club shows.

    12.Before we wrap up this interview, do you have any final words or thoughts?
12. Thanks for taking the time to interview us, we appreciate it and look forward to talking to you in the future.

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