Showing posts with label blackened noise. Show all posts
Showing posts with label blackened noise. Show all posts

Saturday, June 20, 2026

Spread The Disease/The Darkness, The Dead, The Suffering/Hypaethral Records/2026 Full Length Review


  Spread  The  Disease  are  a  band  from  Ontario,  Canada  that  plays  a  mixture  of  black,  death  metal  and  hardcore  and  this  is  a  review  of  their  2026  album  "The  Darkness,  The  Dread,  The  Suffering"  which  will  be  released  in  July  by  Hypaethral  Records.


  Harsh  noises  start  off  the  album  before  going  into  a  very  fast  and  brutal  direction  which  also  utilizes  a  great  amount  of  tremolo  picking  and  blast  beats.  Vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls  while  the  riffs  also  add  in  some  melodies  and  all  of  the  musical   instruments  also  have  a  very  powerful  sound  to  them.


  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  elements  of  hardcore  are  also  added  into  the  mid  tempo  sections  of  the  album.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  more  of  a  modern  extreme  metal  scene  and  interludes  are  also  added  in  between  a  couple  of  tracks,  synths  can  also  be  heard  on  a  few  songs.


  Spread  The  Disease  plays  a  musical  style  that  takes  black,  death  metal  and  hardcore  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  political  themes.


  In  my  opinion  Spread  The  Disease  are  a  very  great  sounding  mixture  of  black,  death  metal  and  hardcore  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Light  Opaque"  and  "summer  Wanes".  8  out  of  10.


  https://linktr.ee/spreadthedisease

https://instagram.com/spreadthedisease_official   

Thursday, July 31, 2025

Defacement/Doomed/Unorthodox Emanations/2025 Full Length Review

 


  International  band  Defacement  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  dissonant  form  of  blackened  death  metal  and  this  is  a  review  of  their  2025  album  "Doomed"  which  will  be  released  on  Unorthodox  Emanations.


  A  very  apocalyptic  sound  starts  off  the  album  along  with  a  brief  use  of  synths  before  going  into  more  of  a  brutal  and  heavier  direction.  Blast  beats  are  added  into  the  faster  sections  of t he  songs  while  the  vocals  bring  in  a  mixture  of  guttural  death  metal  growls  and  black  metal  screams  and  the  music  also  gets  very  dissonant  sounding  at  times.


  Elements  of  doom  metal  are  also  added  into  the  slower  sections  of  the  music  while  the  album  also  has  its  atmospheric  moments.  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  riffing  also  adding  in  a  small  amount  of  melody  at  times


   A  couple  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  some  clean  playing  also  being  added  into  certain  sections  of  the  album  as  well  as  some  songs  also  adding  in  a  small  amount  of  ambient  and  noise  touches,  when  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style.  The  production  sounds  very  professional  while  the  lyrics  cover  identity  erosion,  spiritual  distortion  and  existential  collapse.


  In  my  opinion  this  is  another  great  sounding  recording  from  Defacement  and  if  you  are  a  fan  of  dissonant  and  blackened  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Portrait"  "Worthless"  and  "Absent".  8  out  of  10.


  https://avantgardemusic.bandcamp.com/album/doomed

https://defacementofficial.bandcamp.com  


  

Tuesday, July 29, 2025

lowheaven Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the band?


lowheaven is a pandemic band. We started after the demise of previous bands, and the chaos that ensued during the lockdown phase of covid. The songs we created were directly impacted by the faltering of life.



2.You have a new album coming out in August, can you tell us a little bit more about the musical style that you went for on the recording?


We never set out to create or be a specific style of band, but the intense chaos of life during the writing phase is evident. We started to realize that we were writing the soundtrack to our individual forms of hell. I think when that mindset really took hold is when lowheaven started to grasp what we really were going to sound like, and we continued to double down every chance we got.


3.What are some of the lyrical topics and subjects the band has explored so far with the music?


The lyrical content is bleak, to say the least. As mentioned, the utter chaos of the pandemic, along with the full fledged meltdown of my (Dan's) life is completely on display. There's no hiding from that fact. I think it would have been tough to write about anything else, considering the significant lack of distraction that was provided by the lockdowns.


4.You have also mentioned an interest in the works of David Cronenberg,  Julia  Docourna and Horror Films, what influence does this have on the musical style that you play?


I think this played into the actual recording of the record more than the writing. I think we were continuously in the mindset of "how do we make this sound darker, more uncomfortable" and having that kind of imagery on display for us, most waking moments, it was definitely going to infiltrate the process. It's definitely a weird but necessary part to creating darkness, for us at least. 


5.What is the meaning and inspiration behind the name 'ilowheaven'?


The only real clue I'll give you is that it slightly involves Jack Kerouac.



6.Can you tell us a little bit more about the artwork that is presented on the new album cover?


The artwork for the whole layout of Ritual Decay was created by Joel Villegas, someone we had been a fan of for a couple of years prior. We actually met while on tour with Holy Fawn. I inserted myself rather aggressively into a conversation that was happening, so I could share my joy and interest in his work. Since that point, we've been trying to find a way to work together on something, and this was the ideal project. He absolutely conquered this layout in a way I couldn't have even imagined when we first began speaking about it. There's something really special about Joel.


7.What are some of the best shows that the band has played so far and also how would you describe your stage performance?


We take a lot of pride in our live show. We all grew up in a southern Ontario scene where the performance was of priority, and that's never left our bones. We've been lucky enough to play a plethora of incredible shows, I don't know that I could pick just one. Always just excited for the next show.


8.Do you have any touring or show plans once the new album is released?


There is some touring throughout the rest of the year, and it looks like 2026 is going to be quite busy. We're all extremely excited to get out there and play these songs live. It's been years of sitting on this stuff, so we're ready.


9.The album is going to be released on 'MNRK Heavy', how did you get in contact with this label?


The Cole's note is that our record was just put in the right hands by a friend of the band. It was quite the process, but we definitely feel like we ended up in the right spot. Sometimes things just work out, however rare that can be. And you just have to enjoy it.


10.On a worldwide level how has the reaction been to your music by fans of hardcore and post metal?


I think it's a bit harder for us to tell, as we are the type of people who just keep our heads down and keep working. That being said, seeing our name on the likes of Kerrang or New Noise has been pretty wild. Again, just trying to enjoy the moment.


11.Where do you see the band heading into musically during the future?


This is something we are always conscious of, with really anything we do. I think we have really established who we are, and now it's time to extend out what that sound is, make the prettier prettier, make the heavier heavier. But at this point, it's all about getting Ritual Decay into every ear possible.


12.What are some of the bands or musical styles that have had an influence on your music and also e=what are you listening to nowadays?


There are so many bands we all love, coming from so many different places, it would be hard to just choose a few.


13.Before we wrap up this interview, do you have any final words or thoughts?


Ritual Decay is out Aug 29th on MNRK heavy! You can order the physical representation now!

https://www.instagram.com/lowheavenband

https://x.com/lowheavenband

https://www.facebook.com/lowheavenband

https://www.youtube.com/@lowheavenband/videos

Sunday, July 20, 2025

lowheaven/Ritual Decay/MNRK Heavy/2025 Full Length Review

 


  lowheaven  are  a  band  from  Toronto,  Ontario,  Canada  that  plays  a  mixture  off  blackened  noise,  post  hardcore,  screamo  and  metal  and  this  is  a  review  of  their  2025  album  "Ritual  Decay"  which  will  be  released  on  August  29th  by  MNRK  Heavy.


  A  very  powerful  sounding  bass  guitar  sound  starts  off  the  album  along  with  some  heavier  riffing  a  few  sections  later.  Vocals  are  mostly  screams  which  mix  black  metal  metal  and  screamo  together  while  also  adding  in  a  few  growls  and  clear  singing  and  clean  playing  can  also  be  heard  at  times.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  distorted  yet  melodic  style  while  the  mid  tempo  sections  of  the  songs  also  bring  in  elements  of  post  hardcore.  Noises  are  also  added  into  a  lot  of  parts  of  album  along  with  some  of  the  vocals  also  adding  in  more  of  a  shouting  style  on  later  tracks  and  when  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also  be  heard.


  iowheaven  plays  a  musical  style  that  takes  black  metal,  post  hardcore,  screamo  and  noise  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  the  reality  of  complete  social  isolation.


  In  my  opinion  iowheaven  are  a  very  great  sounding  mixture  of  blackened  noise,  post  hardcore,  screamo  and  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "In  Grievance"  "Nothing  Else  Frail"  "Fucking  Hell"  and  "Manic  Grave".  8  out  of  10.


  https://www.instagram.com/lowheavenband

https://x.com/lowheavenband

https://www.facebook.com/lowheavenband

https://www.youtube.com/@lowheavenband/videos  

Thursday, May 29, 2025

Low Before The Breeze Interview

 

1.Can you give us an update on what has been going on with the band since the recording the new album?




There were plenty of logistics to get squared away with the album release; artwork, packaging, distribution, planning tours etc. It’s felt like a second Job to get it all taken care of, but thankfully Jon (guitar) is much more gifted at this kind of thing than I am. 




Additionally, Dennis (bass) released an ep with their incredible project Culprits of the Youth and Jonathan(drums) has been finishing up a new LP with his project, Palaces. 






2.You have a new album coming, musically how does it differ from the stuff you have released in the past?




I like to think that our record feels like a maturation of a lot of the sounds we were trying out in our various EP’s. The songs are much more fleshed out in a way that feels very personally satisfying. We’ve long wanted to push for longer run times, more atmosphere, and the inclusion of electronics / noise - and it feels like we managed to naturally fit those things into a cohesive product. 




3.What are some of the lyrical topics and subjects the band explores with the newer music and also how would you describe your progress as songwriters over the years?




Lyrically, A Hole Beneath the Home We Shared follows a few darker moments of my life; experiencing domestic abuse, the failing of a relationship, sick family members - all filtered through the lens of religious guilt. 




Jon and Dennis have completely evolved our sound since joining the band, and we’ve become much stronger as a unit in the meantime. The earlier music was really us learning how to write together, while this record is an example of us more comfortable in our own skin. 




4.What is the meaning and inspiration behind the name 'Low Before The Breeze?




The name is really nothing too deep. I am a big fan of the band clipping, and in their song “she bad” the line “low before the breeze” is mentioned while referring to the temperature dropping. I was listening to their record, “Visions of Bodies Being Burned” a lot around the time that the band got started up, and after a lot of options were weeded out we settled on that lyric as a name. 




5.Can you tell us a little bit more about the artwork that is presented on the new album cover?




Our good friend Sasha Schilbrack-Cole (of the band Malevich) is one of our collective favorite artists, he was kind enough to take on the art design for the LP. I provided him with the lyrics as well as some photos of my own wedding and this is what he produced. We are all so proud of the results. 




6.What are some of the best shows that the band has played so far and also how would you describe your stage performance?




Our live show is chaotic, we all like to move around a lot and we are not afraid to make a mess on stage. I’ll take any chance I get to jump into the crowd and make folks uncomfortable (haha). 




Our first show in Savannah, GA will always feel very special. I think it was the first time that we were a part of a sold out gig, and the energy in the room was unlike anything we had experienced up to that point. Rest in Peace to the Lodge of Sorrows. 




7.Do you have any touring or show plans for the new album?




We are hitting the road immediately after the record comes out. We’ll be in:




-Charleston, SC 6/4


-Winston-Salem, NC-6/5


-Baltimore, MD 6/6


-Richmond, VA 6/7


-Woodstock, GA 6/14




More to be announced soon, we are so excited to get out on the road and share this record with anyone willing to listen. 




8.The new album was released on 'Terminus Hate City', can you tell us a little bit more about this label?




The entire THC family has been incredibly kind to us and have supported our art and vision ever since we signed with them in November of 2024. Jay and team are cultivating a family of heavy and unique artists, it’s an incredibly strong roster and we are pumped to be a part of it. 




9.On a worldwide level, how has the reaction been to your music by fans of underground metal and hardcore?




The overall reception of the band, and especially our latest songs, has been more than we could have ever dreamt of. Anyone who isn’t a friend or family member giving a shit about our art will never cease to be amazing. 






10.Where do you see the band heading into musically during the future?




Writing for our next material has already begun, we want to be intentional with exploring different aspects of our sound and incorporating even more of each members personality into the final production. Expect a lot more electronics / noise, that’s for sure. 




11.What are some of the bands or musical styles the band members are currently listening to nowadays?




Gosh, there’s so much music that we all love; I like to think we have fairly eclectic musical taste. To name a few recent favorites from each member: The Armed, Apostle, Wednesday, Billy Woods, Chester Watson, and In Memories. 




12.Before we wrap up this interview, do you have any final words or thoughts? 




I want to send all the love in the world to Simon Small at Tunnel of Reverb Studios. He mixed/produced our new record and it would not sound half as interesting without his unique approach at the helm. If you have any interest in our stuff, A Hole Beneath The Home We Shared is streaming everywhere now. 


Sunday, May 25, 2025

Low Before The Breeze/A Hole Beneath The Home We Shared/Terminus Hate City/2025 Full length Review

 


  Low  Before  The  Breeze  are  a  band  from  Atlanta,  Georgia  that  plays  a  mixture  of  black  metal,  screamo  and  harsh  noise  and  this  is  a  review  of  their  2025  album  "A  Hole  Beneath  The  Home  We  Shared"  which  will  be  released  on  may  30th  by  Terminus  Hate  City.


  harsh  noises  and  power  electronics  start  off  the  before  before  going  into  a  heavier  direction  while  the  vocals  are  done  in  more  of  a  hardcore  style.  Black  metal  screams  can  also  be  heard  at  times  while  the  music  also  adds  in  a  lot  of  screamo  elements  and  spoken  word  parts  and  samples  are  also  utilized  at  times.


  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also be  heard  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  Clear  playing  is  also  added  into certain  sections  of  the  recording  along  with  some  tremolo  picking  also  being  added  into  the  faster  riffing  at  times.  Melodies  are  also  also  added  into  some  of  the  guitar  riffing  and  all  of t he  musical  instruments  also  have  a  very  powerful  sound  to  them,  clear  singing  can  also  be  heard  briefly.


  Low  Before  The  Breeze  plays  a  musical  style  that takes  black  metal,  screamo  and  harsh  noise  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  the  human  condition.


  In  my  opinion  Low  Before  The  Breeze  and  if  you  are  a  fan  of  black  metal,  screamo  and  harsh  noise,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Loss  Of  A  Kingdom"  "Days  Feel  Rehearsed"  "Cadaver  Synod"  and  "Permission  To  Rest".  8 out  of  10.



    


  


  

Tuesday, April 22, 2025

No Heroes/Brood Eternal/Sound Of The Northwoods/2025 Full Length Review

 


  No  Heroes  are  a  band  from  Minnesota  that  plays  a  mixture  of  atmospheric  black,  death  metal,  grind  and  hardcore  and  this  is  a  review  of  their  2025  album  "brood  Eternal"  which  will  be  released  in  May  by  Sound  Of  The  Northwoods.


  A  very  dark  yet  heavy  sound  starts  off  the  album  before  going  into  a  heavier  hardcore  direction  while  the  vocals  are  a  mixture  of  shouts,  black  metal  screams  and  death  metal  growls.  When  the  music  speeds  up a  great  amount  of  blast  beats,  tremolo  picking  and  gindcorre  elements  can  be  heard  and  the  riffs  also  add  in  a lot  of  melody.


  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  some  of  the  songs  show  touches  of  experimental  and  noise.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  some  spoken  word  and  synths  samples  also  being  used  briefly,  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  a  couple  of  the  tracks  are  also  very  long  and  epic  in  length.


  No  Heroes  plays  a  musical  style  that  takes  atmospheric  black,  death  metal,  grind,  crust,  hardcore  and  experimental  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  dark  and  real  life  themes.


  In  my  opinion  No  Heroes  are  a  very  decent  sounding  mixture  of  atmospheric  black,  death  metal,  grind,  crust,  hardcore  and  experimental  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Drone"  and  "Eternal".  8  out  of  10.


  https://www.instagram.com/noheroestc

https://www.facebook.com/share/1PpiQqk7AW/?mibextid=wwXIfr

https://noheroesmn.bandcamp.com/  


    


  


    

Saturday, January 11, 2025

Abschworzunge/Whorl/I, Voidhanger Records/2024 EP Review

 


   Abschworzunge  are  an  international  project  that  plays  a  very  brutal  form  of  blackened  death  metal  and  this  is  a  review  of  their  2024  ep  "Whorl"  which  was  released  by  I,  Voidhanger  Records.


  A  very  distorted  sound  starts  off  the  ep  before  going  into  more  of  a  heavier  and  brutal  direction  while  the  solos  and  leads  bring  in  more  of  a  dark  and  chaotic  style.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  and  blast  beats  are  also  added  into  the  faster  sections  of  the  songs.


  Vocals  are  mostly  death  metal  growls  mixed  in  with  a  few  black  metal  screams  while  a  couple  of  tracks  are  also  very  long  and  epic  in  length.  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  of  the  riffing  also  adding  in  a  small  amount  of  melody.


  Power  electronics  can  also  be  heard  at  times  as  well as  one  song  also  adding  in  a  brief  use  of  spoken  words,  tremolo  picking  is  also  added  into  some  of  the  faster  riffing  along  with  one  song  also  adding  in  a  small  amount  of  synths.  The  production  sounds  very  professional  while  the  lyrics  cover  emptiness,  cosmic  indifference  and  the  stark  reality  of  human  insignificance.


  In  my  opinion  Abschworzunge  are  a  very  great  sounding  blackened  death  metal  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Heinous  Constellations"  and  "Whorl".  8  out  of  10.


  https://i-voidhangerrecords.bandcamp.com/album/whorl      

Tuesday, January 7, 2025

Xoltergeist/Self Titled/2024 Full Length Review

 


     Xoltergeist  are  a  band  from  Baltimore,  Maryland  that  plays  a  mixture  of  black'n'roll,  punk  and  noise  and  this  is  a  review  of  their  self  released  and  self  titled  2024  album.


  A  very  heavy  punk  influenced  sound  starts  off  the  album  while  the  vocals  are  mostly  black  metal  screams.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  solos  and  leads  are  also  done  in  a  very  melodic  style  and  keyboards  can  also  be  heard  at  times.


  Noises  are  also  added  into  certain  sections  of  the  recording  while  spoken  words  and  clear  can  also  be  heard  on  a  few  songs.  Most  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  one  song  also  adding  introducing  acoustic  guitars  into  the  music  as  well  as  the  riffs  also  adding  in  a  decent  amount  of  melody.  


  Xoltergeist  plats  a  musical  style  that  takes  black'n'roll,  punk  and  noise  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  lo-fi  while  the  lyrics  cover  dark  and  satanic  themes.


  In  my  opinion  Xoltergeist  are  a  very  great  sounding  mixture  of  black'n'roll,  punk  and  noise  and  if  you  are  a  fan  of  those  musical  genres,  you  should c heck  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Satanic  Thrills"  "Locks  And  Devils"  and  "Strike  Fear  In  You".  8  out  of  10.


   https://xoltergeist.bandcamp.com/album/xoltergeist

Tuesday, September 17, 2024

Deathrite/Flames Licking Fever/Into Endless Chaos/2024 Full Length Review

 


  Deathrite  are  a  band  from  Germany  that  plays  a  mixture  of  black,  death  metal  and  noise  punk  and  this  is  a  review  of  their  2024  album  "Flames  Licking  Fever"  which  will  be  released  in  October  by  Into  Endless  Chaos.


  A  very  distorted  and  melodic  sound  starts  off  the  album  while  the  faster  sections  of  the  songs  also  add  in  a  great  amount  of  blast  beats  and  tremolo  picking.  Vocals  also  add  in  a  lot  of  black  metal  screams  mixed  in  with  some  death  metal  growls  and  hardcore  style  shouts  and  the  music  also  adds  in  a  lot  of  noise  and  punk  elements.


  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  When  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  old  school  metal  punk  style  along  with  the  music  also  mixing  in  a  lot  of  80's  and  90's  influences  as  well  as  being  modern  at  the  same  time,  a  couple  of  tracks  are  also  long  and  epic  in  length  and  as  the  album  progresses  a  brief  apocalyptic  interlude  can  also  be  heard  before  returning  back  to  a  heavier  direction.


  Deathrite  plays  a  musical  style  that  takes  black,  death  metal  and  noise  punk  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  ecstasy  and  psychosis.


  In  my  opinion  Deathrite  are  a  very  great  sounding  mixture  of  black,  death  metal  and  noise  punk  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Crippled  Ego"  "Misanthropic  Rush"  "Deadbeat"  and  "All  Consuming  Fire".  8  out  of  10.


  www.facebook.com/deathrite666       



Sunday, December 31, 2023

Verminizer/Enthronement Of Mars/Death Hymns/2023 Full length Review

 


  This  is  a  review  of  another  recording  from  U.S.A's  Verminizer  which  shows  the  music  going  for  a  mixture  of  black,  thrash  metal,  industrial,  noise  and  grindcore  and  the  album w as  released  in  2023  by  Death  Hymns  and  called  "Enthronement  Of  Mars".


  A  v3ery  fast  and  brutal  grindcore  sound  starts  off  the  album  along  with  a  lot  of  blast  beats  while  melodies  are  also added  into  some  of  the  guitar  riffing.  Vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls  as  well  as  the  solo s  and  leads  also  being  done  in  a  very  chaotic  style.


  The  programmed  drum  beats  also  bring  in  elements  of  industrial  while  harsh  noises  and  power  electronics  can  also  be  hard  at  times.  Some  of  the  riffing  also  shows  an  influence  of  thrash  metal  along  with  some  of  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  some  of  the  tracks  are  also  short  in  length,  as  the  album  progresses  th e music  also  starts  getting  more  experimental  sounding.


  On  this  recording  Verminizer  takes  black,  thrash  metal,  industrial,  noise  and  grindcore  and  mixes  them  together  to  create  a  very  diverse  recording.  The  production  sounds  very  professional  while  the  lyrics  cove r violence  and  gore  themes.


  In  my  opinion t his  is  another  great  sounding  recording  from  Verminizer  and  if  you  are  a  fan  of  black,  thrash  metal,  industrial,  noise  and  grindcore,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Abominated  Revenant"  "Scavenger  Contingent"  "Narcotic  of  Victimhood"  and  "Deathbed  Bereft".  8  out  of  10.


  https://verminizer.bandcamp.com/album/enthronement-of-mars


    

Verminizer/Self Titled/Death Hymns/2023 Full Length Review

 


  Verminizer  are  a  duo  from  the  United  States  that  plays  a  mixture  of  black  metal,  industrial,  noise  and  grindcore  and  this  is  a  review  of  their  self  released  2023  album  which  was  released  by  Death  Hymns.


  Classic  horror  movie  samples  start  off  the  album  before  going  into  a  very  fast  and  brutal  grindcore  direction  which  also  utilizes  a  great  amount  of  blast   beats.  All  of  the  musical  instruments  on the  recording  have  a   very  powerful  sound  to  them and  the  vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  chaotic  style  while  the  faster  riffing  also  adds  in  a  decent  amount  of  tremolo  picking.  Most  of  the  tracks  are  also very  short  in  length  along  with  the  songs  also  adding  in  a lot  of  noisecore  elements  as  well  as  some  of  the  riffing  also  adding  in  a  small  amount  of  melody.

   

The  drum  programming  also  adds  in  touches  of  industrial  and  throughout  the  recording  you  can  also  hear a  good  mixture  of  slow,  mid  paced  and  fast  parts  as  well  as  some  of  the  riffing  also  showing  an  influence  of  thrash  metal.  Clean  playing  can  also  be  heard  briefly  and  some  tracks  also  add  in  video  game  music  samples.  The  production  sounds  very  professional  while  the  lyrics  cover  horror  and  gore  themes.


  In  my  opinion  Verminizer  are  a  very  great  sounding  mixture  of  black,  thrash  metal,  industrial,  noise  and  grindcore  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACKS  INCLUDE  "Diabolicalamity"  "On  Wastelands  Of Exorcism"  "Vile  Throne"  and  "Verminizer".  8  out  of  10.


   verminizer.bandcamp.com 

Saturday, October 29, 2022

Trup/Nie/Godz Ov War Productions/2022 Full Length Review

 


  Trup  are  a  band  from  Poland  that  plays  a  mixture  of  black,  death  metal  and  noisecore  and  this  is  a  review  of  their  2022  album  "Nie"  which  will  be  released  in  November  by  Godz  ov  War  Productions.


  Blast  beats  start  off  the  album  along  with  some  high  pitched  black  metal  screams  that  also  add  in  the  anger  of  noise/grind  style  screaming.  When  guitar  riffs  are  introduced  into  the  music  they  also  take  the  album  into  more  of  a  darker  and  heavier  direction  while  death  metal  growls  can  also  be  heard  at  times.


  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  solos  and  leads  are  also  done  in  a  very  chaotic  style  when  they  are  utilized.  Throughout  the  album  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some song  also  introducing  clean  playing  onto  the  recording,  synths  can  also  be  heard  briefly  as  well  as  a  couple  of  the  tracks  also  being  very  long  and  epic  in  length.


  Trup  plays  a  musical  style  that  takes  black,  death  metal  and  noisecore  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  darkness  themes.


  In  my  opinion  Trup  are  a  very  great  sounding  mixture  of  black,  death  metal  and  noisecore  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "29"  and  "33".  8  out  of  10.


  www.facebook.com/TrupZespol

Monday, July 11, 2022

0v0/Ignoto/Artofact/2022 Full Length Review

 


  Italy's  OvO  have  returned  with  a  new  recording  which  shows  the  music  going  for  an  experimental  mixture  of  black,  doom,  death  metal  and  noise  rock  and  this  is  a  review  of  their  2022  album  "Ignoto"  which  will b e  released  in  September  by  Artofact.

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  A  very  avant  garde  sound  starts  off  the  album  and  also  mixes  in  with  the  heavier  sections  of  the  songs  at  times.  A  great  portion  of  the  tracks  are  also  very  long  and  epic  in length  while  black  metal  screams  and  whispers  are  also  utilized  at  times  along  with  the  music  also  having  its  experimental  moments.


  Clean  playing  can  also  be  heard  at  times  while  noises  and  drones  can  also  be  heard  in  certain  sections  of  the  recording.  Elements  of  doom   metal  can  also b e  heard  in  the  slower  sections  of  the  songs  along  with  the  bass  guitars  also  adding  more  heaviness  to  the  songs  and  death  metal  growls  can  also  be  heard  at  times.


  Some  of  the  drum  beats  also  give  the  songs  more  of  a  tribal  atmosphere  along  with  some  touches  of  noise  rock  also  being  added  on  some  of  the  tracks.  One  track  is  introduces  clear  vocals  onto  the  recording  and  when  the  music  speeds  up  a  small  amount  of  blast  beats  and  tremolo  picking  can  also  be  heard.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  life  and  death  themes  with  some  sci-fi  inspirations.


  In  my  opinion  this  is  another  great  sounding  recording  from  OvO  and  if  you  are  a  fan  of  black,  doom  metal,  experimental  and  noise,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "La  Morte  Muore  (Part  2)"  and  "Distillati  Di  Tenebre  (Part  2)".  8  out  of  10.


https://www.facebook.com/ovochannel/  


  

Sunday, May 30, 2021

Human Failure/Crown On The Head Of A King Of Mud/Caligari Records/Sentient Ruin Laboratories/2021 EP Review

 


  Human  Failure  are  a  solo  project  from  the  United  States  that  plays  a  mixture  of  black,  death  metal,  harsh  noise,  power  electronics  and  punk  and  this  is  a  review  of  his  2021  ep  "Crown  On  The  Head  Of  A  King  Of  Mud"  which  was  released  as  a  joint  effort  by  Caligari  Records  and  Sentient  Ruin  Laboratories.


  Harsh  noises  and  power  electronics  start  off  the  epo  before  going  into  a  very  fast  and  brutal  musical  direction  which  also  uses a   great  amount  of  blast  beats.  Vocals  are  mostly  guttural  death  metal  growls  while  black  metal  screams  can  also  be  heard  at  times  and  the  solos  and  leads  are  also  done  in  a  very  chaotic  style.


  At  times  the  music  also  captures  the  raw  energy  of  punk  rock  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  Dark  sounding  melodies  are  also  added  into  some  of  the  guitar  riffing  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them  as  well  as  one  of  the  tracks  also  being  an  instrumental.


  Human  Failure  plays  a  musical  style  that t akes  black,  death  metal,  harsh  noise,  power  electronics  and  punk  and  mixes  them  together  to  create  a  sound  of  his  own.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  political  and  social  economic  themes.


  In  my  opinion  Human  Failure  are  a  very  great  sounding  mixture  of  black,  death  metal,  harsh  noise,  power  electronics  and  punk  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Poison  Ideals"  and  "Your  Hope  is  A  Noose".  8  out  of  10.


https://youtu.be/jRFerXgQAsE    

Tuesday, January 26, 2021

Portrayal Of Guilt/We Are Always Alone/Closed Casket Activities/2021 Full Length Review

 

    Portrayal  Of  Guilt  are  a  band  from  Texas  that  plays  a  mixture  of  black,  death  metal,  screamo,  hardcore,  power  violence,  punk  and  noise  and  this  is  a  review  of  their  2021  album  "We  Are  Always  Alone"  which  will  be  released  on  January  29th  by  Closed  Casket  Activities.




   A  very  fast  and  aggressive  power  violence  sound  starts  off  the  album  along  with  a  great  amount  of  blast  beats.  Vocals  are  mostly  high  pitched  black  metal  screams  with  some  touches  of  screamo  while  the  riffs  also  add  in  a  decent  amount  of  melody  and  clean  playing  can  also  be  heard  in  certain  sections  of  the  recording.




  Elements  of  noise  can  also  be  heard  at  times  while  all  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them.  Half  of  the  tracks  are  also  very  short  in  length  along  with  the  faster  sections  of  the  songs  also  adding  in  a  decent  amount  of  blast  beats  as  well  as  some  of  the  riffing  also  showing  an  influence  of  death metal.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  dark  yet  melodic  style  along  with  some  songs  also  adding  in  some  apocalyptic  sounding  synths.  Tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing  as  well  as  the  tracks  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts,  hardcore  style  shouts  can  also be  heard  at  times  and the  music  also  captures  the  raw  energy  of  punk  rock  at  times  and  as  the  album  progresses  a  brief  use  of  clean  vocals  can  also  be  heard.  The  production  sounds  very  professional  while  the  lyrics  cover  dread,  apathy  and  dealing  with  a  splintered  society.  


  In  my  opinion  Portrayal  Of  Guilt  are  a  very  great  sounding  mixture  of   black,  death  metal,  screamo,  hardcore,  power  violence,  punk  and  noise  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Second  Coming"  "Masochistic  Oath"  "Garden  of  Despair"  and  "We  Are  Always  Alone".  8  out  of  10.


https://youtu.be/HARXCFIxSQs


    

Wednesday, June 5, 2019

Immortal Bird/Thrive On Neglect/20 Buck Spin/2019 Full Length Review


  Chicago,  Illinois's  Immortal  Bird  have  returned  with  a  new  recording  which  shows  the  music  going  into  a  mixture  of  dissonant  black,  death  metal,  noise,  grind  and  hardcore  and  this  is  a  review  of  their  2019  album  "Thrive  On  Neglect" which  will  be  released  in  July  by  20  Buck  Spin.

  A  very  heavy  and  brutal  sound  starts  off  the  album  along  with  some  black  metal  screams  a  few  seconds  later.  All  of  the  musical  instruments  have  a  very  powerful  sound  to  them  while  the  faster  sections  of  the  songs  also  bring  in  a  great  amount  of  blast  beats  and  the  riffs  also  use  a  great  amount  of  melody.

  Dissonant  structures  can  also  be  heard  in  a  lot  of  the  riffing  while  the  mid  tempo  sections  of  the  songs  bring  in  elements  of  hardcore.  Clean  playing  can  also  be  heard  in  some  parts  of  the  music  along  the  vocals  also  utilizing  death  metal  growls  at  times  and  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.

  Elements  of  hardcore  can  also  be  heard  throughout  the  recording  as  well  as  the  faster  sections  of  the  songs  also  adding  in  the  raw  aggression  of  noise  and  grindcore  along  with  a  couple  of  the  tracks  being  very  long  and  epic  in  length  and  as  the  album  progresses  atmospheric  soundscapes  can  also  be  heard  briefly,  the  closing  track  also  introduces  guitar  solos  and  leads  onto  the  recording.  The  production  sounds  very  professional  while  the  lyrics  cover  dark  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Immortal  Bird  and  if  you  are  a  fan  of  dissonant  black,  death  metal,  noise,  grind  and  hardcore,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Anger  breeds  Contempt"  "Avolition"  and  "Stumbling  Towards  Catharsis".  8  out  of  10.

http://www.facebook.com/immortalbirdband

    

Tuesday, May 7, 2019

Ovaryrot Interview

1.Can you give us an update on what has been going on with the band since the recording and release of the new album?

Brady: Well, we're currently focused on getting the physical release of "Non-Flesh Scarring" promoted and spreading that release in general. I think that's the longest sum of time we've devoted to a project yet,  and we're just trying to get it to the ears that want to hear it. But we're also discussing and working on something new when we have the time to do so. Something that's coming a lot sooner than one would probably anticipate.

2.Recently you have released a new album, musically how does it differ from the stuff you have released in the past?

Brady: We started as a straight forward Goregrind band and we've sort of grown to incorporate elements of death metal, grindcore, black metal, powerviolence, sludge, noise, ambient music, and the list is only going to expand. Ulf and I both enjoy seeing what we can do to further push the envelope, musically. I think "Non-Flesh Scarring" is a lot more focused and a lot more open to experimentation than we have been in the past. It's been a while since we as a band put out anything at all, and that was largely due to some rather shitty situations occurring in our personal lives. Jon left the band during that time and went on to do great things with Ulf with Miscarriage. But when it comes to Ovaryrot, Ulf and I felt like in many ways that this is a sort of "fresh start" or "clean slate" seeing to it that we had been sort of inactive for quite some time, and with that I think we really just allowed ourselves to do whatever the hell we wanted with this album, so long as it grinds.

3.What are some of the lyrical topics and subjects the band explores with the newer music?

Brady: Overall, I think with the themes on this release we drew inspiration from this current chapter of our lives. Though I wrote the lyrics, they were inspired by many conversations Ulf and I have had in regards to how our lives have changed. How in time, our experiences leave these wounds in us that cut deeply and sort of splinter into other areas of our lives, but also with these scars, we have no choice but to continue to push forward, despite how difficult, confusing, and isolating that process may be and despite how the world around us changes. We touched on quite a bit, from narcissistic sexual and chemical indulgences, herd mentality and its affect on social morale and history in general, aging and watching social circles deteriorate, isolation and depression, living with a passionless forty hour a week job, this movement of further encouraging social divide by laying claim to a label, side, or team within political, economic, and social circles. Self reflection and that choice between allowing yourself to drown as you are or to attempt to reach the shore and alter your approach to life. That and a few more things that may have crept in there.

4.What is the meaning and inspiration behind the name 'Ovaryrot'?

Brady: Ulf is the man to ask this question to. Ulf thought of it years before we ever knew each other. As a matter of fact I think I was about four years old at the time he told me he came up with the name. Initially I took it as a literal meaning, as in an ovary rotting. But these days I kind of like to look at it with a bit more symbolism. Ovaries being these organs that sort of symbolize the starting point of life, only subjected to rot. The decay of that which brings life.

Ulf: I believe I came up with the name when I was 16-18 years old. At the time I was heavily into brutal death metal (and I still am) that had lyrics and themes that focused on gore, violence etc. There was no other intention behind the name at that time other than the fact that it was something vile and disgusting along with the fact that it was a name that was easy to remember. The name wasn’t put to use until several years later when I got in touch with Brady via Myspace. When I look at the name roughly 20 years later I can actually see some sort of odd semi-deep symbolism in the name itself.

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

Brady: We wanted to do something different and reflective of the music. Gore art is cool, but we just wanted to branch away from that. We both enjoy an odd collage, and I think that what you see is a nice compliment to the music. This explosion of confusing chaos that you're just in the middle of. I think if you dig a little deeper, you can draw some interesting conclusions from what we have shown, but ultimately, as far as my own personal contributions to the art itself, it's kind of a stream of consciousness piece based on the album itself.

Ulf: Being that our lyrics do not cover the same topics any longer, it felt like a natural step to go ahead and do something that was very different from our previous artworks. We sat down and went through the different topics that Brady covered on this album until we had everything lined up. After that we started to explore the different topics on a deeper level to see what we could conjure up visually. It ended being a collaborative effort in that we both contributed with our own personal takes on the topics which we cover on the full-length. I am very please with the final result and I feel that it goes together quite well with the music.

6.The band members live in both Sweden and the United States, what kind of impact does this have on the musical style that you play?

Brady: I think it's got a lot of benefits to it, honestly. We're both on opposing sides of the globe, and although the internet has become an incredible source of exposure when it comes to seeking out new music, I think that Ulf and I both have our own unique histories and influences to share with each other and pull inspiration from. Literally, we have some days where we just sit for hours and share youtube links of bands neither of us have heard of. It's pretty amazing. I still don't understand how exactly we click so well when it comes to writing, but I guess that expression of music being a universal language really rings true in our case.
Ulf: I’ve been in a couple of bands in the past where I’ve been able to meet the people I’ve been playing with as well as perform live, but over the years I grew tired of it. Sure, playing in an ”online band” might come across as strange, challenging and not ”authentic enough”, but I think that we’ve managed to find a way to make it work considering that we’ve been around for over a decade. Back when we first started out I don’t think that there were that many bands that were ”online-based” and back then it was usually frowned upon. It does seem, however (especially if you’re looking at the brutal death metal and goregrind scene), as if it’s a bit more common these days.

7.The physical version of the album is coming out on 'Organic Divide Records'. can you tell us a little bit more about this label?

Brady: That's the label we started as a means of putting out our own music. Ulf and I both are major proponents of the DIY attitude when it comes to creating and life in general, and it just made sense. Saved us the countless emails sent to labels that go unnoticed or unread. Especially now that the internet has opened the door for bands to reach out to pressing plants and offered platforms for artists to pitch their own music to the world. There's no reason not to record an album, post it, and potentially find a way to release it. Especially with the advancements technology has given us by way of home recording. I mean you can record an album on a fucking smart phone, post it to bandcamp, youtube,  etc. and place an order for a tape release. It's nuts. Being an artist of any kind is no longer a pipe dream.

8.On a worldwide level how has the reaction been to your music by fans of underground metal?

Brady: We're still a pretty underground and relatively unknown entity in the grind/death metal scene, but with this album we've had the privilege to be promoted by some great webzines and youtube channels, such as J. Morris The Review Guy, The Slaughterhouse, Goregrinder, Cadaver Garden, just to name a few that's turned some people onto us which is pretty surreal to me. In being an international band, we've also had the privilege of meeting and interacting with people from all over the globe within the scene. I mean we recently put the CDs for "Non-Flesh Scarring" up for order on our bandcamp page, and the very first order came in from a fellow in Belgium. I've never been to Belgium, and at this point in my life I don't foresee myself going there at any point, but that guy knows of and wants to support an album Ulf and I have created. It's quite surreal to say the least and I'm very thankful for everyone who's supported what Ulf and I do. I also think metal in general kind of lends itself to celebrating cultural diversity more so than other genres of music have for whatever reason. I mean when a band like Wormrot comes through and decides to tour the U.S., or At The Gates, Rotten Sound, or fucking Dir En Grey, it's a pretty big deal here and I get stoked. I guess perhaps aggression in music is an expression that runs very deep, and thankfully so.

Ulf: I’ll be honest and say that not many people have really paid all that much attention to us over the years. When we first started off as a goregrind oriented band we were still posting songs on Myspace. There was an Italian label called Human Discount (if you’re reading this, Marco: you’re the man), that took notice of us and we had a good thing going with that label as it resulted in them putting out a handful of releases for us. As Myspace started dying off, people started to migrate to Facebook and we were no different, but I do feel that that is when things started to go downhill in regards of our ability to reach out to people in general. Facebook (in my opinion) is and never will be as good as Myspace was back in then day when it comes for bands to connect with their listener. It might be me looking through nostalgic goggles, but things did felt more ”personal” on that platform. At the end of the day our music is quite experimental and people who do not venture outside of their comfort zone will more than likely not enjoy it. However, I am perfectly fine with that.

9.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?

Brady: This should shape up to be a pretty big year for us both. As I mentioned, Ovaryrot has a new thing in the works. Don't want to spoil anything just yet. We're also discussing future releases for our Doom/Sludge project, Killed In Public, as well as a post-punk project with a friend at some point later in the year. We also may dust off our spacey doom project, Voiderlust, if time permits. As for myself, I'm currently recording and working out songs for a lengthy solo project. Something along the lines of a singer/songwriter project. Some of these songs I've been sitting on for a while now. I'm just sort of piecing that together as I go. The same goes for this experimental electronic project I have, Isolated Pisces. I'd like to give rap, pop and R&B a go with that one. I think that's it for me. Creativity has been flowing lately.

Ulf: Apart from new stuff with Ovaryrot, Killed in public as well as Voiderlust, I’ve been working on new material for Miscarriage as well as some other projects that will have releases coming out this year. There is always something going on which is what I prefer. I believe that the both of us always have had an urge to express ourselves creatively.

10.Where do you see the band heading into musically during the future?

Brady: We've literally talked about infusing pop music with deathgrind at some point. But we've had some great conversations in regards to folk, industrial, and more ambient styles of music. But regardless, nothing is set in stone except for the fact that we WILL do something in time. I'm just as curious as anyone else, honestly.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Brady: I tend to get inspired by whatever I'm listening to in some way. For more of the apparent metal bands that I've loved, I really dig Circle Of Dead Children, Full Of Hell, Blight Worms, Tomb Mold, Primitive Man, etc., but also I've been into stuff like Ariel Pink, Pensees Nocturnes, Slowdive. The Cure. Death Grips, Health, Leonard Cohen, Neil Young, too many to list really, but King Diamond seems to be played over my car stereo at least once a week. I've currently been in a listening phase that's pretty odd. I've been bouncing back and forth between this really raw, heavy, and dissonant music like Hissing and Gnaw Their Tomgues to more dreampop and shoegazing stuff like Ariel Pink or the German band Malory, or the demos of the band Pastel Blue. But I mean I'm all over the fucking place, musically.

Ulf: Difficult to say to be honest, but when we started out I drew inspiration from such bands as Cock and ball torture, Last days of humanity and old Napalm Death just to mention a few. Other than that I listen to a rather wide selection of different genres and it has more or less always been that way for me. Growing up I would listen to my older siblings mixtapes containing mostly 80’s synth, pop, rock and metal. Later on my interest in more extreme, musical expressions grew quite strong which would result in me joining a band called Stabwound back in 2001-2002. I’ve always had a huge interest in underground death metal, grindcore, goregrind, black metal etc. and that passion will remain until the day I die. It is in this rather dubious scene that I’ve gotten in touch with people that I would go as far as to call family still to this day.

12.What are some of your non musical interests?

Brady: The "non-musical" part is hard for me. It seems like I go to a few shows every month and always have a stack of records to listen to. But I write a lot of poetry and some short stories in my off time as they come to me. I try to hang out with friend when I can at house parties and shows. When I'm bored in work meetings I draw these really odd, stream-of-consciousness characters on small slips of paper. I try to make it out to visit my Dad and fish a bit with him and catch up with family. I'm trying to broaden my horizons in the kitchen. I've managed to make a few good meals thus far. That and trying to get in the gym more frequently. Essentially I'm just trying to fill my life more or less. Break away from an isolative mentality.

Ulf: Apart from working during the weeks I’ve read quite a bit. It’s mostly horror literature, but also psychology, history, mythology and religion. I’m not much of a ”city person” so I prefer spending my time on the countryside which is the kind of environment where I grew up. I’ve always preferred my own company to that of others so most of my interests are ones where you don’t necessarily have to have other people around to enjoy them.

13.Before we wrap up this interview, do you have any final words or thoughts?

Brady: Thanks for your interest in conducting this interview. It's really appreciated! Be kind to each other. Choose to do better. Don't give up. Stay away from the social media validation circuit. Don't stop expanding your perspective. Mean the shit you say and do. I'm done preaching. Peace!

Ulf: Thanks for this opportunity and keep supporting the underground. DIY for life.

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