Thursday, May 9, 2019

Vingulmork/Avgrunn/Crime Records/2019 EP Review


  Vingulmork  are  a  band  from  Norway  that  has  been  featured  before  in  this  zine  and  plays  a  blackened  form  of  thrash  metal  and  this  is  a  review  of  their  2019  ep  "Avgrunn"  which  will  be  released  in  June  by  Crime  Records.

  Dark  soundscapes  and  acoustic  guitars  start  off  the  ep  before  going  into  a  heavier  musical  direction  which  also  introduces  black  emtal  screams  onto  the  recording.  The  solos  and  leads  also  use  a  great  amount  of  melody  while  the  faster  sections  of  the  music  also  utilize  tremolo  picking  and  blast  beats.

  Death  metal  growls  are  also  added  into  some  parts  of  the  music  along  with  the  riffs  also  utilizing  a  good  amount  of  melody.  Throughout  the  recording  you  can  also  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  while  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.

  The  riffs  also  mix  in  a  great  amount  of  thrash  elements  as  well  as  the  music  also  getting  very  brutal sounding  at  times  along  with  the  music  also  adding  in  a  good  mixture  of  both  modern  and  old  school  influences.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  a  mixture  of  Norwegian  and  English  and  cover  dark  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Vingulmork  and  if  you  are  a  fan  of  blackened  thrash  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Eternally  Swallow,  Eternally  Keep"  and  "Doderlein".  8  out  of  10.

https://youtu.be/rXMQH2X-R48   

Wednesday, May 8, 2019

Khanus/Flammarion/I, Voidhanger Records/2018 CD Review


  Khanus  are  a  band  from  Finland  that  plays  a  shamanistic  mixture  of  black  and  death  metal  with  some  psychedelic  and  avant  garde  elements  and  this  is  a  review  of  their  2018  album  "Flammarion"  which  was  released  by  I,  Voidhanger  Records.

  The  album  begins  with  a  cover  of  Darkthrone's  "The  Serpent's  harvest"  which  starts  out  with  melodic  chanting  and  throat singing  and  percussion's  which  also  gives  the  music  more  of  a  ritualistic  feeling  before  going  into  a  heavier  musical  direction  while  some  of  the  tracks are  long  and  epic  in  length.

  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  while  clean  female  and  male  vocals  can  also  be  heard  briefly.  The  riffs  also  add  in  a  decent  amount   of  melody  along  with  the  faster  sections  of  the  music  also  using  a  lot  of  blast  beats  and  all  of  the  musical  instruments  sound  very  powerful.

  Throughout  the  recording  you  can  also  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  music  also  getting  very  avant  garde  sounding  at  times.  When  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  melodic  style  as  well  as  the  music  getting  very  shamanistic  sounding  at  times  and  as  the  album  progresses  psychedelic  elements  are  also  added  onto  the  recording.  The  production  sounds  very  professional  while  the  lyrics  cover  Shamanism,  Finnish  Paganism,  Folklore  and  Magick  themes.

  In  my  opinion  Khanus  are  a  very  great  sounding  shamanistic  mixture  of  black  and  death  metal  with  some  psychedelic  and  avant garde  elements  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "A  Timeless  Sacred  Art"  "The  Uncreated"  and  "Magick  And  Numbers".  8  out  of  10.

https://khanus.bandcamp.com
https://www.youtube.com/channel/UCP1sRJyg5eZt21cB5aiSyxw
https://www.facebook.com/khanusband

    

Tuesday, May 7, 2019

Dehumanized Deity Interview

1.For those that have never heard of you before, can you tell us a little bit about the musical project?

I have always had an intense passion for music and connected with it on a deeply spiritual and emotional level for as long as I can remember. The minute I discovered heavy metal I knew this was the music that spoke to my soul and I knew I wanted to create my own version of it. It took many years for that to finally happen, but after hearing of other artists like Burzum and Panopticon who wrote and played everything themselves I realized it was possible and so I taught myself drums and vocals and went for it.

2. Recentlly you have released a new album, musically how does it differ from the stuff you have released in the past?

I try to never make the same album twice. My sound is rooted in death metal and black metal but I have tried to experiment with different sounds and styles within each album to expand my range further and further. I think I took all of those different elements from before and added in more melody and atmosphere to suit the tone and feel of the album.

3.What are some of the lyrical topics and subjects you have explored over the years with your music?

When I first started writing music for Dehumanized Deity it was more horror-based storytelling and dealing with the darkness of human nature and the inevitable corruption and collapse of civilized society. I realized with my third album “Cemetery Souls” that expressing the darkness within myself and writing about the tragedies and pain of real life was something much better suited to what I was trying to accomplish with my music. My lyrics are all very personal now, based on life experiences and my interpretation of what life truly is.

4.What is the meaning and inspiration behind the name 'Dehumanized Deity'?

When I had first started writing songs for this project a friend and I were tossing around names trying to come up with something that sounded good and worked with what I wanted to represent. He just threw the name “Dehumanized Deity” out there and I instantly loved it. I feel it represents the power and potential of my true self being held back or constrained by the pressures and daily methodical routines of our existence. We are gods in waiting who are being treated as less than we are by the world and it is destroying our inner strength and abilities little by little.

5.Can you tell us a little bit more about the artwork that is presented on he new album cover?

Aside from my band logo, which was designed by an artist, the entire album cover was put together from scratch by myself and my fiancé Brittni Waugh. We actually took a midnight stroll down to the local graveyard and I took pictures of headstones I thought looked interesting. The swing set behind them is from a park that is very close to my house. The cover is a representation of the main driving theme behind this album, that everything has a beginning and an end. The faster we adjust to those cycles and to great changes in our lives and learn to make the best of every new situation, the easier life will be to accept and understand. The swing set is our childhood and the headstones are our death. The cycle of life and death is closer to us than we realize.

6.With this project you record everything by yourself, are you open to working with other musicians or do you prefer to work solo?

Honestly I prefer to work solo. It is much easier for me. I can work according to my own time schedule, I can flesh out any ideas that I want without any pushback, I get to plan and execute the concept from beginning to end and create art that is 100% my vision and take it wherever I feel like taking it. People can be unreliable and difficult to work with. I work long hours on music and I would demand at least that much from anyone else. I think Dehumanized Deity will always remain a solo project.

7.The new album was released on 'DarkNorth Records', can you tell us a little bit more about this label?

DarkNorth Records was formed and founded by me and my fiancé. I wanted to help build a community of passionate and talented artists and give them some extra promotion and exposure and use my contacts and experience to help them in any way I can. We have 8 bands (including mine) on the roster currently and a few more under review as possible members. Brittni handles the majority of the record label business and she is very good at it. I chip in as much as I can but I am also very focused on growing my project into something great and that takes up a lot of my time and energy.

8.On a worldwide level how has the reaction been to your music by fans of black and death metal?

It has been extremely positive for the most part, and I am very grateful for all the support I get from the underground metal community. I really truly appreciate it more than I can possibly say. There are people who think it’s complete shit because it sounds like it was recorded in a bedroom (it WAS by the

8.On a worldwide level how has the reaction been to your music by fans of black and death metal?

It has been extremely positive for the most part, and I am very grateful for all the support I get from the underground metal community. I really truly appreciate it more than I can possibly say. There are people who think it’s complete shit because it sounds like it was recorded in a bedroom (it WAS by the way) but that’s ok. I welcome any and all feedback positive or negative. I am just glad people take the time to listen. As long as I am satisfied with the music I put out then that is absolutely all that matters to me.

9.Where do you see yourself heading into as a musician in the future?

It is my goal and my life’s mission as a musician to release music that is truly GREAT. When all this is over I want to be remembered as an artist who made great albums and pushed the boundaries of music and built something entirely unique. I want to be a gamechanger , I want to write music that is one day viewed as essential and influential. I have said this since day one and it is a big part of what drives me forward. I believe I have the potential to accomplish great things and I plan to do just that.

10.What are some of the bands or musical styles that have had an influence on your music and also what are yuo listening to nowadays?

Anything across the spectrum of metal from Judas Priest and Black Sabbath to Slayer and Pantera as well as bands like Dismember, Death, Opeth, Dissection, Mastodon, Agalloch, Enslaved, Celtic Frost and Triptykon, Bathory, At the Gates, Decapitated, Burzum, Darkthrone, Baroness...the list goes on and on. Lately I have been really digging deeper into modern doom like Yob and Pallbearer, some of the modern progressive death metal like Rivers of Nihil’s latest record, Beyond Creation, Allegaeon, stuff like that. I absolutely loved Anaal Nathrakh’s album “The Whole of the Law”, it’s so evil and miserable and depraved. And Agalloch is a constant source of inspiration to me, they have been in constant rotation in my CD player for years now.

11.What are some of your non musical interests?

I’m a big fan of hockey, and a big fan of greasy food and kicking back with a cold beer at the end of the day. And I would also list sex as one of my main hobbies and interests. It’s a great form of exercise and dramatically improves mental and emotional health. Can’t say enough good things about it.

12.Before we wrap up this interview, do you have any final words or thoughts?

Just want to thank you for the review and for this interview and a chance to put my music out there to be enjoyed, hopefully. And I will say that writing this album opened up the doors of creativity for me. I am already writing new music and will try not to have any more two year waits for new releases. Thanks again!

Bandcamp
Facebook

Ovaryrot Interview

1.Can you give us an update on what has been going on with the band since the recording and release of the new album?

Brady: Well, we're currently focused on getting the physical release of "Non-Flesh Scarring" promoted and spreading that release in general. I think that's the longest sum of time we've devoted to a project yet,  and we're just trying to get it to the ears that want to hear it. But we're also discussing and working on something new when we have the time to do so. Something that's coming a lot sooner than one would probably anticipate.

2.Recently you have released a new album, musically how does it differ from the stuff you have released in the past?

Brady: We started as a straight forward Goregrind band and we've sort of grown to incorporate elements of death metal, grindcore, black metal, powerviolence, sludge, noise, ambient music, and the list is only going to expand. Ulf and I both enjoy seeing what we can do to further push the envelope, musically. I think "Non-Flesh Scarring" is a lot more focused and a lot more open to experimentation than we have been in the past. It's been a while since we as a band put out anything at all, and that was largely due to some rather shitty situations occurring in our personal lives. Jon left the band during that time and went on to do great things with Ulf with Miscarriage. But when it comes to Ovaryrot, Ulf and I felt like in many ways that this is a sort of "fresh start" or "clean slate" seeing to it that we had been sort of inactive for quite some time, and with that I think we really just allowed ourselves to do whatever the hell we wanted with this album, so long as it grinds.

3.What are some of the lyrical topics and subjects the band explores with the newer music?

Brady: Overall, I think with the themes on this release we drew inspiration from this current chapter of our lives. Though I wrote the lyrics, they were inspired by many conversations Ulf and I have had in regards to how our lives have changed. How in time, our experiences leave these wounds in us that cut deeply and sort of splinter into other areas of our lives, but also with these scars, we have no choice but to continue to push forward, despite how difficult, confusing, and isolating that process may be and despite how the world around us changes. We touched on quite a bit, from narcissistic sexual and chemical indulgences, herd mentality and its affect on social morale and history in general, aging and watching social circles deteriorate, isolation and depression, living with a passionless forty hour a week job, this movement of further encouraging social divide by laying claim to a label, side, or team within political, economic, and social circles. Self reflection and that choice between allowing yourself to drown as you are or to attempt to reach the shore and alter your approach to life. That and a few more things that may have crept in there.

4.What is the meaning and inspiration behind the name 'Ovaryrot'?

Brady: Ulf is the man to ask this question to. Ulf thought of it years before we ever knew each other. As a matter of fact I think I was about four years old at the time he told me he came up with the name. Initially I took it as a literal meaning, as in an ovary rotting. But these days I kind of like to look at it with a bit more symbolism. Ovaries being these organs that sort of symbolize the starting point of life, only subjected to rot. The decay of that which brings life.

Ulf: I believe I came up with the name when I was 16-18 years old. At the time I was heavily into brutal death metal (and I still am) that had lyrics and themes that focused on gore, violence etc. There was no other intention behind the name at that time other than the fact that it was something vile and disgusting along with the fact that it was a name that was easy to remember. The name wasn’t put to use until several years later when I got in touch with Brady via Myspace. When I look at the name roughly 20 years later I can actually see some sort of odd semi-deep symbolism in the name itself.

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

Brady: We wanted to do something different and reflective of the music. Gore art is cool, but we just wanted to branch away from that. We both enjoy an odd collage, and I think that what you see is a nice compliment to the music. This explosion of confusing chaos that you're just in the middle of. I think if you dig a little deeper, you can draw some interesting conclusions from what we have shown, but ultimately, as far as my own personal contributions to the art itself, it's kind of a stream of consciousness piece based on the album itself.

Ulf: Being that our lyrics do not cover the same topics any longer, it felt like a natural step to go ahead and do something that was very different from our previous artworks. We sat down and went through the different topics that Brady covered on this album until we had everything lined up. After that we started to explore the different topics on a deeper level to see what we could conjure up visually. It ended being a collaborative effort in that we both contributed with our own personal takes on the topics which we cover on the full-length. I am very please with the final result and I feel that it goes together quite well with the music.

6.The band members live in both Sweden and the United States, what kind of impact does this have on the musical style that you play?

Brady: I think it's got a lot of benefits to it, honestly. We're both on opposing sides of the globe, and although the internet has become an incredible source of exposure when it comes to seeking out new music, I think that Ulf and I both have our own unique histories and influences to share with each other and pull inspiration from. Literally, we have some days where we just sit for hours and share youtube links of bands neither of us have heard of. It's pretty amazing. I still don't understand how exactly we click so well when it comes to writing, but I guess that expression of music being a universal language really rings true in our case.
Ulf: I’ve been in a couple of bands in the past where I’ve been able to meet the people I’ve been playing with as well as perform live, but over the years I grew tired of it. Sure, playing in an ”online band” might come across as strange, challenging and not ”authentic enough”, but I think that we’ve managed to find a way to make it work considering that we’ve been around for over a decade. Back when we first started out I don’t think that there were that many bands that were ”online-based” and back then it was usually frowned upon. It does seem, however (especially if you’re looking at the brutal death metal and goregrind scene), as if it’s a bit more common these days.

7.The physical version of the album is coming out on 'Organic Divide Records'. can you tell us a little bit more about this label?

Brady: That's the label we started as a means of putting out our own music. Ulf and I both are major proponents of the DIY attitude when it comes to creating and life in general, and it just made sense. Saved us the countless emails sent to labels that go unnoticed or unread. Especially now that the internet has opened the door for bands to reach out to pressing plants and offered platforms for artists to pitch their own music to the world. There's no reason not to record an album, post it, and potentially find a way to release it. Especially with the advancements technology has given us by way of home recording. I mean you can record an album on a fucking smart phone, post it to bandcamp, youtube,  etc. and place an order for a tape release. It's nuts. Being an artist of any kind is no longer a pipe dream.

8.On a worldwide level how has the reaction been to your music by fans of underground metal?

Brady: We're still a pretty underground and relatively unknown entity in the grind/death metal scene, but with this album we've had the privilege to be promoted by some great webzines and youtube channels, such as J. Morris The Review Guy, The Slaughterhouse, Goregrinder, Cadaver Garden, just to name a few that's turned some people onto us which is pretty surreal to me. In being an international band, we've also had the privilege of meeting and interacting with people from all over the globe within the scene. I mean we recently put the CDs for "Non-Flesh Scarring" up for order on our bandcamp page, and the very first order came in from a fellow in Belgium. I've never been to Belgium, and at this point in my life I don't foresee myself going there at any point, but that guy knows of and wants to support an album Ulf and I have created. It's quite surreal to say the least and I'm very thankful for everyone who's supported what Ulf and I do. I also think metal in general kind of lends itself to celebrating cultural diversity more so than other genres of music have for whatever reason. I mean when a band like Wormrot comes through and decides to tour the U.S., or At The Gates, Rotten Sound, or fucking Dir En Grey, it's a pretty big deal here and I get stoked. I guess perhaps aggression in music is an expression that runs very deep, and thankfully so.

Ulf: I’ll be honest and say that not many people have really paid all that much attention to us over the years. When we first started off as a goregrind oriented band we were still posting songs on Myspace. There was an Italian label called Human Discount (if you’re reading this, Marco: you’re the man), that took notice of us and we had a good thing going with that label as it resulted in them putting out a handful of releases for us. As Myspace started dying off, people started to migrate to Facebook and we were no different, but I do feel that that is when things started to go downhill in regards of our ability to reach out to people in general. Facebook (in my opinion) is and never will be as good as Myspace was back in then day when it comes for bands to connect with their listener. It might be me looking through nostalgic goggles, but things did felt more ”personal” on that platform. At the end of the day our music is quite experimental and people who do not venture outside of their comfort zone will more than likely not enjoy it. However, I am perfectly fine with that.

9.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?

Brady: This should shape up to be a pretty big year for us both. As I mentioned, Ovaryrot has a new thing in the works. Don't want to spoil anything just yet. We're also discussing future releases for our Doom/Sludge project, Killed In Public, as well as a post-punk project with a friend at some point later in the year. We also may dust off our spacey doom project, Voiderlust, if time permits. As for myself, I'm currently recording and working out songs for a lengthy solo project. Something along the lines of a singer/songwriter project. Some of these songs I've been sitting on for a while now. I'm just sort of piecing that together as I go. The same goes for this experimental electronic project I have, Isolated Pisces. I'd like to give rap, pop and R&B a go with that one. I think that's it for me. Creativity has been flowing lately.

Ulf: Apart from new stuff with Ovaryrot, Killed in public as well as Voiderlust, I’ve been working on new material for Miscarriage as well as some other projects that will have releases coming out this year. There is always something going on which is what I prefer. I believe that the both of us always have had an urge to express ourselves creatively.

10.Where do you see the band heading into musically during the future?

Brady: We've literally talked about infusing pop music with deathgrind at some point. But we've had some great conversations in regards to folk, industrial, and more ambient styles of music. But regardless, nothing is set in stone except for the fact that we WILL do something in time. I'm just as curious as anyone else, honestly.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Brady: I tend to get inspired by whatever I'm listening to in some way. For more of the apparent metal bands that I've loved, I really dig Circle Of Dead Children, Full Of Hell, Blight Worms, Tomb Mold, Primitive Man, etc., but also I've been into stuff like Ariel Pink, Pensees Nocturnes, Slowdive. The Cure. Death Grips, Health, Leonard Cohen, Neil Young, too many to list really, but King Diamond seems to be played over my car stereo at least once a week. I've currently been in a listening phase that's pretty odd. I've been bouncing back and forth between this really raw, heavy, and dissonant music like Hissing and Gnaw Their Tomgues to more dreampop and shoegazing stuff like Ariel Pink or the German band Malory, or the demos of the band Pastel Blue. But I mean I'm all over the fucking place, musically.

Ulf: Difficult to say to be honest, but when we started out I drew inspiration from such bands as Cock and ball torture, Last days of humanity and old Napalm Death just to mention a few. Other than that I listen to a rather wide selection of different genres and it has more or less always been that way for me. Growing up I would listen to my older siblings mixtapes containing mostly 80’s synth, pop, rock and metal. Later on my interest in more extreme, musical expressions grew quite strong which would result in me joining a band called Stabwound back in 2001-2002. I’ve always had a huge interest in underground death metal, grindcore, goregrind, black metal etc. and that passion will remain until the day I die. It is in this rather dubious scene that I’ve gotten in touch with people that I would go as far as to call family still to this day.

12.What are some of your non musical interests?

Brady: The "non-musical" part is hard for me. It seems like I go to a few shows every month and always have a stack of records to listen to. But I write a lot of poetry and some short stories in my off time as they come to me. I try to hang out with friend when I can at house parties and shows. When I'm bored in work meetings I draw these really odd, stream-of-consciousness characters on small slips of paper. I try to make it out to visit my Dad and fish a bit with him and catch up with family. I'm trying to broaden my horizons in the kitchen. I've managed to make a few good meals thus far. That and trying to get in the gym more frequently. Essentially I'm just trying to fill my life more or less. Break away from an isolative mentality.

Ulf: Apart from working during the weeks I’ve read quite a bit. It’s mostly horror literature, but also psychology, history, mythology and religion. I’m not much of a ”city person” so I prefer spending my time on the countryside which is the kind of environment where I grew up. I’ve always preferred my own company to that of others so most of my interests are ones where you don’t necessarily have to have other people around to enjoy them.

13.Before we wrap up this interview, do you have any final words or thoughts?

Brady: Thanks for your interest in conducting this interview. It's really appreciated! Be kind to each other. Choose to do better. Don't give up. Stay away from the social media validation circuit. Don't stop expanding your perspective. Mean the shit you say and do. I'm done preaching. Peace!

Ulf: Thanks for this opportunity and keep supporting the underground. DIY for life.

Bandcamp
Facebook
MySpace

Monday, May 6, 2019

Hexenebrett/Erste Beschworung/Caligari Records/2019 Cassette Review


  Hexenbrett  are  a  band  from  Germany  that  plays  a  mixture  of  black,  doom  and  heavy  metal  with  some  elements  of  death  rock  and  this  is  a  review  of  their  2018  ep  "Erste  Beschworung"  which  will  be  re-issued  on  cassette  on  May  31st  by  Caligari  Records.

  Gothic  horror  movie  style  keyboards  start  off  the  ep  before  going  into  a  heavier  direction  which  shows  some  influences  of  traditional  metal  and  NWOBHM.  The  slower  sections  of  the  songs  are  also  very  heavily  rooted  in  doom  metal  while  the  vocals  are  mostly  first  wave  black  metal  style  screams.

  Elements  of  death  rock  can  also  be  heard  in  some  parts  of  the  music  while  blast  beats  can  also b e  heard  when  the  music  somewhat  speeds  up.  At  times  the  riffs  also  add  in  some  dark  sounding  melodies  along  with  the  solos  and  leads  being  done  in  a  very  melodic  and  old  school  style.

  All  of  the  musical  instruments  have  a  very  powerful  sound  to them  and  while  the  music  is  very  heavily  rooted  in  the  80's  it  still  captures  a  modern  day  atmosphere.  Whispered  vocals  can  also  be  heard  in  certain  sections  of  the  recording  along  with  the  songs  also  bringing  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  and  as  the  ep  progresses  a  brief  use  of  spoken  word  parts  can  be  heard  and  some  of t he  faster  riffing  also uses  a  small  amount  of  tremolo  picking.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  are  written  in  German  and  cover  occultism  and  horror  themes.

  In  my  opinion  Hexenbrett  are  a  very  great  sounding  mixture  of  black,  doom  and  heavy  metal  with  some  elements  of  death  rock  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Hexen  (Bis  Aufs  Blut  Gequalt)'  and  "Farben  der  Nacht".  8  out  of  10.

http://caligarirecords.bandcamp.com/album/erste-beschw-rung     

Sunday, May 5, 2019

Dehumanized Deity/Everything Ends/DarkNorth Records/2019 Full Length Review


  Dehumanized  Deity  are  a  solo  project  from Tabor,  Alberta,  Canada  that  plays  old  school blackened  death  metal  and  this  is  a  review  of  his  2019  album  "Everything  Ends"  which  was  released  by  DarkNorth  Records.

  A  very  dark  and  heavy  sound  starts  off  the  ep  while  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  while  grim  black  metal  screams  can  also  be  heard  in  some  parts  of  the  music along  with  the  vocals  also  adding  in  a  great  amount  of  death  metal  growls  and  the  riffs  also  add  melodies  into  some  parts  of  the  recording.

  Influences  of  thrash  can  also  be  heard  in  some  of  the  guitar  riffing  while  the  music  also  adds  in  a  good  amount  of  90's  influences. A  small  amount  of  melody  can  also  be  heard  in  some  parts  of  the  songs  and  when  the  music  speeds  up  blast  beats  are  also  utilized  and  some  more modern  influences  are  also  added  onto  the  recording  as  the  album  progresses.

  Some  of  the  riffing  also  utilizes  tremolo  picking  which  also  expands  the  black  metal  influence  that  is  presented  on  the  recording.  All  of  the  music  sticks  to  a  heavy  musical  direction  and  the  closing  track  is  very  long  and  epic  in  length.  The  production  sounds  very  old  school  while  the  lyrics  cover  life  themes.

  In  my  opinion  Dehumanized  Deity  are  a  very  great  sounding  old  school  blackened  death  metal  solos  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Damned  To  Existence"  "When  the  Last  Light  Is  Gone"  "Blood  On  My  Hands"  and  "The  End  Of  Everything".  8  out  of  10.

https://dehumanizeddeity.bandcamp.com/album/everything-ends-2      

Lvcifyre/Sacrament/Dark Descent Records/2019 EP Review


  Lvcifyre  are  a  band  from  the  United  Kingdom  that  plays  a  blackened  form  of  death  metal  and  this  is  a  review  of  their  2019  ep  "Sacrament"  which  will  be  released  on  May  24th  by  Dark  Descent  Records.

  Ritualistic  chants  and  soundscapes  start  off  the  ep  before  going  into  a  heavier  direction  which  also  uses  a  great  amount  of  brutal  sounding  blast  beats.  Vocals  bring  in  a  mixture  of  death  metal  growls  and  black  metal  screams  while  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.

  Tremolo  picking  can  be  heard  during  the  faster  sections  of  the  songs  while  the  first  track  are very  long  and  epic  in  length.  When  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  chaotic  style  along  with  the  songs  also  adding  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts,  a  small  amount  of  dark  sounding  melodies  can  also  be  heard  in  some  of  the  guitar  riffing and  they  close  the  ep  with  a  cover  of  Kat's  "Morderca".

  On  this  recording  Lvcifyre  expands  on  the  black  metal  elements  that  have  always  been  presented  in  their  dark  style  of  death  metal.  The  production  sounds  very  professional  while  the  lyrics  cover  Satanism,  Chaos,  Depths,  Darkness  and  Death  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Lvcifyre  and  if  you  are  a  fan  of  blackened  death  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "The  Greater  Curse"  and  "Sacrament".  8  out  of  10.

https://www.youtube.com/watch?v=pyNgxfLcKlU