Sunday, January 7, 2024

Ignis Absconditus/Golden Horses of A Dying Future/My Kingdom Music/2024 Full Length Review

 


  Ignis  Absconditus  are  a  band  from  Italy  that  plays  a  mixture  of  post  black, dark,  gothic  metal,  avant  garde,  darkwave,  post  punk  and  neo-folk  and  this  is  a  review  of  their  2024  album  "Golden  Horses  Of  A  Dying  Future"  which  will  be  released  in  February  by  My  Kingdom  Music.


  A  very  gothic  rock  and  darkwave  orientated  sound  starts  off  the  album  while  clear  female  and  male  vocals  are  also  a  very  huge  part  of  the  recording.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  along  with  the  riffs  also  adding  in  a  lot  of  melody  and  the  songs  also  add  in  a  lot  of  clean  sections. 


  At  times  the  music  also  gets  very  avant  garde  sounding  while  the  heavier  sections  of  the  songs  also  bring  in  elements  of  black  and  dark  metal.  Evil  sounding  whispers  can  also  be  heard  briefly  along  with  a  lot  of  the  album  also  adding  in  touches  of  post  rock  and  neo-folk  and  the  whole  recording  sticks  to  either  a  slow  or  mid  tempo  direction.


  Ignis  Absconditus  plays  a  musical  style  that  takes  post  black, dark,  gothic  metal,  avanr  garde,  darkwave,  post  punk  and  neo -folk  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  and  melancholy  themes.


  In  my  opinion  Ignis  Absconditus  are  a  very  great  sounding  mixture  of   post  black, dark,  gothic  metal,  avanr  garde,  darkwave,  post  punk  and  neo -folk  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Shadows"  "Lucid  Madness"  "Weight  Of  Knowledge"  and  "Chasm  of  Defeat".  8  out  of  10.


  http://facebook.com/ignisabsconditus       

Thursday, January 4, 2024

In A Forest Dark Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the solo project?

My name is Mário, and before venturing into this project, I was the vocalist for the band Eternal Mourning, with which I released several albums in the early 2000s. The concept for the project IN A FOREST DARK originated in September/October 2022. Just a few months prior, I had made the decision to try my hand at composing some music, and things progressed quite rapidly. That's when I decided to create something more structured and embark on a solo project.

 

2.In June you had released your first full length, can you tell us a little bit more about the musical style that is presented on the recording?

The musical style presented on the recording is a journey through diverse musical universes. Within the realm of metal, you can find elements of doom, black metal, and a touch of gothic influence. Additionally, I believe listeners may discern echoes of darkwave, dark music, and atmospheric music. The album explores a fusion of these genres, creating a rich and immersive musical experience.

 

3.A lot of your lyrics are inspired by the writings of 'Kazuo Ishgro', can you tell us a little bit more about your interest in his writings?

My interest in the writings of Kazuo Ishiguro is a result of his profound themes and captivating narratives. Ishiguro possesses a unique ability to delve into the depths of human emotions and explore the complexities of identity. His keen exploration of the human condition, addressing the doubts and fears of the soul like few others, aligns with the essence of my project. His writings serve as a perfect inspiration for the thematic direction I aim to pursue in this musical endeavor.

 

4.What is the meaning and inspiration behind 'In A Forest Dark'?

The name 'In A Forest Dark' is inspired by Dante Alighieri's 'Inferno.' This project reflects my exploration of existentialist ideas, delving into the depths of individual existence, freedom, and choice. It's also a tool for me to express my creativity on different levels, allowing me to connect with a more genuine part of myself and navigate my artistic journey.

 

5.Can you tell us a little bit more about the artwork that is presented on the new album cover?

The artwork featured on the album cover consists of the project's initials, intricately crafted onto a coin. This coin, bearing the project's emblem, serves as a symbolic offering to Kharon, for safe passage across the river Styx.

 

6.With this project you record everything by yourself but have experience playing in another band, do you prefer to work solo?

The solo approach provides a different kind of creative freedom, allowing me to explore and express my artistic vision without any constraints. While I value the collaborative experience of being in a band, the autonomy of working solo offers a unique and fulfilling creative process that I appreciate.

 

7.The new album was released on 'WormHoleDeath Records', how did you get in contact with this label?

The collaboration with WormHoleDeath Records came about through an incidental connection. After completing the recording of the “Buried Giant” album, I reached out to a few labels to explore potential partnerships. WormHoleDeath Records showed interest in the project, and we engaged in discussions that eventually led to a collaboration.

 

8.On a worldwide level how has the reaction been to your music by fans of black, doom and gothic metal?

The global response to my music has been very positive. Fans of black, doom, and gothic metal have warmly embraced the project, acknowledging its nuanced nature. I'm aware that the music of this project demands a certain level of attention; it's not something you casually listen to while doing household tasks. The intricate layers and thematic depth require a focused and immersive experience. The fact that listeners are engaging with the music on a deeper level is immensely rewarding, and I appreciate the understanding and support from fans across the diverse realms of black, doom, and gothic metal.

 

9.Where do you see yourself heading into as a musician during the future?

As a musician, I envision a continued journey of exploration and evolution. Explore creativity is the most important aspect for myself. I can say that the next album is reaching completion, and I see it as a significant improvement on all fronts. My goal is to create immersive and thought-provoking music that resonates with listeners on a profound level. I look forward to unveiling this new chapter, confident that it will showcase a heightened level of artistry and offer an even more compelling exploration of the themes and sounds that define 'In A Forest Dark.

 

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

My musical influences are diverse. It is hard to pinpoint something that is definite, the tide that guides the waters of creativity. Nevertheless, I would say that artists such as Paradise Lost, My Dying Bride, Tiamat, Dead Can Dance, Emperor, Dissection, or Watain have had a significant influence on my musical creations. Regarding what I’m listening to these days, the last album of Kampfar and also the last album of Sylvaine have been on my player for a few months now.

 

11.What are some of your non musical interests?

Beyond my musical pursuits, I'm deeply passionate about various non-musical activities. I find solace and inspiration in oil painting and creating digital images, expressing my creativity visually. Reading is another love of mine, crossing both fiction and science books. Additionally, I enjoy relaxing with compelling TV series, finding inspiration and relaxation in the diverse narratives they offer.

 

12.Before we wrap up this interview, do you have any final words or thoughts? 

I want to express my gratitude for the opportunity to share more about my project. I appreciate the interest shown. It's a privilege to have the chance to discuss my music and influences. I hope this conversation has provided a deeper insight into 'In A Forest Dark.' Thank you for the opportunity and for the support of my work.


www.facebook.com/inaforestdark
www.instagram.com/in.a.forest.dark
inaforestdark.bandcamp.com
www.youtube.com/@inaforestdark

".


Tuesday, January 2, 2024

Saasta Interview

 


1.For those that have never heard of you before, can you tell us a little bit about the band?



-Jokipii: Saasta started as a jamming duo including drummer Jimi Lahtinen and me, guitarist Topias Jokipii. It soon became clear that those jam riffs were worthy of founding a real band around them. It was a no-brainer for me to decide who to ask for the bassist's job. Janne Hietanen was the obvious choice as we had a history in a common band and I knew the potential Hietanen had to offer. I started as a vocalist-guitarist in the band, but soon after the debut album was released, I wanted to be able to fully concentrate on playing the guitar. Via a finnish music sites “wanted” forum, Leevi Kärsämä was found and showed up at rehearsal soon after. He blew the other guys socks off with his vocals and the seat was his.


Saasta exists to offer their listener a pathway out of real life’s problems and all the shit that comes with it. Letting people channel their aggressions in our music and performance is a better option to some events that can be read in the newspapers.



2.So far you have released a full length and an ep, musically how do they both differ from each other?



-Jokipii: The basics of the music remain the same on the EP. Black, Death and Doom can still be heard on the record (as the title might suggest, hehe). However, the compositional work and the musicians' performance is quite a lot more mature and polished. The full-length was in a way a record where the band was still finding their direction. Taking a listen to both of these productions might explain better what I mean.



3.Most of the band members play in other bands, what is it that you bring into the music of 'Saasta that you have not been able to do with your other groups?



-Jokipii: Saasta is the first band I’m solely playing the guitar in. Saasta is also the first band where I have had the main responsibility of writing. This is personally a big thing for me, as it lets me explore my imaginations capability more deeply.


-Hietanen: There is only one guitar in the band so there is plenty of room for me to play the bass, it means that I can play in a way that is natural to me, which I enjoy and (I think that) the joy of playing brings something to the music of Saasta.


-Kärsämä: Saasta for me is the band that raised me up as a vocalist, Topias, Jimi and Janne took me under their wings and trained me to be the voice of impurity!


Soulwound is pure aggression but Saasta lets me bring out the darkness and misery.





4.The band members also have experience working with other styles of metal in other bands and projects, do you feel this makes you approach to extreme metal stand out a lot more?



-Jokipii: Having experience from various fields of metal is definitely a pro, as it widens the range of possibilities in both writing and arranging the songs. Not being restricted into a certain mold is greatly liberating and lets the imagination breathe more. Also listening to all kinds of music makes it easier to steal other’s ideas! (C’mon Black Sabbath did it all already anyway, hehe)


-Hietanen: I'm already an old boomer. I started listening and playing metal music when I was young and genres didn't mean so much back then. There were “posers” and “real heavy metal people”, there was black metal and death metal, but in the music store you found all those records under one genre; Metal. I'm still living in that time, so I don't really have an answer for this question.



5.What are some of the lyrical topics and subjects the band has explored so far with the music?



-Jokipii: Song lyrics are a tough subject. We most definitely give them a lot of thought and want lyrics to have a certain meaning or message to them. Nonsense texts just don’t feel inspirational at all. So far the texts have been a personal garbage dumpster of my head, where all filthy and unpleasant thoughts and experiences have been poured into. Of course there is a lot of added spice to them, otherwise I might be in a mental facility in the blink of an eye. There are a couple songs that are exceptions to this “rule”. For example the song “Black | Death | Doom” is a 100% fictional story of a crazy sorcerer conjuring his great black upon the world. But yeah, mostly the topics are around the wickedness of people and societies, along with the various struggles of an individual. Only thing that was kind of consciously chosen, was not to have themes around religion or satanism or such, as I feel like that field is already covered quite well and I feel difficult to come up with anything interesting. 



6.What is the meaning and inspiration behind the name 'Saasta'?



-Jokipii: In the very beginning when we started jamming with Lahtinen, I had two ideas for a project name; Antic and Saasta (Filth, or Scum in English). Both options arose from the point of naming the band to describe the music as accurately as possible. The latter was finally chosen because it was Finnish, and cooler also hehe. Having a Finnish name for a band that has mostly English lyrics felt like a nice change.



7.Can you tell us a little bit more about the artwork that is presented on the ep cover?



-Jokipii: The artwork for the EP is done by the hands of Pla.q.u.e. The same artist has done artwork for a sludge/death band called “Chestcrush”, which I’m currently the vocalist for, so that’s how I found out about this beast of a man (or woman? He/She/They only wants to be credited by their artist name.


The image itself represents the unbearable self-loathing, resulting in the figure carving their maggoty heart out of their chest. Facelessness is a way of describing the society oppressing an individual to become a faceless, worthless piece of a game, instead of a human being.



8.What are some of the best shows that the band has played so far and also how would you describe your stage performance?



-Jokipii: I would say in a way our debut show at the local Music Bar Haukka was the most meaningful. Watching the recording of that show really made clear what we want to be, and what we want our shows to look like. Comparing that first show to the shows we play now, they differ quite a lot. Feels like we have achieved a point where playing a show feels comfortable, visually I mean. There is also a lot we want to do for our stage performance, including more complex fogs and lighting. Luckily Hietanen is quite a visionary and a handyman when it comes to building stuff like this!


-Kärsämä: I have to say every time we have played at Music Bar Haukka.


It's such a compact space so the energy of the show is so intense!



9.Do you have any touring or show plans for the future?



-Jokipii: We were stupid enough to miss the dates for applying to next year’s festivals. That is absolutely something we want to do in the very near future. On the other hand, the production of the EP and the three music videos took our energy completely for the past fall. As a young band, all possible shows we can get are really valuable to us at this point.



10.On a worldwide level, how has the reaction been to your music by fans of underground metal?



-Jokipii: The feedback has been great, and the physical release of our debut album sold more than we expected. We have also learned that releasing a physical full-length gets a lot more attention than a digital EP release. It’s a little shame that the merchandise around the EP has not sold as hoped, as that would accelerate the production of our next release quite a bit. On the other hand I’m proud of the metal community for still wanting physical full-length albums, instead of the constant flow of singles as they do it in many other genres. I also don’t want to sound like I think we deserve anything more than we get, I’m just so eager to get new music out and that is not cheap these days!



11.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?



-Jokipii: Saattoväki just released a new EP, although the band itself is not active at the moment. Chestcrush will have some exciting news in the near future, but I will leave the details for the mastermind, Evan. I’m also working full steam with my freelance metal vocalist career, to dive even deeper in the metal culture. You can find me by the name “saasta6” in Fiverr ;)



-Hietanen: “Of Spite” is waiting for a burst of creativity. Many song frames have already been put together, but nothing suitable for publication yet.


-Kärsämä: Soulwound is starting to make demos for next album and doing shows whenever possible.






12.Where do you see the band heading into musically during the future?



-Jokipii: More gnarly, more filthy, more violent. This really isn’t the time to hit the brakes.


-Kärsämä: More violent and darker. Like James Hetfield said: “Gimme fuel, gimme fire, gimme that which I desire”



13.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?



-Jokipii: There’s too many influences to mention. Ajattara, Mgla, Dissection, Bolt Thrower etc etc. I think our music is sort of the result of everything I have listened to since I was ten. Personally, these days, I mostly listen to Cocomelon and that sort of bangers, as I am a father of two small kids hehe. Luckily my three year old daughter craves for Hevisaurus every day!


-Hietanen: Six Feet Under, Cannibal Corpse, Terveet Kädet, Blondie, Tchaikovsky, Darude, Sash, Abba and Spice Girls. I've been influenced and empowered by these for years.



-Kärsämä: Oh man! Metallica was, is and always will be the one for me! Lamb of God, Slipknot, Lorna Shore, Behemoth, Ajattara.. too many to list. I also listen to a lot of bands that I have been playing shows with, like Cannibal Accident, TakaLaiton, Blood Red Delusion etc.



14.Before we wrap up this interview, do you have any final words or thoughts?



-Jokipii: “Final words” sounds too final. You WILL hear from us again, that is for sure. Support your local bands, support your local venues and listen to the music you love. And if you find a new band you like, don’t hesitate to spread the word. For a young band, all attention is like fuel and gold.

Thank you for the interview, it was all our pleasure!


-Kärsämä: Let in the impurity!!


https://www.saastaofficial.com/
https://saasta.bandcamp.com/
https://www.youtube.com/@saastaofficial2608

https://www.facebook.com/saastaofficial

https://www.instagram.com/saastaofficial/

I Cooiri del Buio Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the band?

The band was born in 2022 from an idea of Luca (guitarist and main composer) and Fabio, work colleagues. Luca comes from the classic gothic/black of the 90s, while Fabio is very influenced by the doom/stoner of the early 90s. From this basis the project "I Colori del Buio" was born and shortly after Nicola was added as a singer, a big fan of Moonspell . With this lineup the first EP "Wird Tales" was produced, published in November 2023. At present the band is complete after the inclusion of the drummer Fabio who boasts various collaborations at a European level in the black/grind field and the second guitarist Andrea, with trash influences and well-known guitar teacher from Modena.


2.You had an ep that was released in November, can you tell us a little bit more about the musical style that you went for on the recording?

Starting from the songs written by Luca, we tried to insert the influences of Fabio and Nicola into the composition. In fact, it is possible to listen to Sabbath-style riffs typical of stoner/doom with rough sounds and vocal variations from growl to scream to clean coming from gothic/black. Even in the studio we gave a lot of importance to the sounds, trying to use modern plugins and reamping effects without forgetting the classic dark atmospheres of the 90s.


3.A lot of your lyrics cover horror themes, can you tell us a little bit more about your interest in this topic?

The EP is a clear reference to Lovecraftian literature. Weird Tales is the American magazine where H.P. Lovecraft published his stories. It deals with all the dark topics, from the otherworldly, to introspection and various ancestral dimensions. Being readers of Lovecraft, we tried to translate the moods we feel during readings into music.


4.I know that the band name means 'The Colors of the Dark' in Italian, how does this name fit in with the musical style that yo play?

I would use the quote from a well-known film "Life is like a box of chocolates. You never know what you're gonna get" and replace the word life with darkness. This is our style, various influences that converge in multifaceted songs always trying to maintain dark atmospheres.


5.Can you tell us a little bit more about the artwork that is presented on the ep cover?

It is a natural monolith located on the Isle of Skye in Scotland, it was photographed by Luca's wife, a photography enthusiast and graphic designer. The subject appears to be a place of worship in the Norse era.


6.Jas the band done any live shows or open to the idea?

We haven't gone live yet, for the moment we are dedicating ourselves to the production of the album which will be released during 2024. We will certainly take live shows into consideration as soon as the recording of the album is finished.


7.Currently you are unsigned, are you looking for a label or have received any interest?

For the moment we do not have any type of contract. I believe that to propose yourself to a label you need to have a complete album. The EP helped us get feedback from the public. Certainly with an album under our belt we will go looking for a label.


8.On a worldwide level how has the reaction been to your music by fans of black, doom and gothic metal?

The reviews we have received have been very positive. The comments highlighted the dark atmospheres which was precisely our goal. This clearly outlines the band's character for the future too.


9.When can we expect a gull length and also where do you see the band heading into musically during the future?

The full length is scheduled for summer 2024, in February we will start recording in the studio. In principle we will keep the same line as the EP even if songs of longer duration will be included so there will be no shortage of surprises. For the post-album we already have an EP on a dedicated topic (for the moment it's top secret LOL) and we are already working on a second album.


10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

As I said previously, we all come from the metal field but with very different facets. In the band there are those who listen to Slayer and trash in general and those who listen to Katatonia, Hypocrsy or Moonspell. I personally listen to a lot of Dopelord or Electric Wizard. On the album it will certainly be possible to hear this versatility of the band.


11.What are some of your non musical interests?

And here too we can find many differences between us. They range from photography to travel to reading. I personally have been practicing diving and underwater photography for many years.



12.Before we wrap up this interview, do you have any final words or thoughts? 

I hope that our commitment will be repaid not with money but with an audience that is enthusiastic about listening to our songs. In addition to this, I would like to dedicate a thought to the new generations: dedicating oneself consistently to music in any form is the best way to face everyday life.

http://www.youtube.com/@icoloridelbuio

https://icoloridelbuiohorror.bandcamp.com/follow_me

https://on.soundcloud.com/af86T

https://open.spotify.com/intl-it/artist/4Pd7hHwXqXX1gnwZalWI6N

https://www.facebook.com/profile.php?id=61553024271012&locale=it_IT

https://instagram.com/i.colori.del.buio/

Monday, January 1, 2024

Gutted Christ/Hail And Kill/CDN Records/2023 Full Length Review

 


  Gutted  Christ  are  a  band  from  Virginia  that  plays  a  blackened  form  of  death  metal  and  this  is  a  review  of  their  2023  album  "Hail  And  Kill"  which  was  released  by  CDN  Records.


  A  very  ritualistic  sounding  intro  starts  off  the  album  along  with  some  whispers  and  epic  sounding  keyboards  before  going  into  a  very  fast  and  brutal  direction  which  also  utilizes  a  great  amount  of  blast  beats.  Dark  sounding  melodies  are  also  added  into  some  of  the  guitar  riffing  and  the  vocals  are mostly  death  metal  growls  and  a  few  black  metal  screams.


  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  songs  also  add  in a   good  mixture  of  old  school  and  modern  influences.  Horror  movie  samples  can  also  be  heard  in  certain  sections  of  the  album  along  with  a  couple  of  tracks  also  adding  in  session  work  form  embers  of  Serpentshrine  and  Gutted  Alive,  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  when  guitar  solos  and  leads  are  finally  introduced  into  the  music  they  are  also  done  in  a  very  dark  style.


  Gutted  Christ  plays  a  style  of  blackened  death  metal  that  is  very  aggressive  and  brutal  sounding.  The  production  sounds  very  professional  while  the  lyrics  cover  Anti  Christianity,  Death,  Hatred  and  Violence  themes.  


  In  my  opinion  Gutted  Christ  are  a  very  great  sounding  blackened  death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Blasphecross"  "In  The  Coils  Ov  Death"  and  "Spawns  Ov  Perdition".  8  out  of  10.


  https://www.facebook.com/GuttedChrist

https://www.instagram.com/guttedchrist/
https://guttedchrist.bandcamp.com
https://cdnrecords.com/shop/gutted-christ-hail-and-kill/
https://music.apple.com/us/artist/gutted-christ/1350574779


  

Void Blight/Filtheater/Embrace Decay/Malevolent Sound/2023 Split Album Review

 


  This  is  a  review  of  a  split  album  between  U.S.A's  Void  Blight  and  Filtheater  called  "Embrace  Decay"  which  was  released  by  Malevolent  Sound  and  we  will  start  off  the  review  with   Void  Blight  a  band  that  plays  a  blackened  form  of  death  metal.


  Their  side  of  the  split  starts  out  with  a  very  dark  yet  heavy  sound  while  the  riffs  also  get  very  dissonant  sounding  at  times.  When  the  music  speeds  up  a  great  amount  of  brutal  blast beats  can  be  heard  along  with  the  vocals  being  mostly  cavernous  death  metal  growls  and  the  songs  also  add  in  touches  of  black  metal


  All  of  the  musical  instruments  on  their  side  of  the  recording  also  have  a  very  powerful  sound  to  them  along  with  some  elements  of  doom/death  metal  being  added  into  the  slower  sections  of  the  songs  at  times.  The  tracks  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  when  guitar  solos  and  leads  are  utilized  they  are  done  in  a  very  dark  style  and  electronic  sounds  can  also  be  heard  briefly.


  Void  Blight  plays  a  style  of  blackened  death  metal  that  is  very  dissonant  sounding  as  well  as  adding  in  a  touch  of  doom/death  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  darkness,  death,  horror  and  gore  themes.


  In  my  opinion  Void  Blight  are  a  very  great  sounding  dissonant  blackened  death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  their  side  of  the  split.  RECOMMENDED  TRACKS  INCLUDE  "Hellspawns"  and  "Plagues  From  The  Cosmos".


  Next  up  is  Fultheater  a  solo  project  that  plays  an  old  school  form  of  death  metal.


  His  side  of  the  split  starts  out  with  a  very  dark  and  brutal  sound  that  is  very  heavily  rooted  in t he  90's  era.  Blast  beats  are  also  added  into  the  faster  sections  of  the  songs  at  times  while  the  vocals  are  mostly  deep  sounding  death  metal  growls  and  touches  of  doom/death  metal  can  also  be  heard  in  the  slower  sections  of  the  tracks.


  High  pitched  screams  can  also  be  heard  at  times  while  the  faster  sections  of  the  songs  also  add  in a   decent  amount  of  blast  beats.  Dark  sounding  melodies  can  also  be  heard  in  some  of  the  guitar  riffing  along  with  some  tremolo  picking  also  being  added  into  some  of  the  faster  riffing  and  when  guitar  leads  are  finally  utilized  they  also  remain  true  to  an  old  school  style.


  Fultheater  plays  a  style  of  death  metal  that  is  very  heavily  rooted  in  the  early  90's  era.  The  production  sounds  very  old  school  while  the  lyrics  cover  death,  horror  and  darkness  themes.


  In  my  opinion  Filtheater  are  a  very  great  sounding  old  school  death  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  his  side  of  the  split.  RECOMMENDED  TRACKS  INCLUDE  "Arcane  Conjurations"  and  "Glinting  Upheaval".


  In  conclusion  I  feel  this  is  a  very  great  sounding  split  and  I  would  recommend  it  to  all  fans  of  black  and  death  metal.  8  out  of  10.


  

        


    


    

Svartonst/May The Night Fall/Trust No One Recordings/2023 Full Length Review

 


  Svartonst  are  a  solo  project  from  Sweden  that  has  had  music  reviewed  before  in  this  zine  and  plays  a  blackened  form  of  death  metal  and  this  is  a  review  of  his  2023  album  "May  The  Night  Fall"  which  was  released  by  Trust  No  One  Recordings.


  Horror  movie  style  keyboards  start  off  the  album  before  going  into  a  heavier  direction  while  dark  sounding  melodies  are  also  added  into  some  of  the  guitar  riffing.  When  the  music  speeds  up  a  great  amount  of  brutal  sounding  blast  beats  can  also  be  heard  an  the  vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls.


  Tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  dark  yet  chaotic  style  along  with  one  song  also  adding  in  a  brief  use  of acoustic  guitars  before  returning  back  to  a  more  brutal  direction,  clean  playing  is  also  added  on  the  closing  track  which  is  also  an  instrumental.


  On  this  recording  Svartonst  remains  true  to  the  brutal  style  of  blackened  death  metal  that  he  had  established  on  his  previous  releases.  The  production  sounds  very  professional  while  the  lyrics  cover  Death,  Darkness,  Disease,  Satanism  and  Occultism  themes.  


  In  my  opinion  this  is  another  great  sounding  recording  from  Svartonst  and  if  you  are  a  fan  of  blackened  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Breath  Of  Satan"  "Filth  Worship"  and  "May  The  Night  Fall".  8  out  of  10.


  https://www.facebook.com/Svartkonst/