Thursday, June 19, 2014

Fatalism/Mystery Of Death/Eternal Death/2014 Cassette Review

 
  Fatalism  are  a  duo  from  New  England  that  plays  a  musical  style  they  consider  etherial  gloom  and  this  is  a  review  of  their  2014  cassette  "Mystery  Of  Death"  which  was  released  by Eternal  Death.

  A  very  dark  and  old  school  death  rock  style  sound  starts  off  the  album  along  with  some  ritualistic  spoken  word  parts  and after  a  couple  of  minutes  slow  black  metal  style  guitar riffing  is  added  into  the  music  along  with  some  melodic  post  rock  style  guitar  leads  a  few  minutes  later  and  you  can  also  hear  a  good  amount  of  doom  metal  in  the  bands  musical  sound.

  Most  of  the  tracks  are  very  long  and  epic  in  length  and  they  also  bring  in  a  great  amount  of  gothic  rock,  shoegaze  and  dark  ambient  elements  into  their  musical  sound  and  when  keyboards  are  added  into  the  music  they enhance  the  ritualistic  and  occult  atmosphere  that  this  music  invokes  and  they  also  bring  in  a  brief  use  of  fast  riffing  that  almost  gives  the  music  a  raw  black  metal  feeling  before  returning  back  to  a  more  slow  and  etherial  direction.

  Fatalism  create  a  very  ritualistic  and  occult  sound  that  is  hard  to  categorized  and  you  can  hear  traces of  black  metal,  doom,  post  rock,  shoegaze,  ambient,  ritual,  goth  and  death  rock  being  added  into  all  of  the  songs  on  the  cassette,  the  production  sounds  very  raw  and  dark  while  the  lyrics  cover  Occultism,  Darkness  and  Poetic  themes.

  In  my  opinion  Fatalism  are  a  very  great  sounding  etherial  gloom  band  and  if  you  are  looking  for  something  very  original  and  different,  you  should  check  out  this  cassette.  RECOMMENDED  TRACKS  INCLUDE  "Isabelle"  and  "Gloom  Reaper".  8  out  of  10.

https://eternaldeath.bandcamp.com/album/mystery-of-death

Saturday, June 14, 2014

Deathwhite Interview



1.For those that have never heard of you before, can you tell us a little bit about the band?
DW: We formed in early 2012, basically as means to try something new and move away from the more extreme style of metal we had been playing for years. Our beginnings were pretty basic, just a few guys working on songs in front of a computer, actually, but we eventually graduated to the rehearsal room, where the EP started to take shape. But, to answer your question, we are really just three individuals coming together and writing the music we enjoy playing, even though that’s a bit of a generic statement.

2.Recently you have released a new ep, how would you describe the musical sound that i presented on the recording?
DW: At the core, it’s melodic metal, but I’m not sure which niche we fall into. We can go in any which direction, really, yet there are elements of dark and atmospheric metal in our sound, albeit not as prominent as other bands. Moreover, we’re a “song-first” band, which is of utmost importance.

3.I have seen the band get compared to Katatonia, Paradse Lost, Anathema and Alcest but only hear melodic  vocals in your music, are you planning on using growls or screams in the future or do you prefer to stay in the clean singing direction?
DW: We have discussed using growls and if we do, they will be used sparingly. There are presently some songs in the works that may require their usage, but nothing confirmed. We’ve opted to generally avoid such vocals due to their indecipherable nature, and, to create some separation between ourselves and like-minded bands. Whether we accomplished that or not, remains to be seen.

4.What are some of the lyrical topics and subjects the band explores with the music?
DW: The EP is personal in nature, detailing some of the issues we’ve dealt with of late. To elaborate wouldn’t be necessary, for perhaps other people have different interpretations of the songs.

5.You have a quote from Friedrich Nitzsche on your web sites, can you tell us a little bit more about your interest in this philosopher?
DW: Nietzsche’s writings – dating back to the 1800’s – have withstood the test of time, with many relevant ideas our life, humanity, and religion. The quote we’ve adopted regarding hope is a fitting one, and encapsulates our lyrical overview. One can learn a lot from reading Nietzsche.

6.What is the meaning and inspiration behind the name 'Deathwhite'?
DW: The name “Deathwhite” is the name of Ominium Gatherum song, a band we admire significantly. There is no deeper meaning behind it, although it’s a quality pairing of words that doesn’t pigeonhole the band.

7.The band is from the United States but none of the web sites state where you are really from, do you prefer to keep that a secret or do you plan on revealing that in the future?
DW: Who we are and where we are from bears little meaning on our music. Too often, the personalities of a band overshadow the music, so in our case, the music is first and shall remain that way for the foreseeable future. Those who are close to us and have a working relationship with the band know who we are. To everyone else, it’s probably better to leave matters in their current state.

8.Has the band done any live shows or is this strictly a studio project?
DW: Given the area in which we live, live shows do not seem feasible, but rather, something along the lines of a moral-destroyer, in fact. Playing in front of sparse, disinterested crowds does not interest us, although we tip our caps to bands who continue to do so. It takes a lot of guts and persistence to do something of that nature.

9.Currently the band is unsigned, are you looking for a label or have received any interest?
DW: We are not looking for a label at the present time, although we would certainly listen if there were suitors. In this day and age, an unsigned band can make nearly as much inroads as a signed band. There are no restrictions and/or limitations to what we can do, and, there is no one to tell us what to do, which is refreshing.

10.On a worldwide level how has the feedback been to your music by fans of metal?
DW: Thus far, it’s been positive, although there will be some detractors, or those who don’t understand our direction, or even find clean vocals to their liking. We value the opinions of those reviewing our music, but we rely more on our own opinions of our music, and those who support the band, which would be the fans.

11.When can we expect a full length album and also where do you see the band heading into musically during the future?
DW: A full-length should arrive at some point in 2015. We have more than enough songs in the works to release something of greater value than the EP. Musically, we plan on incorporating new things; i.e. faster tempos, growled vocals, and keyboards will probably eek their way into our sound. However, the core fundaments of Deathwhite will remain intact.

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
DW: Rather than list our influences, some of the bands we’ve been listening to include An Autumn for Crippled Children, Arkan, October Tide, Daylight Dies, Steven Wilson, and many, many more.

13.What are some of your non musical interests?
DW: A variety of non-musical pursuits interest the three of us, none of which are of major importance to the overall presentation of Deathwhite, though.

14.Before we wrap up this interview, do you have any final words or thoughts?
DW: Your support is much appreciated. Please check out our EP on Bandcamp:http://deathwhite.bandcamp.com/
attached with pic
scott

1.For those that have never heard of you before, can you tell us a little bit about the band?
DW: We formed in early 2012, basically as means to try something new and move away from the more extreme style of metal we had been playing for years. Our beginnings were pretty basic, just a few guys working on songs in front of a computer, actually, but we eventually graduated to the rehearsal room, where the EP started to take shape. But, to answer your question, we are really just three individuals coming together and writing the music we enjoy playing, even though that’s a bit of a generic statement.

2.Recently you have released a new ep, how would you describe the musical sound that i presented on the recording?
DW: At the core, it’s melodic metal, but I’m not sure which niche we fall into. We can go in any which direction, really, yet there are elements of dark and atmospheric metal in our sound, albeit not as prominent as other bands. Moreover, we’re a “song-first” band, which is of utmost importance.

3.I have seen the band get compared to Katatonia, Paradse Lost, Anathema and Alcest but only hear melodic  vocals in your music, are you planning on using growls or screams in the future or do you prefer to stay in the clean singing direction?
DW: We have discussed using growls and if we do, they will be used sparingly. There are presently some songs in the works that may require their usage, but nothing confirmed. We’ve opted to generally avoid such vocals due to their indecipherable nature, and, to create some separation between ourselves and like-minded bands. Whether we accomplished that or not, remains to be seen.

4.What are some of the lyrical topics and subjects the band explores with the music?
DW: The EP is personal in nature, detailing some of the issues we’ve dealt with of late. To elaborate wouldn’t be necessary, for perhaps other people have different interpretations of the songs.

5.You have a quote from Friedrich Nitzsche on your web sites, can you tell us a little bit more about your interest in this philosopher?
DW: Nietzsche’s writings – dating back to the 1800’s – have withstood the test of time, with many relevant ideas our life, humanity, and religion. The quote we’ve adopted regarding hope is a fitting one, and encapsulates our lyrical overview. One can learn a lot from reading Nietzsche.

6.What is the meaning and inspiration behind the name 'Deathwhite'?
DW: The name “Deathwhite” is the name of Ominium Gatherum song, a band we admire significantly. There is no deeper meaning behind it, although it’s a quality pairing of words that doesn’t pigeonhole the band.

7.The band is from the United States but none of the web sites state where you are really from, do you prefer to keep that a secret or do you plan on revealing that in the future?
DW: Who we are and where we are from bears little meaning on our music. Too often, the personalities of a band overshadow the music, so in our case, the music is first and shall remain that way for the foreseeable future. Those who are close to us and have a working relationship with the band know who we are. To everyone else, it’s probably better to leave matters in their current state.

8.Has the band done any live shows or is this strictly a studio project?
DW: Given the area in which we live, live shows do not seem feasible, but rather, something along the lines of a moral-destroyer, in fact. Playing in front of sparse, disinterested crowds does not interest us, although we tip our caps to bands who continue to do so. It takes a lot of guts and persistence to do something of that nature.

9.Currently the band is unsigned, are you looking for a label or have received any interest?
DW: We are not looking for a label at the present time, although we would certainly listen if there were suitors. In this day and age, an unsigned band can make nearly as much inroads as a signed band. There are no restrictions and/or limitations to what we can do, and, there is no one to tell us what to do, which is refreshing.

10.On a worldwide level how has the feedback been to your music by fans of metal?
DW: Thus far, it’s been positive, although there will be some detractors, or those who don’t understand our direction, or even find clean vocals to their liking. We value the opinions of those reviewing our music, but we rely more on our own opinions of our music, and those who support the band, which would be the fans.

11.When can we expect a full length album and also where do you see the band heading into musically during the future?
DW: A full-length should arrive at some point in 2015. We have more than enough songs in the works to release something of greater value than the EP. Musically, we plan on incorporating new things; i.e. faster tempos, growled vocals, and keyboards will probably eek their way into our sound. However, the core fundaments of Deathwhite will remain intact.

12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
DW: Rather than list our influences, some of the bands we’ve been listening to include An Autumn for Crippled Children, Arkan, October Tide, Daylight Dies, Steven Wilson, and many, many more.

13.What are some of your non musical interests?
DW: A variety of non-musical pursuits interest the three of us, none of which are of major importance to the overall presentation of Deathwhite, though.

14.Before we wrap up this interview, do you have any final words or thoughts?
DW: Your support is much appreciated. Please check out our EP on Bandcamp:http://deathwhite.bandcamp.com/
attached with pic
scott

Friday, June 13, 2014

Goatwhore/Constricting Rage Of The Merciless/Metal Blade Records/2014 CD Review


  Goatwhore  are  a  band  from  Louisiana  that  are  a  very  well  known  name  in  extreme  metal  and  plays  a  mixture  of  black,  death  and  thrash  metal  and  this  is  a  review  of  their  2014  album  "Rage  Of  The  Merciless"  which  will  be  released  by  Metal  Blade  Records  in  July  of  2014.

  A  very  dark  and  heavy  black  metal  sound  starts  off  the  album  along  with  some  blast  beats  and  aggressive  vocals  which  have  a  more  crustcore  feeling  to  them  and  after  a  couple  of  minutes  the  band  starts  incorporating  more  death  metal  influences  and  dark  sounding  melodies  into  their  musical  sound.

  The  Guitars  on  this  album a re  even  more  black  metal  influenced  than  previous  albums  and  there  are  also  a  great  amount  of  thrash  and  crust  elements  being  thrown  into  the  music  and  some  of  the  later  songs  also  show  speed  and  traditional  metal  influences  and  the  band  also  brings  in  a  great  mixture  of  both  mid  paced  and  fast  parts  throughout  the  recording.

  When  lead  guitars  are  added  in  the  music they  are  in   a  more  old  school  thrash  metal  direction  along   with  some  melodies  being  added  in  at  times  and  while  they  are  absent  on  the  first  few  tracks  they  start  coming  in  and  out  as  the  album  progresses  and  on  of  the  later  songs  brings  in  a  brief  use  of  clean  playing  before  returning  back  to  a  heavier  direction  and  adding  in  some  death  metal  growls  with  the  more  black  metal  influenced  screams  and  they  also  add  in  a  good  dose  of  hardcore  punk  with  their  old  school  black/thrash  metal  sound  on  the  later  tracks  towards  the  end  of  the  album.

  Goatwhore  remain  true  to  their  mixture  of  black,  death  and  thrash  metal  as  well  as  having  some  punk  rock  style  energy  in  their  musical  sound,  the  production  sounds  very  professional  and  the  lyrics  cover  Satanism,  Occultism  and  Anti  Christian  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Goatwhore  and  if  you  a  fan  of  this  band,  you  should  enjoy  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Poisonous  Existence  In  Reawakening"  "Baring  Teeth  For  Revolt"  "Nocturnal  Configuration  Of  The  Accursed"  and  "Externalize  this  Hidden  Savagery".  8  out  of  10.

http://www.facebook.com/thegoat666
http://twitter.com/goatwhorenola
http://www.youtube.com/Goatwhorenola666
http://www.metalblade.com/goatwhore

  

Tuesday, June 10, 2014

Exxxekutioner/Fear The Priest/Ulthar Records/2014 EP Review


  Exxxekutioner  are  a  band  from  the  United  Kingdom  that  plays  a  mixture  of  black  metal,  speed,  thrash  and  punk  and  this  is  a  review  of  their  2014  ep  "Feat  The  priest"  which  was  released  by  Ulthar  Records.

  Distorted  sounds  start  off  the  ep  along  with  the  sounds  of  violence  before  drums  kick  in  and  the  music  starts  going  for  a  more  heavy  and  old  school  thrash  metal  sound  and  a  few  seconds  later  black  metal  screams  find  their  way  into  the  music  which  also  takes  the  music  into  a  more  raw  direction  along   with  some  blast  beats  and  a  great  amount  of  fast  guitar  riffing.

  The  band  really  starts  to  find their  sound  on  the  later  tracks  going  back  to  first  wave  black  metal  and  mixing  it  in  with  thrash  and  speed  metal  along  with  the  raw  energy  of  punk  rock  to  create  a  sound  that  is  very  retro  yet  heavy  and  brutal  all  at  the  same  along  with  second  wave  style  black  metal  screams  and  the  bass  guitars  also  have  a  very  powerful  sounding  presence  on  all  6  of  the  tracks  and  the  lead  guitars  go  back  to  the  early  80's  style  of   German  thrash  metal  when  they  are  utilized  and  you  can  also  hear  a  small  amount  of  melody  in  the  bands  musical  sound  at  times.

  Exxxekutioner  go  back  to  1984  era  thrash,,  death,  black,  speed  metal  and  punk  and  combine  all  of  these  extreme  genres  with  a  more  second  wave  black  metal  vocal  approach  to  create  their  heavy  and  old  school  sound,  the  production  sounds  very  professional  and  modern  and  updates  the  bands  retro  style  for  2014  while  the  lyrics  cover  darkness  and  anti  religion  themes.

  In  my  opinion  Exxekutioner  are  a  very  great  sounding  mixture  of  black,  thrash,  speed  metal  and  punk  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "marched  To  Death"  and  "Black  Witchery".  8/5  out  of  10.

Bandcamp
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Thursday, June 5, 2014

Deathwhite/Etherial/2014 EP Review


  Deathwhite  are  a  band  from  the  United  States  that  plays  a  blackened  and  gothic  form  of  doom  metal  and  this  is  a  review  of  their  self  released  2014  ep  "Etherial".

  Acoustic  guitars  start  off  the  ep  and  after  the  intro  drums  are  added  into  the  music  and  they  mix  in  with  the  acoustic  guitars  before  the  musical  direction  starts  going  for  a  more  heavy  and  melodic  sound  along  with  some  clean  singing  vocals  and  a  few  seconds  alter  guitar  leads  become  a  part  of  the  recording.

  As  the  ep  progresses  the  band  finds  its  sound  with  the  music  using  a  mixture  of  clean  and  heavy  parts  which  gives  the  music  a  more  progressive  feeling  and  the  band  has  a  very  gothic  and  melodic  orientated  way  to  playing  doom   metal  and  while  the  music  has  some  traces  of  the  more  melodic  and  gothic  styles  of  black  metal  along  with  the  riffing  in  the  last  track  showing  a  strong  element  of  that  sound  it  avoids  the  vocals  of  that  genre  and  uses  more  melodic  vocals  which  adds  to  the  originality  of  the  recording.

  Deathwhite  plays  a  gothic  form  of  doom  metal  that  is  influenced  by  later  day  Paradise  Lost  and  Katatonia  with  their  music  really  reminding  me  a  lot  of  the  "Discouraged  Ones"  album  and  it  is  a  nice  change  to  hear  younger  bands  go  back  to t his  style  instead  of  the  early  90's  material  which  most  bands  copy,  the  production  sounds  very  professional  for  beign  a  self  released  recording  while  the  lyrics  explore  the  pitfalls  of  existence  and  organized  religion  along  with  a  Nietzchian  feeling.

  In  my  opinion  Deathwhite  are  a  very  great  sounding  gothic doom  metal  band  with  a  melodic  black  metal  edge  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Give  Up  The  Ghost"  and  "A  Burden  To  Carry".  8  out  of  10.

https://www.facebook.com/deathwhiteofficial?ref=hl

http://deathwhite.bandcamp.com/

Tuesday, May 27, 2014

Incubus/Self Titled/Vic Records/2014 Demo Re-Issue Review


  Incubus  where  a  band  from  Florida  that  played  an  early  form  of  black/death  metal  along  with  former  members  of  Morbid  Angel  and  Nocturnus  and  this  is  a  review  of  their  self  titled  1987  demo  which  will  be  re-issued  in  2014  by  Vic  Records.

  A  very  dark  early  Florida  death  metal  sound  starts  off  the  demo  along  with  some  screams  that  have  a  mixture  of  black  metal  and  horror  to  them  and  then  the  music  speeds  up  a  bit  along  with  some  blast  beats  as  well  as  some  death/thrash  style  vocals  and  the  music  has  a  very  raw  feeling  to  it  along  with  early  growls.

  As  the  demo  progresses  the  band  starts  bringing  in  a  mixture  of  slow,  mid  paced  and  fast  parts  and  they  also  bring  in  very  powerful  sounding  bass  guitars  at  times  and  the  music  sticks  to  a  very  raw  and early  style  of  death  metal  from  beginning  to  end.

  Incubus  played  the  rawest  and  most  evil  black/death  metal  there  was  during  1987  and  this  band  was  a  huge  influence  on  the  Florida  death  metal  bands  that  popped  up  shortly  after  that,  the  production  sounds  very  raw  and  dirty  while  the lyrics  cover  Satanism  occultism  and  Anti  Christian  themes.

  In  my  opinion  Incubus  where  a  very  great  sounding  black/death  metal b and  and  if  you  are  looking  for  some  of  the  roots  of  the  genre,  you  should  check  out  this  demo.  RECOMMENDED  TRACK  "God  Died  On  His  Knees".  8/5  out  of  10.

https://www.metal-archives.com/bands/Incubus/9553

Mefisto/The Megalomania Puzzle/Vic Records/2014 Compilation Album Review


  Mefisto  where  a  band  from  Sweden  that  played  a  first  wave  from  of  black  metal  with  elements  of  speed  and  early  death  metal  and  this  is  a  review  of  their  demo  tracks  from  the  80's  which  will  be  re-issued  as  a  compilation  album by  Vic  Records  and  called  "The  Megalomania  Puzzle".

  Acoustic  guitars  start  off  the  album  along  with  people  backgrounds  noises  and  screams  and  a  few  seconds  later t he  music  goes  into  a  more  fast  and  raw  black/thrash  metal  direction  along  with  blast  beats  and  guitar  leads  before  adding  in  early  blackened  death  metal  growls  and  screams  and  the  leads  also  bring  in  melodic  solos  at  times.

  Most  of  the  music  on  the  album  is  very  closely  to  first  wave  black  metal  while  you  can  hear  elements  that  eventually  evolved  into  death  metal  and  second  wave  black  metal  and  there  are  a  lot  of  traditional  and  NWOBH  influences  in  the  bands  musical  sound  and  the  acoustic  guitars  also  make  their  return  in  certain  sections  of  the  recording  as  well  as  bringing  a  small  amount  of  synths  with  them  at  times.

  There  is  a  very  great  sounding  mixture  of  slow,  mid  paced  and  fast  parts  throughout  the  album  along  with  a  great  amount  of  raw  and  evil  energy  being  utilized  throughout  the  tracks  and  there  is  also  a  brief  use  of  melodic  vocals  being  used  for  a  few  seconds  on  one  of  the  songs  and  as  the  album  progresses  the  band  starts  using  some  fast  parts  that  bring  an  early  grindcore  feeling  to  their  music  while  the  main  focus  is  still  on  black  metal,  the  second  demo  on  the  compilation  shows  a  little  bit  of  progress  along  wit h a  few  of  the  songs  being  very  long  and  epic  in  length.

  Mefisto  where  very  heavy,  underrated  and  raw  for  the  time  they  where  around  taking  what  Venom  and  Bathory  where  doing  and  making  it  even  more  heavy  and  the band  was  a  huge  influence  on  both  Swedish  death  and  black  metal  bands,  the production  has  the  raw  sound  of  80's  underground  metal  demos  while  the  lyrics  cover  dark,  violent  and  occult  themes.

  In  my  opinion  Mefisto  where  a  very  great  sounding  black/thrash  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  compilation.  RECOMMENDED  TRACKS  INCLUDE  "Frost  Of  Inferno"  "Act  Dead"  and  "Underground  Circus".  8/5  out  of  10.  

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