Thursday, November 22, 2018

Crows Over Bravellir/Spells Of The Dead/Into Kingly Death/Dawnbreed Records/2018 EP Review


  Crows  Over  Bravellir  are  a  band  from  Sweden  that  plays  an  epic  form  of  blackened  doom  metal  and  this  is  a  review  of  their  2018  ep  "Spells  Of  The  Dead/Into  Kingly  Death"  which  was  released  by  Dawnbreed  Records.

  A  very  slow,  dark  and  heavy  doom  metal  sound  starts  off  the  ep  while  both  of  the  tracks  are  very  long  and  epic  in  length  along  with  the  solos  and  leads  being  done  in  a  very  melodic  style  as  well  as  all  of  the  musical  instruments  having  a  very  powerful  sound  to  them  and  the  vocals  also  bring  in  grim  black  metal  screams.

  At  times  the  vocals  also  add  in  a  rough  style  of  doom  metal  style  singing  along  with  some  death  metal  growls  also  being  used  at  times  along  with  some  clean  playing  also  being  added  onto  the  second  track  and  all  of  the  music  sticks  to  either  a  slow  or  mid  tempo  direction  as  well  as  adding  in  some  traditional  metal  and  folk  music  elements.

  Crows  Over  Bravellir  plays  a  musical  style  that  is  mostly  rooted  in  black  and  doom  metal  while  also  adding  in  some  traditional  metal  and  folk  influences  to  create  a  sound  of  their  own,  the  production  sounds  very  professional  while  the  lyrics  cover  mythology  and  fantasy  themes.

  In  my  opinion  Crows  Over  Bravellir  are  a  very  great  sounding  mixture  of  black  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "Into  Kingly  Death".  8  out  of  10. 

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Wednesday, November 21, 2018

Ichor/Hadal Ascending/Unholy Conspiracy Deathwork/2018 Full Length Review


  Ichor  are  a  band  from  Germany  and  on  this  recording  have  evolved  into  more  of  a  blackened  death  metal  band  while  touches  of  their  deathcore  background  can  still  be  heard  at  times  and  this  is  a  review  of  their  2018  album  "Hadal  Ascending"  which  will  be  released  in  December  by  Unholy  Conspiracy  Deathwork.

  A  very  dark  and  heavy  sound  starts  off  the  album  along  with some  melodic riffing  also  being  utilized  at  times  while  the  vocals  are  mostly  death  metal  growls  as  well  as  the  faster  sections  of  the  music  also  adding  in  a  great  amount  of  brutal  sounding  blast  beats  and  the  solos  and  leads  also  add  in  a  great  amount  of  melody.

  At  times  the  music  gets  very  atmospheric  while  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  some  deathcore  elements  also  being  added  into  some  of  the  mid  tempo  sections  of  the  music  as  well  as  some  synths  also  being  added  onto  some  of  the  tracks  and  the  music  also  adds  in  a  lot  of  blackened  death  metal  influences  into  the  faster  sections  of  the  songs  and  grim  screams  can  also  be  heard  briefly  and  as  the  album  progresses  a  brief  use  of  chants  and  clean  playing  can  also  be  heard.

  On  this  recording  Ichor  evolved  into  more  of  an  atmospheric  blackened  death  metal  band  while  touches  of  their  deathcore  past  can  still  be  heard,  the  production  sounds  very  professional  while  the  lyrics  cover  a  fictional  story  that  is  very  heavily  influenced  by  the  occult,  science  fiction,  horror  and  the  writings  of  H.P  Lovecraft.

  In  my  opinion  this  is  another  great  sounding  recording from  Ichor  and  if  you  are  a  fan  of  blackened  death  metal  and  deathcore,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Tales  From  The  Depths"  "In  Ecstasy" "Architect  of  The  Portal"  and  "Conquering  The  Stars".  8  out  of  10.

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Tuesday, November 20, 2018

Malleus/Night Raids/Atomic Foce Records/2018 EP Review


  Malleus  are  a  band  from  Boston,  Massachusetts  that  plays  a  mixture  of  black,  thrash  and  speed  metal  and  this  is  a  review  of  their  2018  ep  "Night  Raids"  which  was  released  by  Atomic  Force  Records.

  Dark  soundscapes  start  off  the  ep  along  with  the  sounds  of  medieval  era  battle  a  few  seconds  later  before  going  into  a  heavier  direction  which  is  also  heavily  influenced  by  the  first  wave  of  black  metal  along  with  some  blast  beats  being  added  into  the  faster  sections  of  the  music.

  Vocals  are  mostly  grim  yet  old  school  black  metal  screams  while  both  of  the  tracks  are  very  long  and  epic  in  length  along  with  some  elements  of  punk,  thrash  and  speed  metal  as  well  as  the  songs  also  adding  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  and  the  solos  and  leads  also  remain  very  true  to  an  old  school  style  and  the  riffs  also  add  in  a  decent  amount  of  dark  sounding  melodies.

  Malleus  plays  a  musical  style  that  goes  back  to  the  first  wave  style  of  black  metal  showing  elements  of  punk,  thrash  and  speed  metal  while  also  having  some  of  the  aggression  of  the  second  wave  era,  the  production  sounds  very  old  school  while  the  lyrics  cover  history,  witchcraft  and  occultism  themes.

  In  my  opinion  Malleus  are  a  very  great  sounding  mixture  of  black,  thrash  and  speed  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "The  Wretched".  8  out  of  10.   

https://malleusheavymetal.bandcamp.com

Sunday, November 18, 2018

Faceless Burial/Multiversal Abattoir/Blood Harvest Records/Helter Skelter Productions/2018 EP Review


  Faceless  Burial  are  a  band  from  Australia  that  has  had  an  album  reviewed  before  in  this  zine  and  plays  an  old  school  form  of  blackened  death  metal  and  this  is  a  review  of  their  2018  ep  "Multiversal  Abattoir"  which  will  be  released  in  December  as  a  joint  effort  between  Blood  Harvest  Records  and  Helter  Skelter  Productions.

  A  very  dark  sounding  intro  along  with  some  acoustic  guitars  start  off  the  ep  before  going  into  a  heavier  direction  that  is  very  heavily  rooted  in  the  90's  while  the  faster  sections  of the  songs  bring  in  a  great  amount  of  blast  beats  along  with  the  vocals  being  mostly  death  metal  growls.

  Black  metal  screams  can  also  be  heard  in  some  parts  of  the  recording  while  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  all  of  the  musical  instruments  having  a  very  powerful  sound  to  them  as  well  as  the  solos  and  leads  being  done  in  a  very  old  school  style, the  riffs  also  add  in  a  decent  amount  of  dark  sounding  melodies  and  as  the  ep  progresses  a  brief  use  of  clean  playing  can  also  be  heard.

  Faceless  Burial  creates  another  recording  that  remains  true  to  their  old  school  style  of  blackened  death  metal,  the  production  sounds  very  professional  while  the  lyrics  cover  violence,  evil  and  gore  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Faceless  Burial  and  if  you  are  a  fan  of  old  school  blackened  death  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Theriomorphic    Meconium  Aspira"  and  "Multiversal  Abattoir".  8  out  of  10.

 https://bloodharvestrecords.bandcamp.com/album/multiversal-abattoir​​​

Wednesday, November 14, 2018

Holocausto Interview

Can you give us an update on what's going on with the band since recording and releasing the new demo and live album?

Ah! Yes! Our first live album Holocausto War Metal in Belo Horizonte, Live in Brazilian Ritual Fifth Attack was recorded on the night of 17/11/2017, with the current classic formation of the 80's band and counted on the participation of our countrymen sexual maniacs of Sex Trash, our brutal War Metal brothers of Goatpenis from Blumenau and the Canadian infernal desecrators of Blasphemy in one of the most extreme and violent shows of this planet, rescuing in Belo Horizonte its essence and tradition in the world heavy music in a night watered by sex, drugs and War Metal. This material has just been released by Brazilian Ritual Records. In September Black this year we recorded the Total War demo by Nuclear War Now! The recording was made in our essay on 1/11/18 and edited in K7. Still in September we entered the studio for the recording of our new full-lenght War Diary that will also be edited by NWN! There will be 9 songs of the purest War Metal. At this moment we are mixing and mastering the disc.

2. In your recent demonstration, what happened to some of the things that the band did differently with the recording that you could not do with your previous releases?
In this recording with the current classic formation of the original band from the 80s (Rodrigo Fuhrer - vocals, Valério Exterminator - guitars, Anderson Guerrilheiro – bass/vocals and Armando Nuclear Leprous Soldier - drums). The live demo-tape Guerra Total recorded as simply as possible with just a few microphones and capturing the essence of the band live in the studio. No edits, no plug-ins, no effects, no nothing. The crudest way to play and record, remembering the old home demos recorded in K7 in the eighties. I think that made the recording sound crude and rough. It is an extremely brutal material that will be appreciated by War Metal maniacs.
3.The band was broken up for 10 years, what was the cause of the split and also the decision to reform?
In fact the War Metal phase of the holocaust lasted only from 84 to 87.
The Holocausto of that time was the true War Metal!
Soon after the release tour of the album Campo de Extermínio in 87 Nuclear Soldier left the band. At that moment  Holocausto happened to be a War Metal trio with Rodrigo F. in the drums and vocals. We started to compose new material in the war metal line of Campo de Extermínio and Warfare Noise songs. We had 6 or 7 new brutal War Metal songs
but at that moment Exterminator left the band for reasons of intimacy. All other later works are not in the War Metal style
and should not be released under the name Holocausto,
but for contractual matters with the Cogumelo Records were edited in this way.
We live in a third world country with many social, political and economic problems and each one of us had to work hard to survive and support ours families in this chaotic country. The return came when COG began to reissue its entire catalog and during the digitization of this old material we found ourselves almost 20 years later.
4.The band reunited in 2004, released a new album in '05, but waited 11 years to release any new songs, can you tell us a bit more about what was going on in that period of time?

Yes, as stated earlier, we met at this time and decided to meet to play again. The initial idea was to reassemble with one of the classic early band formations but the two drummers were not available, so we reshaped a War trio with me on drums and voice again. At that time we recorded the album De Volta ao Front by Cogumelo Records, we were on the right track, with a good show and good songs but this time I left the band for personal reasons. During this period I dedicated myself to other musical projects and started playing drums on Black Metal Impurity of Belo Horizonte.

5. The most recent songs came back to the 80's, while some of the previous albums, before where more thrash and hardcore influenced, what was the decision behind returning to their older style?

As I said, in my opinion the true Holocaust is that of the late eighties with the formation (Rodrigo Fuhrer - vocals, Valério Exterminator - guitars, Anderson Guerrilheiro – bass/vocals and Armando Nuclear Leprous Soldier - drums) and so when we decided to go back the activities again the only concern was to sound exactly brutal like the War Metal of that era. This time we were able to repeat the formation that recorded the compilation Warfare Noise. This was very natural, so in the first test the smell of Napalm spread through the air, that atmosphere returned and the extreme times were back.

6. The band was part of the Brazilian extreme metal scene in the 80's, how would you compare the modern scene in Brazil with the scene 30 years ago?
30 years ago we were still living in a post dictatorship period in Brazil. There was a kind of curfew, and there were no people on the streets at night. We were crazy young men and we began to occupy our places in our city. We were carrying a lot of police. We were revolted against the system and we were squeezing brutally through our songs. Several people came together and formed a difficult link to be broken. Hard times, brutal times.
I'm not interested in the modern Brazilian metal scene.
7. His lyrics have always covered many war themes, which wars have most influenced his compositions?

Yes true! Almost all wars are themes of our songs but especially the second great world war influences us quite a lot because it involved almost all the pallets, guns, tanks, aircraft are stupendous war machines and the atomic era was also started when they were launched the nuclear bombs in Hiroshima and Nagazaki in Japan. Definitely World War II is my favorite subject.

8. What is the meaning and inspiration of the name 'Holocaust'?

Before we were nominated as a Holocaust, we adopted the name of Asmodeus, which is the name of a demon. Our first songs were about this song, for example the song Massacre of our first demo tape of 1985, re-recorded in the NWN War Metal Massacre EP in 2016. It says: Torn Bibles, Broken Crosses, Burned Churches, Massacre!

But of course I started composing war themes and everyone liked the idea. We still did not have a name and then Sepultura drummer Igor Skullcrusher gave the idea of ​​the name Holocaust. From then on we became the most damn band in South America, always went and we will always be cursed. I like what it means: sacrifice and atonement. We will always be the outcasts.

9. What are some of the best shows the band has played over the years and also how would you describe their performance on stage?

I do not forget the first shows, they were brutal and the violence was taken to the extreme. The first show ended on the second song. There has been widespread pounding in others. I remember a concert in Belo Horizonte in 1987 with the formation (Rodrigo Fuhrer - vocals, Valério Exterminator - guitars, Anderson Guerrilheiro – bass/vocals and Armando Nuclear Leprous Soldier -drums) along with Sarcófago. It was fucked! Of this new phase this show with Blasphemy and Goatpenis also was brutal. The Holocaust is an overwhelming live band and I basically feel like a soldier in a trench in a war.

10. Do you have any tours or plans for the future?

Yes, in a near moment we are planning more shows, more discs such as the next being released in 2019 called Diário de Guerra (War Diary), possible tour in the United States in 2019 and Europe without an adjusted date.

11. On a worldwide level, how has been the reaction to your return by extreme metal fans?

The best possible! After our performance at the NWN Fest V in Berlin and the release of the EP War Metal Massacre the audience can be sure that the old Holocaust War Metal was back. We are sure for the public's comments about the last demo of 2018, that the release of the album Diário de Guerra with 9 unreleased songs in the war metal style of the 80's will be surprising to our audience.

12. What are some of the bands or musical styles that influenced your new song and also what are you listening to these days?

We always listen to the classics, but various styles also like rock, heavy, jazz, blues, etc. Today I hear Death Worship, Ildjarn, Bode Preto, Satanicristo and GGUW, we continue to listen to traditional Celtic Frost, Sodom, Venom, Slaughter, Voivod, SOD, Motorhead, Bathory, Ratos de Porão and Hardcore, among others.

13. Before we close this interview, do you have any words or final thoughts?

We are in war! The victory will be ours!

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Sunday, November 11, 2018

Sagverk/Like Royalty/2018 Full Length Review


  Sagverk  are  a  band  from  Finland  that  has  been  featured  before  in  this  zine  and  plays  a  mixture  of black'n'roll  and  crust  and  this  is  a  review  of  their  self  released  2018  album  "Like  Royalty".

  A  very  heavy  sound  starts  off  the  album  along  with  some  spoken  word  samples  also  being  used  at  times  while  the  riffs  also  bring  in a   decent  amount  of  melody  as  well  as  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  when  the  music  speeds  up elements  of  crust  and  d  beat  can  also  be  heard.

  Vocals  are  a  mixture  of  black metal  screams  and  hardcore  style  shouts  while  the  music  also  mixes  in  elements  of  black'n'roll  along  with  all  of  the  musical  instruments  having  a  very  powerful  sound  to  them  as  well  as  the  faster  sections  of  the  songs  also  adding  in  a  decent  amount  of  blast  beats  and  as  the  album  progresses  melodic guitar  leads  can  also  be  heard  in  certain  sections  of  the  recording  and  the  music  always  remains  heavy.

  Sagverk  creates  another  recording  that  remains  true  to  their  mixture  of  blacl'n'roll  and  crust,  the  production  sounds  very  powerful  for  being  a  self  released  recording  while  the  lyrics  cover  real  life  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Sagverk  and  if  you  are  a  fan  of  black'n'roll  and  crust,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Trashbreathers"  "Where  I  Rule"  "No  Regrets"  and  "Human  Waste".  8  out  of  10.

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Saturday, November 10, 2018

Order Of The Nameless Ones/Utter To Me The Word Of Wrath/Iron Bonehead Productions/2018 CD Review

 Order  Of  The  Nameless  Ones  are  a  band  from  the  United  States  that  plays  an  old  school  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2018  album  "Utter  To  Me  The  Word  Of  Wrath"  which  will  be  released  in  December  by  Iron  Bonehead  Productions.

A  very  dark,  heavy  and  old  school  sound  starts  off  the  album  along  with  some  death  metal  growls  a  few  seconds  later  while  the  music  is  also  very  heavily  rooted  in  the  90's  as  well  as  the  slower  sections  of  the  songs  also  adding  in  a  touch  of  doom/death  and  ritualistic  whispers  are  also  used  briefly.

  Black  metal  screams  are  also  added  into  certain  sections  of  the  recording  while  the  faster  sections  of  the  songs  also  ring  in  a  great  amount  of  blast  beats  along  with  all  of  the  musical  instruments  having  a  very  powerful  sound  to  them  as  well  as  some  of  the  fast  riffs  also  using  a  small  amount  of  tremolo  picking  and  the  music  always  remains  very  dark  and  heavy.

  Order  Of  The  Nameless  Ones  plays  a  musical  style  that  goes  back  to  the  early  80's  era  of  death  metal  while  also  having  a  great  amount  of  black  metal  elements,  the  production  sounds  very  dark  and  old  school  while  the  lyrics  cover  Occultism,  Lovecraftian  Mythos,  Darkness,  Chaos  and  Horror  themes.

  In  my  opinion  Order  Of  The  Nameless  Ones  are  a  very  great  sounding  old  school  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Runes  Of  Cosmic  Blasphemy"  "Praise  Your  Sinister  Form"  and  "Utter  To  Me  The  Word  Of  Wrath".  8/5  out  of  10.

http://soundcloud.com/iron-bonehead-productions/order-of-the-nameless-ones-runes-of-cosmic-blasphemy