Monday, December 6, 2021

Black Ground Project/Blood & Violence/WormHoleDeath Records/2021 CD Review

 


  Black  Ground  Project  are  a  solo  project  from  Germany  that  plays  a  very  atmospheric  and  progressive  form  of  blackened  death  emtal  and  this  is  a  review  of  his  2021  album  "Blood  &  Violence"  which  will  be  released  on  December  17th  by  WormHoleDeath  Records.


  Clean  playing  starts  off  the  album  along  with  some  atmospheric  sounding  synths  a  few  seconds  alter  which  also  mixes  in with  the  heavier  sections  of  the  songs  at  times.  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  while  the  faster  sections  of  the  songs  also  add  in  a  decent  amount  of  blast  beats.


 All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  At  times  the  music  also  gets  very  progressive  and  symphonic  sounding  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody.  


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  some  breakdown  style  riffing  in  the  mid  tempo  sections  of  the  songs  as  well  as  one  track  also  adding  in  a  brief  use  of  stringed  instruments  and  the  closing  track  is  very  long  and  epic  in  length,  spoken  word  parts  can  also b e  heard  on  the  closign  song.  The  production  sounds  very  professional  while  the  lyrics  cover  dark  and  violent  themes.


  In  my  opinion  Black  Ground  Project  are  a  very  great  sounding  atmospheric  and  progressive  blackened  death  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCL:UDE  "Flying  Evil"  and  "Dark  Dragon  Rider".  8  out  of  10.


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Thirteen Bled Promises/Foundation/Lacerated Enemy Records/2021 EP Review

 


  Thirteen  Bled  Promises  are  a  band  from  Spain  that  plays  a  very  brutal,  technical  and  dissonant  form  of  blackened  death  metal  and  this  is  a  review  of  their  2021  ep  "Foundation"  which  was  released  by  Lacerated  Enemy  Records.


  A  very  dark  yet  heavy  sound  starts  off  the  ep  before  going  into  a  faster  musical  direction  which  also  utilizes  a  great  amount  of   tremolo  picking  and  blast beats.  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  vocals  are  a  mixture  of  death  emtal  growls  and  black  metal  screams.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  while  the  music  also  has  its  technical  and  dissonant  moments.  Throughout  the  recording  you  can  also h ear  a decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  mid  tempo  sections  of  the  songs  also  adding  in  elements  of  deathcore  as  well  as  the  music  also  mixing  in  a  decent  amount  of  progressive  structures  and  the  whole  recording  also  sticks  to  a  heavier  direction.


  Thirteen  Bled  Promises  plays  a  musical  style  that  takes  dissonant  black  metal  and  mixes  it  in  with  the  more  brutal,  technical  and  progressive  sides  of  death  metal  as  well  as  mixing  in  elements  of  deathcore  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while t he  lyrics  cover  Gore,  Science  Fiction  and  Conspiracy  Theory  themes.


  In  my  opinion  Thirteen  Bled  Promises  are  a  very  great  sounding  brutal,  technical  and  dissonant  mixture  of   blackened  death  metal  and  deathcoire  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Hell  Froze"  and  "A  Humanless  War".   8  out  of  10.


https://www.facebook.com/thirteenbp 

https://www.instagram.com/thirteenbledpromises/ 

https://youtu.be/CYPDWONENIM                

Sunday, December 5, 2021

Hath/All That Was Promised/Willowtip Records/2022 CD Review

 


  New  Jersey's  hath  have  returned  with  a  new  recording  which  shows  the  music  going  for  more  of  a  blackened  form  of  death  metal  and  this  is  a  review  of  their  album  "All  That  Was  Promised"  which  will  be  released  in  2022  by  Willowtip  Records.


  Clean  playing  and  dark  soundscapes  start  off  the  album  before  going  into  a  heavier  direction  while  all  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them.  Spoken  word  parts  can  also  be  heard  briefly  along  with  the  faster  sections  of  the  songs  also  add  in  a  great  amount  of  brutal  sounding  blast  beats.


  Death metal  growls  are  also  a  very  huge  part  of  the  recording  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  dark  style  along  with  the  riffs  also  adding  in  a  small  amount  of  melody  at  times  as  well  as  the  music  also  adding  in  a  great  amount  of  black  metal  elements.


  Clear  vocals  can  also  be  heard  on  a  couple  of  tracks  along  with  some  high  pitched  screams  also  being  added  into  some  parts  of  the  album  as  well  as  the  music  also  having  its  atmospheric  moments,  one  song  also  adds  in  a  brief  use  of  classical  guitars  and  a  couple  of  the  songs  are  also  long  and  epic  in  length.  The  production  sounds  very  professional  while  the  lyrics  cover  enduring  change  and  the  promises  made  to  us  in  life,  broken  or  otherwise.


  In  my  opinion  this  is  another  great  sounding  album  from  Hath  and  if  you  are  a  fan  of  blackened  death  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "The  Million  Violations"  "losis"  "Death  Complex"  and  "Name  Them  Yet  Build  No  Monument".  8 out  of  10.\



Bandcamp: https://hathnj.bandcamp.com/album/all-that-was-promised

https://youtu.be/rgsI7bpWoz8    

Nihility/Beyond Human Concepts/Vicious Instinct Records/202 CD Review

 


  Nihility  are  a  band  from  Portugal  that  has  had  music  reviewed  before  in  this  zine  and  plays  a  blackened  form  of  death  metal  and  this  is  a  review  of  their  album  "Beyond  Human  Concepts"  which  will  be  released  in  2022  by  Vicious  Instinct  Records.


  A  very  heavy  and  brutal  sound  starts  off  the  album  while  dark  sounding  melodies  are  also  added  into  some  of  the  riffing.  Death  metal  growls  are  also  a  very  huge  part  of  the  recording  along  with  the  faster  sections  of  the  songs  also  adding  in  a  decent  amount  of  blast  beats  and  all  of  the  musical  instruments  also  sound  very  powerful.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  yet  aggressive  style  while  black  metal  screams  can  also b e  heard  at  times.  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  faster  riffing  also  adding  in  a  good  amount  of  tremolo  picking  and  one  track  also  adds  in  a  brief  use  of  clean  playing,  as  the  album  progresses  a  brief  use  of  spoken  word  parts  can  also  be  heard  and  the  recording  also  closes  with  an  instrumental.


  On  this  recording  Nihility  remains  true  to  the  blackened  death  emtal  style  they  had  established  on  their  previous  release.  The  production  sounds  very  professional  while  the  lyrics  cover  Anti  Religion  and  Misanthropy  themes.    


  On  my  opinion  this  is  another  great  sounding  recording  from  Nihility  and  if  you  are  a  fan  of  blackened  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Martyrdom  For  The  Herd"  "Human  Stupidity"  and  "Beyond  Human  Concepts".  8  out  of  10.


Gomorran/Experts From The Dark Age/Inverse Records/2021 EP Review

 


  Gomorran  are  a  band  from  Finland  that  plays  a  blackened  form  of  death  metal  and  this  is  a  review  of  their  2021  ep  'Experts  From  The  Dark  Age"  which  was  released  by  Inverse  Records.


  Folk  instruments  start  off  the  ep  before  going  into  a  heavier  direction  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast  beats  can  be  heard  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  yet  chaotic  style.


  Vocals  are  a  mixture  of  grim  black  metal  screams  and  deep  death  metal  growls  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  Keyboards  can  also be  heard  at  times  along  with  most  of  the  music  focusing  more  on  a  heavier  style  and  the  riffs  also  add  in  a  decent  amount  of  melody,  clean  vocals  and  chants  can  also  be  heard  briefly  on  the  closing  tracks.  


  Gomorran  plays  a  style  of  blackened  death  emtal  that  is  very  brutal  and  aggressive  yet  very  different  and  original  at  the  same  time.  The  production  sounds  very  professional  while  the  lyrics  cover  the  Roman  Empire,  Middle  Ages  and  Paganism  themes.  


  In  my  opinion  Gomorran  are  a  very  great  sounding  blackened  death  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Black  Plague"  and  "Esaiah".  8  out  of  10.


https://www.instagram.com/gomorranmetal  
https://gomorran.bandcamp.com 
https://morbidnorth.com/gomorran (Merch) 
https://linktr.ee/gomorran 


https://youtu.be/V2-lkFf7GBE

  

Friday, December 3, 2021

Demonologist Interview

 













1 – For those that have never heard of you before, can you tell us a little bit about the band? DEMONOLOGIST is Ukrainian band, which was formed in 2017 as a blackened thrash metal formation by vocalist Alex Sidorenko (ex-White Ward, ex-Suicide Nation) and guitarist Konstantin Ratnikov (Deathincarnation, ex-Blasphemer, ex-Hard Way). For some time we accumulated material for EP ‘Nascentes Morimur’ and then Vyacheslav Slavinsky joined us as the bass player. For some time we played as a trio with session drummers. This summer we were signed on an Austrian label Kvlt und Kaos Productions and on 31.10.2021 released our full-length album ‘I Curse, I Dance’. Also, just a month ago we started playing with Serhii Bilyk and now I am proud to present him as our drummer on a regular basis. 

 2 – Recently the band has released their first full length, can you tell us a little bit more about the musical style that you went for on the recording?
 Conceptually, we perform music which doesn’t have pretentiously serious or philosophical context in its core. Black humor, ironic display of metal cliché – that is our main course. So when I was preparing for forming DEMONOLOGIST, I considered blackened thrash metal as a perfect platform for this. Evil fun, full of drive and malice – that was the idea for the project. In other words, all the fun, humor and sarcasm, achieved with the Thrash Metal, had to be covered with malice, poison and evil vibes of Black Metal. That was our goal and I think we reached it. 

 3 – What are some of the lyrical topics and subjects the band has explored with the music so far?
 All the songs featured on ‘I Curse, I Dance’ are sketches on different subjects, with various themes but all filled with venomous mockery and sardonic humor. For example, ‘Be My Guest’ describes everyday routine in torment chambers, ‘High On Evil’, ‘Tekeli-Li’, ‘R’Lyeh’ show metal cliché and myths of H. P. Lovecraft in exaggerated and sarcastic way. The title track ‘I Curse, I Dance’ is a look at the modern warfare, but with voodoo rituals as a common armament. And so on – classic horror scenes (“Gastronomikon”), archetypical misanthropy an anti-humanity, ascended to a ludicrous degree (“Psycho Path”, “Extra Malice”, “Bilespitter”), etc. 
 
4 – With the name ‘Demonologist’ do any of the band members have an interest in occultism or demonology? 
 No. The name of the band, letters in logo, stylized as 666 and some occult themes in lyrics are a tribute to metal culture, they serve as means of our artistic expression.

 5 – Can you tell us a little bit more about the artwork that is presented on the new album cover?
 It is the direct reflection of our music in a visual form. The artwork means exactly what it depicts – imps (or demons, or familiars) having their fun in flaming hell! Rocking and Rolling to their fullest. 

 6 – Has the band done any live shows or open to the idea? 
 Of course! This kind of music lives for it. We have done several live shows in Ukraine in recent years and are preparing for more intense live schedule in the nearest future. The first one will be on 29.01.2022 in Lviv, Ukraine at the picturesque club Ruin Bar. After that, more shows are to come.

 7 – The album was released on ‘Kvlt und Kaos Productions’, how did you get in contact with this label?
 After recording, engineering and mastering the album, we began searching for a proper home label, using the database of different online resources. I have sent our material to the labels which I thought could be interested in our kind of metal. Kvlt und Kaos Productions has appeared to be the most suitable brand for us. Christoph is great, he really cares about performers signed on his label. We are grateful for what he does and deeply respect his dedication to underground metal scene. 8 – On a worldwide level how has the reaction been to your music by fans of black and thrash metal? All the feedback was very positive by far. Also, songs from ‘I Curse, I Dance’ were featured (and still are) on various radio programs and metal podcasts.

 9 – What is going on with some of the other bands or musical projects these days that some of the band members are a part of? Our guitarist Konstantin runs DEATHINCARNATION (death/black metal) since 2006. Recently they released their fourth album ‘Dysfunctional Divine’ on More Hate Productions. As for the others, DEMONOLOGIST for now is their only band. 

 10 – Where do you see the band heading into musically during the future?
 We will continue to develop and deepen our own vision of Hellish Rock’n’Roll by means of thrash/black metal. Our next album is already in progress, with some interesting conceptual ideas within it. 

 11 – What are some of the bands or musical styles that have had influence on your music and also what are you listening to nowadays? DEMONOLOGIST was heavily influenced by SODOM, TOXIC HOLOCAUST and MOTORHEAD, as well as all the first black metal wave (or so-called ‘proto black metal’). As for what I’m listening to – it is mostly 90’s and 00s death metal. I love different music, from synthwave and heavy metal to black and brutal death metal. And these days I headbang to DEEDS OF FLESH, BLOOD RED THRONE, GORGUTS, OBITUARY. 
 12 – Before we wrap up this interview, do you have any final words or thoughts?
 Thank you for your interest in our music! From beauteous Ukraine, we hail to all metalheads worldwide! Be true to your convictions, stand on your own, stay metal!

Thursday, December 2, 2021

Hell Machine Interview

 

1.Can you give us an update on what has been going on with the band since the recording and release of the new album?


- We’ve been doing lots of promotion for the new album, trying to get it out into the world. The day of the launch we did a headlining gig in our hometown with some mates in other bands. We’re still planning a few more interstate shows for next year but this Covid bullshit is making things difficult. 



2.Recently you have released a new album, musically how does it differ from the stuff you have released in the pasty?


- For me the biggest differences are the songwriting and the production. I feel like the songs are better written here (stronger riffs and sleeker song structures) compared to our first release. We also decided to bring in a seasoned producer (Troy McCosker) this time  whereas our first album was self recorded. The drums, bass and guitars sound amazing and the performances are far better/tighter.


3.The band also uses a bass guitar as a lead instrument, would you be open to using a regular guitar on future releases?


- The biggest reason I use bass as a lead instrument is that I’m absolutely shithouse at playing guitar. I think if we ever used regular guitars it would change the sound and dynamics of the band to a point where it wouldn’t sound like Hell Machine anymore. 



4.Both of the band members are also in other bands, what is it that you bring into the music of 'Hell Machine' that you are not able to do with your other groups?


Both of our other bands have been fairly inactive for a while so Hell Machine allows us to continue to write and perform music in a live setting.



5.Some of your lyrics cover occult themes, can you tell us a little bit more about your interest in this topic?


I loathe every religion (especially Christianity) so I’ve always been drawn to Satanic and anti-religious themes. Being a life-long metal head I’m also into the darker and more extreme elements of life, some of which people consider taboo. 



6.What are some of the other lyrical topics and subjects the band has explored so far with the music?


Hatred and anger are a pretty central themes in most our songs. I’ve written a few songs about people I hate (‘Lowlife’ for example). We also touch on topics such a overpopulation, depression and mental illness on the new album. 


7.What is the meaning and inspiration behind the name 'Hell Machine'?


I took the name from a ‘Devil Lee Rot’ song because I felt like it really embodied what I wanted to portray in the band. It conjures up the image of fierce, fast and evil music. 



8.Can you tell us a little bit more about the artwork that is presented on the new album cover?


The inspiration for the cover comes directly from the lyrics of the album closer ‘Hammer of Hate’. It’s about a beast sent by Satan to our world to annihilate all of mankind.

The artwork was done by SAWBLADE (Daniel Shaw) from the Housten, Texas. He’s worked with bands such as Toxic Holocaust, Insect Warfare and Municipal Waste. I’m a huge fan of his work and was absolutely stoked when he agreed to take on the project. He’s done an amazing job with the cover and we couldn’t be happier.


9.The band started out as a solo project but has expanded into a duo, what was the decision behind adding in another member?


I started Hell Machine because all of the bands I was in at the time had become inactive and I missed playing gigs. I wrote and recorded our first demo myself, but the intention was always to become a live act. I got Mal onboard because he’s a great drummer, super experienced at playing live and and absolute weapon at setting up shows.


10.What are some of the best shows that the band has played so far and also how would you describe your stage performance?


‘Hell On The Bay’ 2018 was pretty special. It’s a ‘heavy metal cruise’ where the bands and punters get on this tiny boat and sail around Melbourne for the night while drinking and playing metal. It’s such a unique experience and we had a blast playing it. 

Our stage show is fast and energetic, with lots of onstage head banging and us hanging shit on religion and other things we hate between songs.



11.The new album was self released but the band has worked with a label in the past, are you open to working with another label again in the future?


We’re definitely open to working with another label in the future if the label aligns with our goals and ideas.



12.On a worldwide level how has the reaction been to your music by fans of black and thrash metal?


In the past most of our recognition has been in our home country. We’ve begun getting some international attention with this release so that’s pretty exciting. A few merch orders have been going overseas which blows my mind and I’m really looking forward to see what the rest of the work thinks of Hell Machine.



13.What is going on with some of the other bands or musical projects these days that some of the band members are a part of?


I’ve been slowly working on a death/grind side project with my brother (who I used to play in a band with). 



14.Where do you see the band heading into musically during the future?


I’d like to push the boundaries of our music and experiment with longer and more complex arrangements while still sticking to our core beliefs of Thrash and Satan.



15.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


Thrash, specifically the more extreme 80’s/90’s stuff, has been the biggest influence on our music (Old-School Sodom, Kreator and Sepultura). We also worship bands like Judas Priest, Mercyful Fate, Motörhead, Venom, Death, Darkthrone, the list goes on.

I’ve personally been listening to a lot of newer bands these days like Toxic Holocaust, Midnight, All Hell, Hexecutor, Deathhammer, Bunker 66, too many awesome bands to name.



16.Before we wrap up- this interview, do you have any final words or thoughts? 


Thanks for your interest in Hell Machine. I hope you and your readers enjoy the new album. You can purchase and stream the entire album at: https://hellmachine.bandcamp.com/album/relentless-aggression